The Bachelor Recap: A Fake Haunted House and the Most Awkward Date Ever
*Warning: This post contains spoilers, so if you haven’t seen the most recent episode of The Bachelor, stop reading!*
Another Monday, another excuse to forget our current nightmare, pour a glass of wine and sink into the couch. That’s right — I’m talking about The Bachelor. Let’s dive right in, because they didn’t waste any time picking up where they left off last week.
We started episode five off with Taylor and Corinne fighting outside (still under the same blanket somehow), and Corinne used some strange reverse psychology on Taylor — which is strange, because isn’t Taylor the mental health counselor? She then told Nick that she didn’t think Taylor was there for the right reasons before Chris Harrison announced it was time for the rose ceremony.
THE ROSE CEREMONY
Things were tense while Nick handed out the roses, during which Astrid was given screen time. The only time Astrid is ever given screen time is during the rose ceremony, and if not for that, we’d completely forget about her. Corinne and Taylor both got roses and you could cut the tension in the room with… gardening shears? Because, roses? I don’t know. Sarah’s exit was tearful and sad, and I really felt for her. She felt overshadowed by the drama, which is understandable. Then Nick announced to the remaining women that they’d be traveling to New Orleans, and they all cheered before chugging Champagne.
Josephine always looks like she's completely surprised whenever her name is said. #TheBachelor
— CatherineGiudiciLowe (@clmgiudici) January 31, 2017
NEW ORLEANS AND A ONE-ON-ONE DATE
The women romped through the streets of New Orleans and tried on masquerade masks while Raven waxed on about whether anyone would buy a voodoo doll. Jaimi wondered whether she’d have an advantage because it was her hometown, and the rest of the women jumped on the beds in the penthouse suite like all ~grown women~ do! Then Chris Harrison came in and announced the week’s dates, which included the dreaded two-on-one date. For the uninitiated, that means one of the women on the date will be going home. The women didn’t want to look at the card when it arrived, but Raven stepped up and grabbed it — fortunately, it was just a one-on-one for Rachel!
Rachel and Nick walked around an open-air market, trying on masks and feeding each other. They then went and ate beignets, and we saw firsthand why Bachelor contestants never eat on TV — it was incredibly messy. After dancing in the street together, it was super clear the two had chemistry… especially to the women watching from the hotel suite upstairs. AWKWARD! It’s getting to the point in the season where many of them are calling him their “boyfriend” and saying things like “it’s so hard to watch your boyfriend be with someone else,” which is fair I guess, but it’s also kinda the whole experience they signed up for.
— Angelaåä Warner (@tANGerine13_) January 31, 2017
At dinner, Nick said that Rachel surpassed his expectations before she opened up about some Real, Deep stuff. She talked about the last time she was in New Orleans; it was for a funeral, and it was a huge departure from the joyousness of this time. They then talked about family and Nick asked what he should call her father — it did not sound hypothetical at all. He told her he was “breaking rules” by telling her he was super into her before giving her a rose.
Back at the hotel the women continued to debate who would be on the two-on-one date, though it should’ve been obvious — it’s ALWAYS the two who’re feuding, AKA Taylor and Corinne! The group date card came and confirmed it by elimination, and the women on the group date met Nick at “the most haunted house in Louisiana.”
As per usual, they grabbed a drink before exploring, and Nick predicted there’d be a “weird energy” to the date. Not a bad prediction, Nick! The caretaker of the haunted house was named Boo (of course he was!), and he told them all about the spirits of the house before giving them a, well, spirited tour. As the night got darker, so did the mood, and Jaimi suggested they try to meet “Mae,” the main ghost of the house. They then asked a Ouija board who would get the group date rose and also whether Nick would get engaged, which was pretty hilarious.
The Ouija board says, "Who is Whitney?" #TheBachelor
— Dana Weiss (@Possessionista) January 31, 2017
TBH, the stuff in the haunted house was all so staged and annoying that I won’t even entertain it by writing much about it — let’s just say there were flickering lights and a falling chandelier, and it was implied over and over that a spirit was pranking the bachelorettes. Moving on!
