Trisha Yearwood Will Inspire You to Follow Your Passions

Not only does Lana have to navigate her relationship drama, but she also has to deal with the fact Emma's wedding is totally taken over by social media, a concept that was really appealing to Brooke Shields from the beginning.

"It has to unfold, not necessarily in the way that it would have organically unfolded with a mother and her only daughter going to pick out the dress and going to plan the napkins and all those things that you sort of dream about doing for your daughter," Brooke says. "So that was a really interesting thing, for that to be usurped and sort of [replaced with] somebody else's ideas."

"The script I read, [Emma's] vocation was creating this amazing website that all the sponsors were excited about," Benjamin Bratt says. "But over the course of shooting it, I think the filmmakers recognized that it's not about websites anymore, it's actually about TikTok and social media."

Ironically, the cast didn't find themselves online too much during filming! "I used my phone a lot less than I would have," Sean Teale says. "Especially during the shoot, we spent our whole time messing around if we weren't working."

"Especially with the time change too," Miranda Cosgrove adds. "It took a while to get used to that. So it kind of just makes you feel like you're off the grid. Being in Thailand was like a little getaway."

The fact that Emma is basically a social media star means I HAD to ask Miranda about iCarly, and whether Emma and Carly would get along. "I definitely think that they would be super close," she agrees. "But I think that Emma would probably wanna, like, manage Carly or something. Like she'd wanna manage her social media and come up with ideas and stuff for her channel."

Miranda Cosgrove (and Brooke Shields for that matter) isn't the only member of the cast who's experienced the limelight from a young age. The cast also includes Chad Michael Murray, and as a One Tree Hill and A Cinderella Story STAN, I had to ask what it was like working with the Gilmore Girls actor. "You know what, I'm like 'Those abs have got to be painted on,'" Brooke jokes. "No, you know what was amazing was seeing him with his family and his stunning wife...It's picture perfect."

"[The story is about] that bond between parents and children, and many of us, including Chad, are kind of on board with it from our own personal experiences," Benjamin Bratt says. "A rom-com doesn't really succeed unless it has that very delicate, hard-to-achieve balance of outrageous humor that's gonna make you laugh out loud and real humanity."

"Brooke is...one of the most generous kind, empathetic, inclusive, enthusiastic actors I've ever worked with," he continues. "She loves what she's doing, she's always checking in with everyone, not just with other actors, but with the craft service person, 'Are you okay?' She's so maternal in that way. And it's really not an exaggeration, but it creates an environment where you really feel supported."

"For me, it's like, ok, it's pretty great to have Chad and Benjamin vying for your attention," Brooke adds. "To be this age of an actress and sort of be like, 'Oh my God, not one but two of them get to fight for me?' Like, that's sweet and funny."

"I have worked with men in the past and they're threatened by a female lead or there's a delicate nature to it," she continues more seriously. "It's tricky. And you see these two beautiful men who take their job really seriously bring brilliant nuance to the dramatic scenes, the funny scenes, all of that, who are okay also being a bit more of an object of desire as well. I mean, the slow motion of [Chad] putting spray on his body and [Benjamin] coming out of the shower, it's something that you don't see a lot, you usually see it in the reverse."

"Feel free to objectify any time," Benjamin jokes. "If Brooke is gonna [do it] I have zero issue with that."

“I feel great. I’m somewhat reluctant to share very much about my personal life ‘cause I feel like so much has already been shared, but it just seems like I needed to do this,” Whoopi said when I ask her how she’s feeling about sharing a very special part of her heart with readers. “I try to listen to my instincts and everything said, ‘Now’s the time. You might as well do it,’ and so I wrote it,” she continued.

And while that passionate impetus ignited the flame, she also admitted that she was beginning to forget things, so she wanted to make sure she remembering as much as she can by telling these stories now.

One thing that hasn’t changed for the actress is how much she sees and hears her mother, not just in herself, but in other family members. “I see it all the time. I hear her, and now my grandkids hear her as well. I have a great-granddaughter — who’s 10 and never got to meet my mother — but my oldest granddaughter talks to her like she is my mother,” she said with a fond smile. It never ceases to amaze me how connected we are to our ancestors even if we’ve never had the pleasure of being in their company.

Whoopi feels incredibly fortunate she was able to have grown up in a household where her mother and brother were. “Listen, I’m really lucky that she was my mother. I feel like it was a good pairing. Same with my brother. I just don’t know what life would’ve been like had I been born to different people with all of my idiosyncrasies,” she said.

And that’s one of the things that stood out to me throughout Bits and Pieces. Whoopi’s mother truly created an environment that fostered the individual personalities of her children, while also teaching them valuable lessons that still live within Whoopi today.

“Most of my being is a product of growing up in this particular household; how I listen to people, why I listen to people, how I will and will not allow people to speak to me,” she stated without hesitation, “All of these things that go into her raising children who were aware of themselves and where they might fit in the universe, and her knowing the universe was much bigger than even she understood, so that I could end up anywhere on any planet; the same with my brother. We could end up anywhere and we’d be alright.”

