Why Tovah Cook Believes Daily Micro-Actions Are the Best Path to Activism *and* Creativity

Tovah Cook

The idea of daily actions can feel like a lot. Daily exercises in creativity designed to help you blossom can feel stressful, like another to-do. Taking time every day to take action, support your community, dismantle archaic systems, and help others thrive can feel even more daunting — the work of an activist, a fighter, someone with that elusive resource, time. But as you might have guessed, we've got an inspiring story that will have you taking action every day, in ways you might not expect. Meet Tovah Cook, designer, dancer, ceramicist, and author of Black Binder, a notebook of curated prompts to steer anti-racist questions and topics into actions and solutions. A calming presence with a thoughtful demeanor, Tovah is a creator who pours intention, soul, and heart into everything she creates. Her own exploration of anti-racism and Black history is what inspired her to create Black Binder in the midst of *so* much coming to the surface in the summer of 2020. Tovah found herself navigating topics and questions she still had much to learn about, and realized others were on a similar journey.

Anjelika Temple here, co-founder of Brit + Co. In collaboration with Represent Collaborative, I had the honor of virtually sitting down to chat with Tovah Cook about her creative process, what inspired her book, and what activism looks like for her on a daily basis. The thing that struck me the most about our conversation was how it ended — I asked if there was anything else she wanted to cover. She replied, "I do have one question. How can I support you?" And that is Tovah in a nutshell — supportive, looking for ways to learn and grow, and always community-first. Read the full interview below.

Anj: Ground us in your roots. Where did you grow up? Where has your creative journey taken you?

Tovah: I'm originally from Texas, a little east of Dallas, called Garland, Texas. I grew up there and lived there all my life until 10 years ago. I went to the University of Houston and studied architecture and environmental design. When I finished school, I started thinking about what my next chapter might look like. Is architecture still something I want to do? I was questioning the idea of form equals function. Then I started taking my master's classes at Academy of Art in graphic design, and that was when I transitioned to the Bay Area. I was only going to be here for a semester or two and I'm still here.

Anj: Oh yes, often how it goes here in Northern California. Your creative practice covers dance, design, ceramics, writing, and more. What do you love about making and designing things?

Tovah: I like not the finished product. I feel a lot of people like the finished product, but I like experimenting in the practice of things. With ceramics, I really like experimenting on different glazes and the outcomes. It's literally a science project because you don't know what those glazes might be or how the clay might react. It just all looks a bit different. And I think that's the same with dance and stuff. I just love learning new moves but not necessarily performing.

Anj: So the learning process and experimental process and figuring it out is where it sounds like you feel your spark. Tell me a little bit more about what the state of creative flow feels like for you, when you're in that moment. Is it a frenzy of activity? Is it a sense of calm that washes over you?

Tovah: It's a little bit of both. I would say last year or for 2020, it was a bit different than other years because one, I got laid off and so I had a bit of extra time. I got laid off the same day that I was moving out of my place, a week prior was when a lot of companies started having all the layoffs. I had decided not to sign a lease because I was a bit nervous that I was going to get laid off. And so I booked an Airbnb for a month thinking that the pandemic was only going to be a month. And that was in Oregon in a small middle-of-nowhere town called Yachats. It was a very unique opportunity for me because it's not my normal experience of how I get creative. I was surrounded by nature. I would go on walks. I would do sunset walks each day to the beach. And there's no one else there on this beach. It was just me. You can really just get surrounded by your thoughts and literally think about something for hours and not feel the pressure of needing to do something. And then I started writing. And I don't think I'm necessarily a good writer. I actually was told multiple times by professors that I was a bad writer. But I started writing anyway. I like writing micro things. So looking at a plant and looking at the fuzziness of it and writing those details. Or I would write the details of how the cabin I was in was built, the light shadows that danced on the walls, the way the wood overlapped. That started getting my creative juices going.

Anj: A natural writer, you brought me to the perfect segue into your writing and Black Binder! What inspired you to create it? Tell us about the moment when you realized you needed to bring this thing into existence.

Tovah: For a couple of years now, I've wanted to create a journal. And so during this time, I was like, "Okay, now's my chance to create this journal." But then seeing everything happening last summer, I felt maybe this could be an opportunity for me to create something meaningful and useful. So it's not just blank pages, but people could get some use out of it. Some friends and people reached out during that time period when everything was happening last year with George Floyd and stuff and asking questions. I would say most of the time I wasn't able to answer at that moment because of sheer exhaustion. And then I think just throughout life, I've been on this journey as a Black person finding my own identity and being a Black person and especially growing up in a mostly white community of learning about the history of who I am and my ancestors. I had to Google questions the same way a white person's Googling these questions last year. And so it's me rethinking those questions and putting it all down and just creating more of an exploration of the stuff that I had to do myself, in a way that people can use themselves.

Anj: I'm curious, since it came from exercises and questions you were asking yourself, who do you think is the ideal audience for the book?

