This Is Taylor Swift’s Favorite Cookie Recipe Revealed

Is "thanK you aIMee" actually about Taylor Swift & Kim Kardashian?

There is plenty of evidence suggesting "thanK you aIMee" is about Kim Kardashian & Taylor Swift. The first and most obvious is that the title of the song only has three letters capitalized: "KIM." The song talks about "Aimee" (who Taylor admits actually has a different name in real life), a bully figure who beats Taylor's spirit "black and blue."

In the summer of 2016, Kanye West (Kim's husband at the time) released his song "Famous," in which he takes total credit for Taylor's fame following the 2009 VMAs incident. Taylor claimed she never gave him permission to call her a bitch in the song, a video leak from Kim seemed to show the opposite (the video turned out to be edited). At the time, Kim even told GQ that “[Taylor] totally knew that that was coming out. She wanted to all of a sudden act like she didn’t.”

#TaylorSwiftIsOverParty started trending on Twitter, Taylor Swift deleted all social media and stopped doing interviews for three years, then returned with a vengeance on the "Look What You Made Me Do" music video in 2017. The video starts off with a zombie Taylor burying the "nicer" version of herself.

Taylor Swift's "thanK you aIMee" mentions "It wasn't a fair fight or a clean kill // Each time that Aimee stomped across my gravе // And then she wrote hеadlines // In the local paper, laughing at each baby step I'd take." If you ask me, it definitely sounds like a reference to the music video and maybe even Kim's interviews.

Why does "thanK you aIMee" have random capital letters?

Taylor Swift loves hiding clues in her titles, lyrics, and messages. And historically, she's hidden words by using random capital letters. That means "thanK you aIMee" is supposed to draw our eyes to "KIM."

The Lyrics To "thanK you aIMee"

Verse 1: When I picture my hometown // There's a bronze spray-tanned statue of you // And a plaque underneath it // That threatens to push me down the stairs at our school

Pre-Chorus: And it was always the same searing pain // But I dreamed that, one day, I could say

Chorus: All that time you were throwin' punches, I was buildin' somethin' // And I can't forgive the way you made me feel // Screamed, "F*ck you, Aimee" to the night sky as the blood was gushin' // But I can't forget the way you made me heal

Verse 2: And it wasn't a fair fight or a clean kill // Each time that Aimee stomped across my gravе // And then she wrote hеadlines // In the local paper, laughing at each baby step I'd take

Pre-Chorus: And it was always the same searing pain // But I prayed that, one day, I could say

Chorus: All that time you were throwin' punches, I was buildin' somethin' // And I couldn't wait to show you it was real // Screamed, "F*ck you, Aimee" to the night sky as the blood was gushin' // But I can't forget the way you made me heal // Everyone knows that my mother is a saintly woman // But she used to say she wished that you were dead // I pushed each boulder up the hill // Your words are still just ringing in my head, ringing in my head

Verse 3: I wrote a thousand songs that you find uncool // I built a legacy, which you can't undo // But when I count the scars, there's a moment of truth // That there wouldn't be this if there hadn't been you

Bridge: And maybe you've reframed it // And in your mind, you never beat my spirit black and blue // I don't think you've changed much // And so I changed your name and any real defining clues // And one day, your kid comes home singin' // A song that only us two is gonna know is about you, 'cause

Chorus: All that time you were throwin' punches, it was all for nothin' // And our town, it looks so small from way up here // Screamed, "Thank you, Aimee" to the night sky and the stars are stunnin' // 'Cause I can't forget the way you made me heal // Everyone knows that my mother is a saintly woman // But she used to say she wished that you were dead // So I pushed each boulder up that hill // Your words were still just ringin' in my head, ringin' in my head

Outro: Thank you, Aimee // Thank you, Aimee

Funny Story — Taylor Swift

Let's start with the newest title: Funny Story! I have to be honest and say the fact that this story starts out with Miles and Daphne planning to get revenge on their exes (who immediately get engaged to each other after dumping them) definitely reminds me of the sass in "Picture To Burn," which is one of my favorite Taylor Swift songs of all time.

But even without the revenge plot there's so much about Funny Story that feels youthful and full of life. Taylor Swift's first album might be all about high school heartbreak and teenage angst, but she writes in a way that feels relatable, no matter how old you are. Daphne and Miles mourning their relationship at the beginning of the book feels like "Teardrops on My Guitar," while goofing off in the car is totally giving "Our Song" and Daphne's struggle to fit in and find community is inseparable from "A Place in this World" in my mind.

Even in the face of major heartbreak and betrayal (the kind that is anything but juvenile), Daphne and Miles find comfort in one another, and they really bring out each other's best personality traits. In my opinion, the best kind of relationships are the ones that make us feel safe enough to act like kids, and that make us want to get as much out of life as possible.