As far as the alone time with Nick goes, Raven and Nick had some pretty cute moments together. She actually told him him she was in love with him accidentally, and even though it’s way too soon for that, whatever — that’s SO Raven. He ended up giving the rose to Danielle M., and Raven looked thoroughly disappointed.
Corinne and Taylor packed up their bags and headed off to the bayou for their two-on-one date. Neither of them was happy about it, and they both provided wonderfully shady commentary in their side interviews. The one thing they could agree on was that they weren’t thrilled about the bugs, though.
They walked further “into the bayou” and met a woman who told them they’d be receiving a tarot reading. The tarot reader pulled some cards and then said there was tension, which was true, but c’mon — it didn’t take a card pull to sense that! Nick and Corinne decided to step away and talk so that Taylor could get her own reading, during which she learned that she was emotive, was moving on from an emotional situation, was around someone nasty and cutting, and that she shouldn’t get caught up in it. This reader sure knew her stuff!
In the meantime, Corinne was filling Nick in on the sitch with Taylor, including that Taylor had called her stupid and “bullied” her. The tarot reading for Corinne revealed that she was succinct and cutting, after which she asked how to make a voodoo doll (!!!) specific to a person (!!!), and the reader handed her one (!!!).
Now I’m gonna be *that* girl here and say I think the way they’re portraying New Orleans kinda sucks? They’re exploiting a lot of the stuff that gets made into a caricature rather than visiting the city and enjoying its rich history. Aaaanyway, what do we expect from The Bachelor. Back to the show…
A relationship based off of whipped cream and lies. I feel like this is an amazing title for a romance novel. #TheBachelor
— Lauren Magee (@LaurenMagoo) January 31, 2017
The women finally reconvened and sniped at each other for a few more minutes, basically doing a post-mortem on what had gone wrong in their “friendship” on the show before Nick sat with them. He picked up the rose and gave it to… drumroll please… Corinne! Nick and Corinne rode off together into the sunset on a fan boat. Taylor walked in the opposite direction and experienced some sort of… cleansing ceremony? it’s unclear… while saying that Nick had made a huge mistake.
As Nick and Corinne went on with their night, we saw ominous shots of Taylor in a car, and it was clear that it wasn’t the last we’d see of her. Nick and Corinne sat down to dinner and began to chat (and kiss!), and then Taylor walked in before the black screen and the “To be continued…” text we’ve gotten so used to this season. We’ll just have to see how it plays out next week.
Do you think Nick made a mistake? Let us know @BritandCo.
(Photo via Mark Coffey/Getty)
Artist Dev Heyrana On How Bravery, Resilience and Sunshine Influence Her Work
Ever meet someone who you feel immediate kinship with on a deep almost spiritual level? That is legit every person's experience upon meeting Dev Heyrana, the star of this edition of Creative Crushin'. A fine artist, hip hop dance teacher and constant collaborator, Dev's particular brand of creativity is one-of-a-kind. She manages to be warm, welcoming and woke, with a focus on inclusivity, social justice and motherhood that comes through in every piece of art she creates.
Anjelika Temple here, co-founder of Brit + Co and one of many humans who has benefitted from Dev's boundless generosity and kindness. We first connected at a launch event, then I asked her if she and her family would like to model for a B+C shoot (they did!), then months later, I asked the IG universe if anyone would be down to co-parent with me for a day so I could speak at a conference. Dev said yes! And for those that know her, none of these serendipitous moments are surprising.
Now it's time to delve more into Dev's story, her creative inspiration, her thoughtful approach to parenting and what makes her more passionate than ever about bringing her point of view and artistic voice into the universe.
Anjelika Temple: First, foundations. Where did you grow up? What is your heritage? What did you study in school? Where do you live now?
Dev Heyrana: Born in The Philippines and immigrated to the U.S. when I was 9 years old. Me and my family are from the island of Cebu and I'm a proud Cebuana. My childhood in the Philippines felt like freedom. I had my swimsuit in my backpack for whenever we decided to swim and I biked everywhere.