Tovah: When I first created it, I think I wanted it to be more of a workplace book where there's a diversity inclusion team, and people could actually come together and have conversations, almost like a book club. But then I think it expanded on all these different scenarios. I think the audience group is most likely someone who has had privilege and doesn't quite know where to start, or has started a little bit but… I think there are always improvements that we can make. And so the ideal reader is just trying to learn better ways of how they can get more engaged within their community.

Anj: I love that. Talk to me a little more about once someone's engaging, what do you hope they get out of it?

Tovah: I feel a lot of people have assumptions and misconceptions of the Black community. When we look at the statistics and within my book, I have all these spaces where you would have to understand why maybe there's more Black children within the foster care system, or why there are more Black men within the prison system. And so I ask people to write these numbers down. So first, it is the learning, learning why these numbers are here. I want people to have more conversations, more than, "Okay, I read this piece of work." Or, "I've read an anti-racist book and now I'm anti-racist." I want them to see the numbers, see why, and put it into action by getting involved in their community. When you get the book, you'll see that there aren't actually any resources. I don't provide lists of books that you could use to reference because I want people to do their own research themselves. And I want it to be based within the community that they live in, because you could read a book about how to be anti-racist, but it might not be applicable to that area which you live in.

Anj: I know one thing that's a focus point is daily prompts and daily actions. As an activist yourself, what do daily actions look like for you?

Tovah: For my daily action items, I think small in that I think a lot of times people assume that it has to be big. Even right now it's like, "Okay, Biden's going to do all this stuff." We expect it from the top down. And I actually think it happens within our own community and individually. And so I think really small. For MLK Day, I was thinking what can I do within my community? I didn't know what I was going to do that day. But then I went to the grocery store, and I saw a homeless person sitting there on the street and I was like, "Okay, maybe it's just me having a conversation with him." And so I went in and got groceries for him and then withdrew some money to give to him. Because just thinking about Martin Luther King's message — how are we trying to help people? I try to think of it small each day, what am I going to do? It might not be something like donating or giving; it could be me just learning something or me just supporting a friend. It doesn't actually have to be focused on social justice but just creating something and trying to improve your community each day.

Anj: Has activism always been core to your purpose, your personal mission?

Tovah: No. Growing up in Texas, you know the dynamic of people who live there is very different from here in the Bay Area. When I was living there, I was young at the time and I didn't want to talk about politics at all. I didn't know much about it. But then when I do look back, I see how my mom set up ways for us to be activists. Not necessarily like at the scale of Angela Davis. But when we look at it, maybe my mom was an activist in that she was trying to instill this justice within me. I remember in high school, I reached out to our principal because at one point, our principal made the decision that Black children had to cut their hair because it was a distraction in class. So me and my sister contacted the principal, and we got other people to do it. And now that I think of it, I guess that was activism work. But at the time, I just felt I didn't want to talk about it. I didn't want to be involved about it because I just felt everyone was just going to bash me or talk down to me. It's just a lot of weight when everyone disagrees with you. Like, "Am I supposed to have a voice for this? Can I just be on my way? Do I have to have an opinion?"

Anj: My gosh, totally. What areas of advocacy are you focused on at the moment?

Tovah: I feel I put my hands in a whole bunch of different pots. I'm still trying to learn where I want to be because I do think that it's like creating a relationship with an organization or a specific mission. I would say at the moment, there's a few organizations that stand out to me. I've been donating to this organization called Creative Growth. It's a nonprofit that supports individuals with disabilities and helps them create artwork. And this one's in Oakland. I love that mission and what they're doing. And I've been thinking about maybe where I want to be involved and help and provide more support is in that area. Right now, I'm reading a book called Disability Visibility, a compilation of a whole bunch of essays by people with disabilities. Each essay is really powerful and has me thinking about how we can amplify people who have disabilities, their voices more. I feel in 2020, everything was released and it's like, "We're just going to release everything and talk about everything." But I do feel we still could do a lot of work on amplifying people's voices who have disabilities.

Anj: When you're not finding small ways to act and create each day, how do you recharge? So what does self-care look for you on a day-to-day basis?

Tovah: Something that I started putting into my routine, I started putting an ice cube on my face. And it's shocking at first, but it's really soothing in a way. It's supposed to be really good for your skin. And you know when you wash your clothes and they come fresh out of the dryer, and they're really warm? That moment of taking your warm blanket out of the dryer and wrapping yourself with it, that's my favorite feeling in the world. And naps. I like naps.

Anj: What advice do you have for creatives who have an idea or who have a story to tell but have no idea how to put it out in the world or get started?

Tovah: I like to create small wins for myself. A lot of times people make really big goals and having that big goal is good, but along the way, just to keep you inspired, it's good to have small wins. When I created the book, my ultimate goal was to get it published by a big publishing company. I had no way of even creating the book. And like I said earlier, I thought of myself as a really poor writer. But you take it one step at a time. Along the way, you have to get a copyright license and filling out that form feels daunting even though it's not. It's only 20 minutes. If you're doing something for the first time ever, everything just feels so daunting. And so I just create small wins. It's not necessarily like, "I have to do these things at this time." It's just when they happen, it's like, "Okay, let's celebrate and use that as a means to move forward."