Happy Place — Midnights

Henry herself assigned "Maroon" to her 2023 release, and that's exactly why I'm linking it to Taylor Swift's 10th album. Both Midnights and Happy Place are layered, intricate, and vulnerable looks at both love and loss.

The news of Taylor Swift's recent breakup left fans guessing whether Midnights is actually a breakup album, making it even better for this pairing. Considering Happy Place's Harriet and Wyn are trying to play it cool when it comes to their own past relationship, there is a lot of reminiscing between both artists.

Midnights and Happy Place are complicated and emotionally-charged, and they bring feelings together that almost seem contradictory. But that's what I love about both Emily Henry and Taylor Swift — they show that our experience as women is multi-faceted, as both titles magnificently marry happiness, longing, sass, and melancholy.

Book Lovers — Reputation

At first, I thought Book Lovers should be 1989. After all, leading lady Nora is a business woman at the top of her game in Manhattan. (I know the book mainly takes place in North Carolina, but I stand by the sentiment). I realized, however, that just like Nora herself, Reputation is often misunderstood. The shock we all felt as a fandom when Swift announced the controversial era — partnered with all the drama surrounding the album — kind of overshadowed its actual themes and message. As much as Reputation is sharp, cunning, and shady...the lyrics are a vulnerable look into Taylor's mind, while the upbeat production makes it feel like she's hiding.

Just like Reputation seems prickly and unfriendly (when it's really complex and emotional and loving), Nora craves love but is afraid of it at the same time. Throughout the album, Taylor talks about her anxiety that the world wants to keep her apart from her lover, and that she's afraid she'll scare him away. If you ask me, Nora would have "Delicate" and "Dress" on repeat.

People We Meet On Vacation — Speak Now

Thanks to the album insert, we all know that Taylor's intention with Speak Now is to encourage listeners to say what they need to say, and go after the things they really want. And that's exactly what Poppy and Alex need to do in People We Meet On Vacation. Plus, both the book and the album explore different kinds of emotions, between Poppy and Alex's friendships, fall-outs, and romances, and Taylor's "Sparks Fly," "Long Live," and "Never Grow Up."

Instead of nuanced, soulful romantic musings, both Speak Now and People We Meet On Vacation feel more physical, which isn't to say they're any less complex. Both titles are about learning to be honest with yourself and with the people around you, and to take risks — especially when they're scary.

Beach Read — folklore

Beach Read is my favorite of Henry's novels so far, and I think the escapist mentality of both main characters is the perfect fit for Taylor Swift's 2020 surprise album folklore. January's romanticism and Gus' realism are the exact themes woven throughout folklore. Even when both the album and the book deal with betrayal, they're done in an intentional and careful way. Not to mention the fact that (spoiler alert) Gus' difficult romantic history sounds a lot like the Betty-Augustine-James love triangle found in folklore.

Once they feel comfortable around each other, Gus and January continually push each other to be their creative bests, and to think outside the box. That perfectly encapsulates the magic of folklore because of how the music is dreamy yet grounded, fictional yet so detailed that it sounds like a diary entry. Plus, both works are just absolutely beautiful.

Where can I watch The Watchers?

The Watchers hits theaters June 14, 2024. Even though the story takes place in chilly Ireland (and the costumes feature a lot of chunky knits), the lighting and color palette still feel summery. Plus there's something about the edge of horror movies that feels just right for summer.

Who's in The Watchers cast?

Dakota Fanning stars in The Watchers as Mina alongside Georgina Campbell, Oliver Finnegan, and Olwen Fouere. Throughout the trailer, we can hear the titular Watchers (especially when they applaud Mina's arrival. Creepy!!) but we don't know who will be playing them — or if they're even human.

Is The Watchers a horror movie?

Yes, The Watchers is definitely a horror movie! It's officially described as a supernatural horror movie, and it looks like it'll be a blend of the contemporary horror we know and love, with additional fantasy elements. I would love if the Watchers end up being part of Irish lore or mythology.

What is the Watchers 2024 movie about?

The Watchers follows Mina (Dakota Fanning), an artist who gets stranded with her pet bird in a large Irish forest. Thankfully it doesn't take long for Mina to find shelter with three strangers, but her relief turns to fear when she learns they're being watched and stalked by unseen creatures every night.

The fact Mina and her new companions can hear the Watchers but can never see them feels like a contrast to John Krasinski's A Quiet Place, especially since the Death Angels and Watchers sound very similar to me. I love how A Quiet Place emphasizes family and connection in the face of horror and I hope we see the same in The Watchers!

What book is the movie The Watchers based on?

The Watchers is based on the novel by A.M. Shine. If you're into horror books, add these 20 Spine-Tingling Horror Books and The 17 Best Mystery And Thriller Books to your summer reading list!