Her mother also made sure that Whoopi and her brother knew not to judge people at first glance until you actually spent time with them, and to be unafraid to disagree with people. “If people don’t want to be your friend after you disagree, then they’re not people for you to be with,” she shared.

The other thing Whoopi recalls about her mother is how intentional she was about not allowing herself to be boxed in by her circumstances as if they were the beginning and ending point of her life. “She just never would accept the world other people kept trying to put her in. She was like, ‘Look, I will do whatever I need to do to get away from this and elevate myself.’ Her attitude was if you’re not curious, you’re not living,” Whoopi said.

The more we talked, the more she expressed her gratitude for her mother and brother again. “I don’t know how it could’ve been any better,” she said with pride. “We were three strange people who really loved each other and because she [her mother] loved us, we knew we weren't different like people thought we were,” she reiterated.

She then briefly addressed her dyslexia with me. While that could bring many down — especially actors young in their career — Whoopi's didn't.

“Dyslexia didn’t mean I was not smart. Dyslexia meant that I perceived things differently. She [Whoopi's mother] said, ‘There’s nothing wrong with that. You just have to get used to teaching people because they don’t know how to listen the way you do. You’re listening with different ears. You have to know that everyone is trying to absorb the information that’s out there, but we don’t all hear it the same way…’” Whoopi pointed out.

Before our conversation comes to a close, I can’t help but talk about our shared love of all things horror. I literally clapped with delight when I came to the part in the book where she mentions it because it’s something I used to think I had to apologize for as a kid.

Yet, here’s this monumental actress who loves the genre just as much. When I ask her which three horror movies she’d watch back to back, she lit up before saying, “The Haunting — Robert Wise’s version, The Exorcist — a quintessential horror movie in her opinion, and Poltergeist, or Nightmare on Elm Street.”

She recalled that horror movies used to come on television every Saturday night, and she’d watch them because she was too young to go to parties. “I love all of the old Universal monsters, all the Hammer monsters. I want a movie about all of them.”

When she’s not watching horror movies, Whoopi feeds her imagination by listening to audiobooks at night. She said, “For me, imagination still comes from someone telling me a story and I can end up wherever I end up in the book.” As far as whether people allow themselves to be in touch with their inner child, she said people can lose it because they don’t realize how important that inner child plays.

“But they find it. They go looking for it,” she said with that familiar smile I can’t believe has followed me from my television to my computer screen.

Based on our conversation and the way she poured her love into Bits and Pieces, it’s easy to understand that the timing of her memoir couldn’t be more perfect — that intention plus action matters.

My own childhood is full of memories where my mother and older sister were the center of my universe. For a while, it was just the three of us in our small home before my stepdad and stepbrother came into the picture. The days spent with with them consisted of free trips to the library, Wild Adventures, feeding ducks at Lake Ella in Tallahassee, Florida, and so much more — not that different from Whoopi's days with her family.

It's always heartwarming when you get a chance to talk to other people and realize that our experiences aren't always that different. It's why I can confidently say that readers will be surprised at how full their hearts are by the time they reach the last page of Bits and Pieces. It’s a beautiful look at not just Whoopi's soul, but the endearing moments she shared with her family, her ancestry, and ultimately with all of us along the way.

Pre-Order Whoopi Goldberg's Memoir "Bits and Pieces" Today:

Bits and Pieces

Be sure you order your copy of Whoopi Goldberg's memoir Bits and Pieces today. You're truly in for a treat — and just in time for Mother's Day!

Yulin Kuang's Journey To "How To End A Love Story"

Some people seem to be born knowing they're destined to right, but some of us stumble into it and realize, "Hey, I'm pretty good at this." For Yulin, her journey to her debut novel How to End a Love Story takes the latter route. Her first dream, you make ask? To be an Olympic figure skater.

"...that didn't pan out so I turned to storytelling," Yulin admits. That pivot led her to set her sights on becoming an author as she began honing her creative writing skills via your classic marble composition notebooks. If you're still wondering if she kept some of them, the answer is yes!

The screenwriter and author then found herself drawn to other aspects of writing and film. She says, "I eventually fell in love with screenwriting and directing while in undergrad at Carnegie Mellon, and I spent my first decade post-grad concentrating on my filmmaking career."

Yulin Kuang's Approach To Filmmaking

It's a reason why her hard work and the stars aligned for her to adapt Emily Henry's Beach Read and People We Meet on Vacation.

When I ask what helps her approach the book-to-film trajectory, she credits writing fan fiction. This feels similar to Christina Lauren's own experience, further proving that fan fiction deserves the utmost praise for helping some of the best literary and film minds who ultimately birth what I could only describe as masterpieces.

Yulin says, "Fan fiction is where I first learned you could play with characters originated by someone else to discover what you’d make them do in your own version." Although it would be easy for anyone to snap their fingers and have their first pitches accepted by everyone, she learned to lean on what writing fan fiction taught her.

"Early in my career, I would pitch on book-to-film adaptations and I’d be like, 'Change nothing, just shoot the book!' And I wouldn’t get those jobs, because I didn’t have a clear “take” and because you can’t actually just shoot a book – adaptation is an art form unto itself. So onceI started approaching adaptation with more of a fan fiction mindset – 'What is my take on these characters and this world?' – that helped me approach the book-to-screen trajectory more successfully," she proudly says.