So I would just say yes, things will feel daunting but to not let that be a reason to just stop and give up. Most of the time you won't know what you're doing, and that's okay. Just keep on going and be okay with not knowing what you're doing.


Anj: Finally, we want to encourage the REP CO readers to take action. What organizations should our readers know about? What stories should we read or learn about?

Tovah: I read this book last year calledThe Book of Rosy, A Mother's Story of Separation at the Border. It's a beautiful story shared from a mother's point of view. Stories that are often silenced and suppressed. And you can support an organization called Immigrant Families Together, which provides more information about people at the border and how you can help or be a part of the organization. I thought that was really good for people who want to learn about undocumented citizens or get involved in that way. There's also an organization called Impact Justice. That's something I want to learn more about myself, thinking about people who are incarcerated and how we can help them out.

I also subscribed to emails from an organization calledUpturn.org. It provides really hefty reading on different policies and government policies that are happening. There's this one report called Mass Extraction: The Widespread Power of U.S. Law Enforcement to Search Mobile Phones. So if you're really into heavy reading, and you want to understand or just get really passionate about why are the police surveilling us, this is a good organization to look into.

Anj: Awesome. Well, thank you so much. This was so nice chatting. Is there anything else that you want to talk about or make sure we mention?

Tovah: I really do appreciate this conversation. I feel grateful. I do have one more question. Just wondering how I can support you.

Anj: My goodness.

Buy your own copy of Black Binderhere, and be sure to follow Tovah Cook @saint_florence for more inspiration, action, and art.

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Right about now, you're probably searching for the perfect beauty gifts, DIY gifts, gifts for the guy in your life, and an office Secret Santa present. There are endless options to choose from, but it's so much more rewarding when you find a gift that gives back — like when brands offer a percentage of proceeds to nonprofit organizations or match your purchase with a direct gift to those in need. So this year as you're doing your holiday shopping, opt for something that'll help make the world a brighter place. Scroll on for the most stylish, thoughtful, and charitable gifts for everyone on your list.

Shiffon Duet Pinky Ring

Wear solo or in a stack, this adjustable pinky ring is set with a large stone beside a tiny diamond and represents one woman supporting another through a "pinky promise." Fifty percent of profits go back to female-founded companies through the Startup Girl Foundation. ($155)

ABLE Rachel Wristlet

Handcrafted in Ethiopia and Mexico, this stylish leather bag makes the perfect everyday purse. ABLE seeks to end generational poverty by creating jobs for women lacking opportunity. ($98)

Obakki Tumblers

These vintage-inspired water/cocktail glasses are surprisingly lightweight and beautiful on your holiday table. Obakki is committed to transparency and traceability throughout the production process and their foundation, The Obakki Foundation, allows them to give back even more to their partner communities around the world. ($108/set of two)

The Landmark Project X Wildlife Federation Sweatshirt

This unisex sweatshirt is a perfect gift for the outdoorsy person in your life. The Landmark Project partners with the National Wildlife Federation on a new collection for wildlife lovers that gives back! With each purchase from this collection, The Landmark Project will donate 10% to the National Wildlife Federation, directly contributing to their vital environmental and conservation initiatives. ($68)

OneHope Gold Glitter Edition Brut Sparkling Wine

Put the cheer in your cheers with this sparkly sparkling that's perf for a NYE toast. Ten percent of your order goes to the nonprofit of your choice. ($49)

The Magic We Made Friendship Bracelets

For the Swiftie in your life, this Taylor Swift-inspired collection of ethically handcrafted friendship bracelets is made by talented women artisans in Guatemala. All proceeds will go to support Nest, which ensures artisans across the world can live their "Wildest Dreams." ($30)

Pink Moon Air Element Collection

This planet-friendly, vegan skincare line is designed to even out skin tone and brighten skin. Check out Water, Earth, and Fire collections too! One percent of Pink Moon's revenue goes to a nonprofit of your choice. ($105)

Warby Parker Tilley Sunglasses

Now you can look good and feel good when you buy these chic shades that contribute to Warby Parker's Buy a Pair, Give a Pair program. This initiative donates monthly to nonprofit partners and trains people in developing countries to give basic eye exams and sell affordable glasses in their communities. ($95)

FEED Book Bag

We love this unique tote that carries a purpose too. With the purchase of this bag, 10 nutritious school meals are provided to global communities in need. ($38)

LUSH Charity Pot Body Lotion

Give the gift of soft skin and activism with every purchase of Charity Pot. One hundred percent of profits from this product are donated to small grassroots organizations working in environmental conservation, animal welfare, and human rights. ($10)

Love Your Melon Pom Beanie

Dedicated to battling cancer and keeping heads stylishly warm, Love Your Melon donates 50 percent of profits to nonprofit partners. ($36)

LSTN Sound Co. Zebra Wood Satellite Bluetooth Speaker

Proceeds from this cute li'l speaker go to the Starkey Hearing Foundation to help give the gift of hearing (via hearing aids) to 1.9 million people and counting! ($129)