Immigrating here at 9 yrs old was a transition, to say the least. My parents had big dreams but the move was heavy on them. It wasn't easy. I had to grow up fast. I took care of my sisters while my parents worked night shifts. By the age of 12 I would cook dinner and get my sisters ready for bed. Something I didn't realize was that kids my age didn't do those things until I got older. We would play these make-believe games to make, in hindsight, our hard situation brighter.
I think this is really when art played a big role in my life. It was something I could escape in and always felt healing.
I witnessed racism towards my family and didn't know how to make sense of it. These events left a mark. I was a quiet kid and observed everything and everyone around me. I think about my grandparents, Lolo Jose and Lola Rita, a lot as I walk through life. When I make decisions. As hard as it feels, you have two choices, do you let it take you down or take it one step at a time forward. I kept going and it really shaped me as to why I am the way I am today.
I studied Fine Arts at The Corcoran in DC. I owe that decision to my art teacher, Mr Giles, in High School. He was retiring and wore a Hawaiian shirt every day during my senior year. He was a curmudgeon and I felt incredibly special since out of everyone in the school he really believed in me. As grumpy as he seemed to the class, he would tell me things like "Go into the other studio and break some glass, then put it on a canvas." He's the reason why my abstract pieces have elements like clay and sand in them.
I've had incredible mentors and all were teachers. Mr. Giles in High School and Christine George in College. Christine was the one who told me to go either to New York or San Francisco because "D.C. is no place for an artist like you." She told me to not listen to anyone, how I can still paint, be a graphic designer, and, if I choose to, have a family. I've never had anyone tell me anything like that before.
I took a chance because of her. Moved and went to Design School in 2006 and I've stayed in the Bay Area ever since, raising two girls with the love of my life.
Anj: You are one of those magical human beings that has figured out how to be a full-time artist. What was your career path like before you were able to dive fully into your creative passions?
Dev: The most radical thing I could have done in my family, I did, I went to college for Fine Arts. A mix of being so young and having to do it on my own, I went with the school that gave me more scholarships. Even then I worked three jobs to be able to get through it. Hard work is ingrained in me.
With my sculpture background, I fell in love with Print and Packaging and why I came out here to San Francisco. I appreciated the security of having a career in Graphic Design. I also learned how to work with clients and the business side of things. Even then, I never stopped painting.
A few years ago I went through a pretty hard time with my health. I dealt with six surgeries in one year and I still have to do some follow-up ones. That experience almost broke me and what got me through was my family and painting in bed while I recovered.
When I finally got back on my feet, my heart just wasn't in Graphic Design anymore. So I made a two year plan. With a toddler and a mortgage, I wanted to make sure my steps were thought out. I put myself out there as an Artist while I still worked in Design. After a year I worked part time as a Graphic Designer and stepped down from my Creative Director position. I loved it, to be creative as an Artist and as a Designer. I looked at 2018 as my year to make the jump. If my work as an Artist balances out with my salary then I would quit in the Summer of 2019. And so here we are. I also am sharing a studio with my good friend, Naomi PQ, and I feel like my creative drive is just beginning.
Anj: What do you love about painting? How do you feel when you're in a creative flow state?
Dev: Like every part of me is free. Free to express myself through the stroke of my hand. How all of it leads back to my heart. These elements I use to paint have a mind of their own and how I need to respect the process.
It centers me and reminds me that the process is just like the life we lead. I know I still have so much more to learn but while I'm painting no matter how it's going, I'll embrace this moment.
Anj: You reference your roots quite a bit in your work. Talk to me more about how your roots inspire your work.
Dev: One of my earliest memories is of my Lolo Jose teaching me how to water mango saplings. He converted to Buddhism when my mother was young, so he viewed the world with love and kindness. I didn't realize it then but watering those mango trees were life lessons. We need to take the time to nurture, practice patience, and respect all living things. I still imagine him walking beside me often, carrying his teachings as I find my way in this world.
Nature and the Sun drive my pieces. My abstract works are fragments of moments. Like the sunset I grew up with when I was seven years old in the Philippines, like how I saw the water in Cebu when I dove in as a young adult, and like when I saw the redwoods with my children for the first time.