However, this doesn't mean she never questioned if she could still find ways to create new ideas. "...in 2021, at a time when everything else I was working on was an adaptation, I found myself wondering if I had anything original left within me," she remembers.

It's natural for creatives to experience moments of doubt, but Yulin has been able to turn the tide and discover untapped ideas in her mind. Just don't expect her to set her own expectations about any adaptations she's working on.

She says, "Know that I am an avid reader of romance and a frequent consumer of this genre across mediums, and I will be bringing everything I know going into these adaptations. But more specifically to Beach Read, which I have more creative ownership over as the writer/director."

How Yulin Kuang Relates To Her Main Characters In "How To End A Love Story"

And since How to End a Love Story is truly Yulin's own creative body of work, it makes sense that main characters Helen and Grant have pieces of her personality as well as her characteristics.

"I gave Helen all my hopes and insecurities from high school and gave her the alternate universe path where I had pursued publishing instead of Hollywood. I examined what might have happened if I’d grown into certain qualities I’ve actively tried to grow away from," she says of Helen Zhang.

Right away, readers get the sense that Helen is a whip-smart and hardworking, but her penchant for being cautious about her success also peeks through. Though she's written highly successful YA (read: young adult) novels, Helen waits with bated breath for the moment people will call her bluff. She's relatable because many of us wonder if we're simply cosplaying as versions of ourselves who've reached any level of success.

On the other hand, there's Grant Shepard. He's seemingly this cool, calm, and collected screenwriter who has a complicated past with Helen. Yulin says, "I gave Grant a lot of the qualities I’m proud of and/or have coveted as a working screenwriter, and I certainly relate to many of his thoughts on screenwriting and the current state of our industry."

The more the reader learns about Helen and Grant, the more it becomes obvious that there's more to them than meets the eye. Sure, they are complicated...but who isn't?

"At their core, Helen and Grant are just two kids from Jersey trying to make it in Hollywood, and of course I relate deeply to that," she says.

Yulin Kuang's View Of Rom-Coms

Based on Yulin's genuine interest in romance novels and the fact she's well-versed in adapting them, she knows what it takes to make rom-coms flourish. Her first take? "Romantic tension is key to any romance – I always need to know why our couple can’t be together now. The second that tension is gone, so is audience interest," she points out.

This explains why we can't get enough of reading books about it, listening to albums dedicated to it, or watching films that depict all levels of romance. Still, there are some people who approach the genre with a side eye.

"There seems to be a natural human suspicion of things that make us feel too good – like, 'That can’t possibly be good for us, that’s just candy!' I wonder if it’s something evolutionary at work," she says before doubling down. "You can’t argue with the fact that people absolutely fucking love rom-coms, and I will die on the hill that a well-earned happily ever after is both harder to achieve and more narratively satisfying when it’s pulled off successfully."

She's the type of writer who really appreciates a big kiss that's handled correctly onscreen, but she's also not afraid to "groan every time it's fumbled." But, she knows everyone still won't see romance the way she and so many others view it, but she doesn't really care.

"Ultimately, I don’t concern myself too much with changing minds that don’t want to be changed.There are enough smart people who recognize the power and value of rom-coms, and I’d rather spend my precious time creating art to surprise and delight the people with good taste."

Need I say that this is yet another reason why How to End a Love Story works so well?

How Yulin Kuang Wishes The World Would Celebrate AAPI Month

As much as she's vocal about screenwriting and rom-coms, Yulin also has thoughts about the way society-at-large talks about BIPOC creative artists. "There’s a real, 'This is important, eat your vegetables,' vibe to things. And while that might be true, it’s not the most appealing way to market or discover art," she says.

She admits this could be due to how many diversity-in-film panels she's attended. As a Black woman, the conversations I see every year during Black History Month seem to have a certain "Let's check this box so everyone can be happy" vibe, so I can imagine attending panels about diversity and inclusion can start to sound repetitive after awhile.

Yulin doesn't hold back when she says, "I’m a little jaded when people ask me diversity questions at this point. I don’t want to attract the kind of readers who are only showing up to be supportive of my Asian-ness. It’s a bit like showing up to a date where someone says, 'I’m so excited that you’re Asian!!!'" This is an analogy I can so get behind because it makes a lot of sense!

It's one thing to have representation, but I like to think it's always obvious when people are approaching the conversation in a way that 'others' BIPOC people. We're literally not asking for a trophy, but more so an acknowledgement that we shouldn't be excluded from conversations, spaces, and careers or treated differently.

This sentiment is shared by Yulin who says, "That’s the thing about me that I didn’t do on purpose, and while I’m glad you’re excited, I hope there are things that I did do on purpose that you find exciting, too" and feels there is a way to be a genuine ally.

"...support AAPI creatives by all means, and perhaps begin by celebrating us as individual artists even after the designated month ends. And where applicable, talk about our work like it’s candy, not vegetables. I’d rather be irresistible than important," she states.

Take a page from Yulin Kuang's book and pick up a copy of How to End a Love Story today! You won't regret it!