Lingua Franca Cashmere Sweater

Lingua Franca cashmere sweaters are 100 percent sustainably sourced, ethically produced cashmere, hand-stitched in NYC. Ten percent of proceeds from this 1973 sweater goes to Whole Woman's Health Alliance, a non-profit dedicated to providing reproductive services for women in states with the least access to this critical care. ($400)

Roma Ankle Rain Boots

Fashion meets durability in these lace-up-style vegan and eco-friendly rainboots. For every pair sold, Roma donates a new pair of shoes to a child living in poverty. ($65)

Purpose Olivewood Cutting Board

Perfect for holiday entertaining and seasonal picnics, this olivewood cutting board is handmade through a Kenyan market artisan partnership with Amani Ya Juu, a fair trade sewing and training program for marginalized women in Kenya and Uganda. ($46)

HOBO Euro Slide Card Case

Store your ID, credit cards, and even your passport in this leather case from an iconic brand. Now through May 31, 2024, HOBO is committed to raising $250,000 for Habitat For Humanity. ($78)


For more holiday gift ideas, follow us on Pinterest!

Brit + Co may at times use affiliate links to promote products sold by others, but always offers genuine editorial recommendations.

Rom-coms are SO back, and after the flop-turned-viral Anyone But You gave us Glen Powell and Sydney Sweeney onscreen, audiences are begging to see them together again. Glen's latest Vanity Fair profile (ahead of this year's summer moviesHit Man andTwisters) confirms "ideas are being batted around" for an Anyone But You 2, which I need in theaters, like, yesterday. Here's everything you need to know about the potential sequel — and which Shakespeare adaptation the duo should tackle next.

Will there be a second movie for Anyone But You?

Image via Sony Pictures

Both Glen Powell and Sydney Sweeney have teased a potential Anyone But You 2. "I'm just so thankful that everybody is loving [Anyone But You]...a little love, a little romance," Sydney told Jimmy Fallonthere's "a high nine chance" for a sequel, while Glen confirms to Variety that the duo is "definitely trying to find the next thing...We’re reading everything and just trying to see what makes sense, what we can turn into something that audiences are going to respond to.”

Which Shakespeare story will Anyone But You 2 adapt?

Image via Sony Entertainment

There's nothing like a Shakespeare adaptation, and Anyone But You is actually loosely inspired by William Shakespeare's Much Ado About Nothing (similar to how 10 Things I Hate About You is inspired by The Taming of the Shrew!). I think they should totally continue this theme for all future sequels. Glen and Sydney would do phenomenal with the hilarity of A Midsummer Night's Dream — maybe instead of an enchanted forest, they take on a busy and colorful local fair, with Claudia and Halle of course. Think about all the possibilities! Nothing says confusion and chaos like fun houses, carnival food, and dead cell phone batteries.

How old is Bea in Anyone But You?

Image via Eddy Chen/Sony Pictures

Bea is a law student at the beginning of Anyone But You, meaning she's in her mid-20s. Considering Sydney Sweeney is 26, this is the perfect fit!

What do you want to see from Anyone But You 2? Check out our TikTok for more pop culture news, and read up on Our Dream Sydney Sweeney & Billie Eilish Sister Movie!

Lead image via Sony Pictures


Lisa Congdon on Creativity, Activism, and Finding Your Flow

If you're a fan of bright colors, folk art, social justice and heartstring-pulling work, you've definitely seen the art of Lisa Congdon. Lisa's ability to capture complicated feelings and emotions in her work is truly magical. She manages to infuse a breath of fresh air into meaningful stories and heavy topics, and puts just as much care and love into the light and airy pieces she's been creating for over 20 years.

Anjelika Temple here, co-founder of Brit + Co. I first became familiar with Lisa Congdon's work over 10 years ago, when I worked at 20x200 and was in touch with her about an upcoming print edition we were in the midst of producing. Since then, I've been a total fangirl and am deeply honored to be able to share a slice of her creative journey with all of you in this edition of Creative Crushin'.

From her first art show via a Flickr connection to her most recent project, a playful children's picture book called "Round", Lisa is as prolific as she is authentic, genuine and so giving of herself and what she's learned to everyone that's game to learn. Read on and take in the creative inspiration.

Anj: Let's kick things off by getting to know you! What's the quick version of your life story?

Lisa: I was born in upstate New York in a little city called Schenectady, which is outside of the capital, Albany, and that was in 1968. My dad is a scientist. He's retired now. Both my parents are in their 80s now, and my mom is an artist, but she was kind of similar to me, very much a hobby artist, and now takes commissions and does things on a more professional level, even still in her 80s.

I take after her in so many ways. She's a risk taker. She does stuff even though she doesn't know what she's doing. She'll try anything. She doesn't have that kind of perfectionist fear gene that so many people have, and I inherited that from her. That's not to say I don't have fear, it's just that part of why I've made this professional career out of my creativity is that I'm willing to try things even though I don't know what I'm doing.