I see earth in our skin and especially when I paint people. How our mango trees grew and blossomed because the dark earth was rich with nutrients. I imagine the Sun piercing through these women I depict. I paint their love and bravery because their resilience cannot be contained. I want to celebrate all of it.
This is the beauty of Art, I am able to paint exactly how I see it.
Anj: Motherhood and your daughters are also central themes in your work. How has motherhood changed your approach to creating artwork?
Dev: Everything. I was still deep in my Design Career and I would paint at home. One day Quinn, who was 3 years old at the time introduced me at the park to a mom. "This is my mom, she's an Artist." It struck me that my toddler knew who I was more than I knew myself. That's really when I really owned it. I am more fearless because of my girls.
I own my body, I thank people when they compliment me, and I am selective but fearless when I use my voice. I am more in tune how I speak about myself because of them. When I paint these women I want to celebrate them. I notice how I embrace myself is translated in my paintings.
Anj: What advice can you give to parents who are trying to tap into their kiddos' innate creativity?
Dev: I don't have a lot of guidelines set up. I'll say "Let's draw the biggest fish we can draw" or "how many silly lines can we make" and I let them lead me. They ask me questions, show me things, and I sit there with my coffee watching their eyes wide with excitement. Watching them in their creative process is pure joy for me. Those silly lines can turn into a dragon or waves and next thing we know, we're drawing a big beach scene. My advice would be that you can suggest something to start it off but be open to how they take it. It is such a beautiful window into their minds.
Anj: Shifting gears to HIP HOP DANCE! Talk to us about his component of your creative expression.
Dev: I loved the Hip Hop scene in DC and discovered how much fun the clubs were in college. My friends told me about this Hip Hop Crew I should try out for, I was so scared because I've never taken a dance class in my life. I got in and it was like having another family. We competed all over the East Coast, it was a blast!
I found hipline when I started my first Design Job and needed an outlet. It was exactly what I needed and one of the owners asked if I was interested to teach. I've been teaching there since 2009 and am still going strong. It's a wonderful community of women. Now we're virtual and reaching clients all over.
Anj: What does a typical [pandemic] day look like for you? How does it differ from your rhythm before COVID?
Dev: I've been practicing being kinder to myself lately. Both me and my husband work full time and so having the girls at home is a challenge. Some days we are amazed by how smooth it went and then there are others where if the girls are clean and bellies are full, it's a total win.
Now that we're on month 8 our rhythm before covid felt more chaotic to be honest. I felt like we were always rushing out the door while carrying so many bags. Now my husband and I try to have coffee together, if he has a break from his meeting, and we sit with Quinn before school to see what she has to do for the day. Rowan's preschool closed down but we were able to find a wonderful speech therapist for her and she has an Adventure Pod we go to two times a week.
The one thing we really try to do is go outside once a day. Have some magic in their childhood no matter how small. It could be just going up for a hike by our home and picking up leaves, riding our bikes, or watching the sunset from our window. Seeing how the girls' react to these adventures we have is pure magic.
Anj: When you get creatively blocked or burnt out, how do you reset? Do you have tips you can share?
Dev: I go outside. I go out for a hike or go to the beach. Even if it's 15 minutes, something about grounding yourself in Nature is really healing. I also do exercise where I doodle for two minutes because it feels doable. Judgment-free doodles, always opens the doorway to more.
Anj: I know firsthand that community-building is huge for you. Tell us more about what your support system and creative community looks like.
Dev: I feel a lot of love and strength when I think of my community. My relationship with my sister led the way what women supporting women looks like. It's listening, asking questions, remembering, cheering for all the wins, being there even if it's hard, and taking time to invest in them. The way me and my sister show up for each other is why I have these amazing women in my life. I can talk to them about my family, motherhood, and we're all trying to balance it all while sharing my most recent project. I feel really blessed especially looking back in my college years where I don't know where Art would take me.
Anj: When you need to give yourself a pep talk, what does it sound like?
Dev: I usually take a deep breath then say or think "One step forward". Most of the time, I'm scared (as shit) but the thought of not trying scares me more. That one step forward can be hard as hell and maybe even heartbreaking, but I have to try.