So in my 20s, when I discovered creativity as a hobby, similar to what my mom was doing, it was kind of a surprise to everyone. I think people expected me to maybe do great things in the world, but not necessarily as an artist. In fact, I thought I was a terrible artist. Then, when I was in my early 30s, so 20 years ago, I went through a big breakup with somebody I had been with for almost a decade, and I changed jobs. I went from working as an elementary school teacher to working in an office.

I think what happened was that I really felt this kind of dearth of creativity in my life. Teaching little kids forces you to make things interesting for them, so you have to be really creative. I went to work at an office job and I found myself kind of depressed. I was lonely because I was single for the first time in my adult life, and I just kind of set up this little art station at my kitchen table. I wouldn't have even called it a studio. I just started experimenting, and I started taking classes at community colleges. At the LGTBQ center, I took this drawing class, and I just kind of fell in love with the process of making.

This was in the early 2000s, so this was at the birth of the Internet... not the birth of the Internet at large, but the birth of the Internet as a space for creative people. Flickr was becoming a thing, blogging was becoming a thing, and there were not yet online classes, Brit + Co, or learning platforms, no social media, but there was this DIY movement happening on the Internet. I started a blog and I started sharing pictures of the crappy stuff I was making. Let's be clear, my work did not look the way it looks now. I was very much a beginner, but I loved it, and I just kept working at it. Then, at some point later on, I realized I could make a living at it if I kind of pivoted in all of the right directions, which included both getting better, developing my skills, but also working on the business side of it, too. So, that's the short long version.

Anj: Tell me more about what it was like when you realized "Hey, maybe this can be my career?" Was there a specific spark or turning point when you thought, "All right, let's see?"

Lisa: One of the moments was in 2006 when I had my first show, and that came about because I think I had posted some images of some stuff on Flickr, which some of you are probably too young to remember. It was this photo-sharing site, which I like to call the original social media, because you could follow people and post your work and like and comment and all the things that are now so normal in our lives. I started meeting people on Flickr, and this woman who owned a store in Seattle asked me if I wanted to have a show. My mind was blown. She asked me if I wanted to have a show because she was seeing the stuff I was making, and I remember sitting at my desk the day that she ... and I was like "Oh my God, this is real." Butterflies and everything. "I'm an artist. Wow, this is so cool!" Then, I started getting inquiries from the hair salon where I went to get my hair done in San Francisco, and there was another little shop in San Francisco called the Candy Store where I had a show, and this was all 2006-2007. So, that started happening. I got an inquiry from Poketo, a brand-new (at the time) Los Angeles-based brand, and I released a bunch of products with them really early on.

So, it was kind of like "Okay, let's see." At the time, this whole idea of being an illustrator was something I couldn't really wrap my head around, but I thought, "All right, maybe if I can figure out the illustration part and do these other things, and then kind of cobble together some kind of income ... " At the time, social media was kind of starting. There was no Instagram yet, but there was Facebook. I made a fan page. I got on Twitter. I had this blog and I just started directing traffic to my blog. I started an Etsy shop in 2007, and I started to make a little bit of money, and in 2008, I was so lucky. I signed with an agent, and slowly, things started to happen. Now, what that didn't equal at the time was money. I was still working part-time at my job and, even after I left my job, I was freelancing for my old education non-profit where I worked because it was so hard in the beginning, but I was determined.

In hindsight, I realized it happened really quickly, but it felt like it took forever, especially to get to the point where I was making enough money to pay my mortgage, buy food, get myself out of debt, and that kind of thing.

Anj: Bringing it back to your creative process, talk to me more about what the creative flow feels like for you, and what you love about making things.

Lisa: We were talking earlier about the excitement I felt when somebody wanted to give me their space to take over to hang art. For me, it's this combination of the enjoyment of making something that, to me, looks cool or is beautiful, interesting, or says something, but it's also about how other people react to it. There's my creative process, which is super satisfying to me because it's problem solving, it's kind of seeing your ideas come to life, and that is all super satisfying.

That's why I think being an artist in this time in history is such a blessing for me because I get to share my work with other people, and then that is super exciting to me, too. I'm really interested in seeing other people's reactions to my work, whether it's through my books or through social media, and that, to me, is just as motivating as the feelings I have when I'm creating something. I got my first taste of that back in the day when I had my first show. There's something about interacting with my audience that I love.

I think people imagine that people like me who do a lot of work and are identified as being prolific, that we sit around all day in this state of flow, and that we're drawing and painting, listening to NPR and classical music, drinking tea, and it's all so easy. I mean, there are definitely days that are like that. There are definitely days where I'm just like "God, I'm the luckiest person on the Earth. I get to do this for a living and I love it," everything's flowing out of me perfectly, and I'm so satisfied with everything I'm doing, but that's maybe 20% of the time, which isn't bad. The rest of the time, it's frustration, deadlines, not being in the mood to draw something but I have to for this job that I accepted two weeks ago, or not having any good ideas. Especially in the beginning, I wasn't as skilled as I am now, so just rendering things that I was supposed to make took longer, and so it was exhausting. So, I do definitely have that flow state sometimes, where I'm just really into it, but most of the time, it's hard.

Anj: Your work is so playful, colorful, a clear folk art influence, and has such a recognizable color palette and aesthetic. How did you hone in on it?

Lisa: You know, I've always been influenced by two of the things that you mentioned, which is folk art and also color. It seems weird to say you're influenced by color, but I really am. I'm drawn to other people's art based on color or lack of, you know what I mean? Or the palette. It's a thing that a lot of artists don't get. They're really good at rendering things, but they don't necessarily have a sense of color. Another thing that has always been a huge influence to me is mid-century art and design. Alexander Girard is my absolute all-time favorite artist. Interestingly, he was also influenced by folk art and was a founder of the Folk Art Museum in Santa Fe. So, he's always the example I give of stylistically. He also was a collector of a lot of things and that's a huge part of my story. I draw a lot of my collections or imaginary collections. I love drawing arrangements of things, so order is also very important to me. I'm always drawing on the imaginary grid.

All of that has sort of been part of my story all along, even when my skillset wasn't as developed as it is now, but I would also say that, and I talk about this a lot: I wrote this book called "Find Your Artistic Voice", and one of the things that people ask me the most is how does one find their style? How does one arrive at a place where things are sort of locked and things are recognizable? For me, I always say I could paraphrase the book in one sentence, which is show up and just work at it: draw every day, make ceramics every day, or whatever your thing is, do it every day. You can't do something every day, practice it, refine it, et cetera, without it developing into something that's truly, an extension of your DNA.

A lot of what a person's style is, is already in there from influences or the stuff that we find beautiful. Our brains are constantly filtering visual stimuli, especially in this day and age. You can't walk down the street without seeing a cool billboard or a mural, or walk into Target and see cool things on t-shirts. We're bombarded, not to mention what's on our phones and what we're scrolling through. Your brain, even if you're not conscious of it, is constantly saying yes, no, yes, no, yes, no. You could walk by a million murals, billboards or whatever, walk into a stationery store, and walk by a million cards, but then you stop at one because it speaks to you. You're like "This is the most beautiful card," or "This is the most beautiful mural." There's a reason: because it's something about your taste that resonates.

So, we're always collecting this and that, and "Oh, who made that? Okay, I'm going to look her up when I get home. Oh, wow, she has a website. Oh, look at her influences. Oh, I'm going to go down that rabbit hole and see who she's influenced by." So, that's where we collect influences, and then, hopefully, we're collecting lots of them so that eventually, our work might look very similar to somebody who we're influenced by, but eventually, we kind of develop our own style, and that's just kind of a normal part of the trajectory.

For me, it was like that. It was just collecting influences, immersing myself in the world of art and design. I like this. I want my work to be more like this. I love the look and feel of this. It's sort of a mishmash of all of those things. Also, just getting better at drawing and executing, and my skills improved. I feel like, in the last five or six years, I kind of arrived in this place where yeah, I have this identifiable style, and it's crazy because people are like "It only happened five or six years ago? You've been making art for 20 years," and I'm like "Yeah, it takes a really long time." I finally don't feel like I'm still searching. That doesn't mean that my work still won't evolve. It doesn't mean that, eventually, I won't land on some new inspiration that makes my work pivot in a different way, but that's what finding your voice feels like, or actually finding that flow.

It's like you arrive at this place where you actually like your work as much as other people do. I started getting my work tattooed on my body and it took me forever to get there because I realized I didn't really like my work very much before, and then I finally was like "Okay, I like it enough to tattoo it on my own body. That's a big deal."

Anj: So, just riffing off of that, I think that a lot of people, myself included, when they're embarking on a new body of work or trying to find their voice, feel intimidated by all the artists/humans out there doing similar things. How do you give advice or even deal with this yourself? That self-doubt and that "I don't know that I have something to visually say?"

Lisa: That's a totally normal feeling. I feel like I kind of, in the last few years, got over a hump, and it was around the time that I felt very kind of solid in my own work. It is so natural to compare yourself to other people. I mean, how can we not? Not just the quality of our work or the ideas behind our work, like "That's such a great idea, why didn't I think of that," kind of thing, but also, on social media, it's like "Oh, so many people like her work. I feel like my work is just as good. Why don't as many people like it? We have the same amount of Instagram followers." There's this whole mind game we play with ourselves.

I realized about three or four years ago that I was spending an inordinate amount of energy having those thoughts, and I think a lot of people would've imagined that someone as far along in my career wouldn't have had them anymore. I would admit to people that I also had anxiety around social media, and people were surprised. They're like "Oh, you seem so confident, so many people love what you do, you have so much engagement," and blah, blah, blah. Yet, I was really struggling, not to the point of it being debilitating, but I would post something that I wanted people to be excited about and maybe they weren't as excited as I wanted them to be, and then I would put too much weight on that instead of my own feelings about whatever it is I was posting. It would bum me out, you know what I mean? I think most people can relate to that.

So, one summer, I started working with a coach, and one of the main things I worked with him on was letting go of these expectations around social media and only posting when I felt like I really had something to say, and posting regardless of whether or not I thought the thing was going to be Instagram-friendly or not. Really being authentic and really honoring my own creative process and my own voice versus whether or not other people liked it, it got engagement, or it sold in my shop, if it was something I was selling. I set my mind to it. It was extremely intentional on my part. I did a lot of work with him, talking through what that was like and how I could shift my perspective.

I also had to get over this impostor syndrome situation, which was "I suck, I'm just lucky to be here," and really, that was related to the social media anxiety. I really turned a corner that year. I wrote about it, I meditated on it, and every time I posted, I promised myself that I was going to honor my own experience and not worry about what other people thought. It took a lot of effort, but I can honestly say I've worked through it. There are moments every now and again where I feel disappointed, there are moments when I still have a slight bit of impostor syndrome, there are moments when I still compare myself to other people. I'm human, but do I dwell on it? Does it control my life? No.

Anj: On the note of putting it all out there, talk to me more about how activism comes into play with your work.

[Editor's Note: This interview and conversation took place before the November 2020 election.]

Lisa: I've integrated so much activism into my postings and to my Instagram in particular, and into my work, I had to really let go of what other people thought because the minute you start doing that, you're going to lose followers, people are going to not agree with you, and I constantly had to say "I'm here to be me. I'm not here to make you comfortable, I'm not here to please you. I'm here to be me." That also really helped me. I've always kind of been open about where I'm coming from ... I say kind of because I've definitely done more lately, but even before the 2016 election, I've been openly gay since I was in my early 20s, I've never hidden it from anywhere, at any job, at any platform. In fact, I talk about it like it's no big deal because I think that's kind of better than anything: just people casually seeing me with my wife and things like that. That's always sort of been part of my life.

My best friend is black. The reason I bring that up is it's an important part of how I sort of show up in the world: that I am in constant interaction every single day with somebody whose experience is vastly different than mine. We are so similar in so many ways, we are both artists, but our experience walking through the world is totally different. That has been personally the most important experience of my life: to attempt to see the world through this person that I love so much. The pain that she experiences, the confusion she experiences, and the anger she experiences, and sort of waking myself up to that. That, in addition to my own sort of being part of a marginalized group myself has made it almost impossible for me not to talk about social justice in my work because it's such an important part of my everyday experience, including my need to do work on myself.

After the 2016 election, I was so angry about the rights of people being taken away and the massive shift in policies in the US government, and I started writing about it. I was like "I don't care what anybody says, this is too important." I feel like it seems like everybody does that now, but I was one of very few artists in the beginning who was willing to just really put her neck out there. So, I started talking about stuff. I started writing about it. Then, it just kind of became something I was known for, and I started getting asked to design things for non-profit organizations and for different marches and initiatives. I started raising money through that work and drawing attention to different causes. I started really loving that work, and it became a really important part of my voice and my identity. Then, in the last year, things have been so wack that it's just times 10 now. Now, I can't imagine ever going back.

It's so important to me personally, and it's so important for the world, that I feel like I have a responsibility. People often say ... "We're not interested in your politics, we just want your pretty pictures," basically. I had to write a couple very intense posts about why I was making this work and that a lot of people argue that all art is political... what you choose not to represent is a political statement in and of itself, so that I was making overtly political work was one thing, but really, all art is political, and that was something that I didn't necessarily even realize until the last five years.

I get a lot of satisfaction and joy from it. I mean, the stuff we're dealing with isn't joyful, but making work to shift people's attitudes or give people something to be hopeful about feels important to me.

Anj: Now shifting gears to your new children's book! Authored by Jennifer Ward and illustrated by you, tell us what inspired it and what the experience was like. Talk to us more about "Round."

Lisa: I think it was the most fun illustration project I've ever worked on and one of the reasons it was fun is because I wasn't attached to the words. I loved the text in the book but the great thing about picture books is that the text is usually really simple.

In this book in particular, there's a narrative, but it's pretty loose. It's not like there are characters. I mean, some characters emerge a little bit in the book in the form of some of the animals reappearing, but it was a really easy place to start because I could really be me, and also honor the text in the book.

Round... I like to call it a lyrical poem all about round things that we find out in the world. Some are literally round and some are more ... well, not figuratively round, but less perfectly round. It's all in nature, and that's one of the things I love to draw are animals and plants. They wanted me to be me. In fact, the cover is like this kind of big explosion of round things arranged really close together. It's like something I would draw for fun, and it actually was inspired by some drawings I had made of things kind of drawn really close together and in an arrangement. And I love the cover so much. Covers are usually the thing I hate most about a book, which sucks because it's the thing that people see on the shelf, and it causes them to open it or not, so I'm hoping it has a good shelf life because the cover is so colorful.

Anj: When you're feeling burnt out, or you're starting a project, what are ways that you reset? What are things that work for you, things that you could recommend to others?

Lisa: When I can, the very first thing I do is take a break. That's not always possible, as you know from somebody who runs a business. Sometimes, you just have to show up and do the work, even when you don't feel like it, and there's a certain amount of grit involved. So, sometimes, I just plow through, force myself to do it, and then I feel better when it's done. If I'm not working on any client projects or client projects that have immediate deadlines, I give myself this passcard. "You don't have to post anything on social media, you don't need to make any new work right now. If you don't feel like it, don't do anything, just go read a book, go take a hike, go shopping," which is, of course, harder now except doing it online because of the pandemic, but go do something else and give yourself permission to not be productive and to kind of give yourself a rest.

Then, during that rest time, what I'll often do is kind of dive into inspiration. I go down a Pinterest rabbit hole or I go to Powell's Books in Portland and plant myself in some aisle that has books about something I'm interested in. Not necessarily art books, maybe history books, picture books, or whatever, and that will sometimes help me kind of get excited about a new direction. Sometimes, I just go to my studio and mess around with clay. I have a kiln. It's not something I'm known for, but I do kind of make and sell ceramics a little bit. It's kind of my fun getting my hands dirty experimental low-pressure nothing hardly ever gets put on Instagram, it's just kind of this fun thing that I do.

I also love to sew. Quilting is one of those things that's so straightforward to me. Aspects of the process take some creativity, but once it's pieced, I can just sit there and stitch and watch Netflix. So, I think taking breaks, allowing yourself to go down rabbit holes of new inspiration that's going to wake you up and light you up a little bit. In the old days, before the pandemic, I would go to museums even, or go shopping in my favorite stores.

Then, the combination of a break, collecting inspiration, maybe getting my hands dirty with some work that's a little bit more tactile and a little less cerebral, eventually, I kind of am able to work through blocks, but they happen to everyone, especially when they're burned out. Even when you're not burned out on art, maybe you're burned out on your kids, the business part, your relationship, or some issue you're having with a family member.

Making art in times of stress is like trying to run in humidity. You can do it, but it feels so exhausting and uncomfortable. We've all been, in the last year, in this really weird time of stress, and I think some people are surprised that they're depressed and anxious, and they can't make art. It's completely normal. Creativity requires a certain amount of relaxation and letting go, and that's really hard when there are so many things in the world that are so hard to wrap your head around.

See more of Lisa Congdon's artwork on Instagram @lisacongdon and shop her books, prints and more at lisacongdon.com.

When I sit down with Bridgerton's Claudia Jessie, Jessica Madsen, and Hannah Dodd over Zoom, it's immediately clear that they LOVE each other. The three women talk so quickly and overlap so much that it's easy to believe they play friends and sisters onscreen. And when I ask for their go-to confidence boosters, Claudia can barely explain why she's "just accepted that it's probably not gonna happen" before Jessica and Hannah jump in.

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‘Bridgerton’ Stars Claudia Jessie, Jessica Madsen, and Hannah Dodd On Keeping Secrets & Season 4

"Ultimately I could love myself, or I could just be like, 'Here I am,'" Claudia Jessie says. "Most of the time, none of us know what we're really doing anyway. So I think I'm just letting go of any attachment of trying to feel confident."

"You should be confident because everybody loves you," Hannah Dodd counters. "Everybody's obsessed with you! I think, if you surround yourself with the right people as well, like my friends give me confidence, the right people, like your team and you guys."

"'How are you so confident to be so different?' I say at one point to Eloise," Jessica Madsen says. "And when I read that in the script, it was just like [how] I feel about you, and I really mean it...I remember saying it and really feeling like that was 100 percent true from me to you, [Claudia]."

The love is totally reciprocated, and when I ask what the three women would write in their own Lady Whistledown column, Claudia hypes up Jessica's love of music.

"I love music. I love making playlists," Jessica says. "I went through a little stage where Spotify was my everything. I wanted to be a DJ."

"You'd look great as a DJ," Claudia adds. "I don't know your DJ'ing skills yet, but you'd look amazing behind the deck like that."

Hannah adds that they talk a lot about their dogs, and books. "I do love books," Claudia, who just finished Travis Baldree's Legends & Lattes, agrees. "I'm a big reader. Basically I like things that don't mean I have to leave the house. I could talk about the inside of my flat thoroughly. I could write about that, my four walls."

Image via Netflix

Bridgerton season 3 opens after Eloise's discovery that Lady Whistledown is actually her best friend Penelope Featherington. The middle Bridgerton child has had to keep it a secret all this time, and Claudia Jessie admits she's a good secret keeper, just for a different reason: "I'm good because I forget them immediately," she says.

"I'm like the grave," Jessica Madsen promises.

"I wouldn't say I'm a grave," Hannah Dodd adds. "I just have a group of people that I'm like, 'They don't count.' I will not tell anybody. But like, except for these...one or two very trustworthy people."

In the show, multiple characters' trust in one another is threatened — learning about Penelope's secret identity challenges Eloise's trust in Penelope, and Colin's remarks that he'd never court Pen threaten her trust in him. While we see these relationships evolve in unexpected ways, we also see new sides to characters we thought we knew. Namely, Cresside Cowper.

"Other than, obviously the really sad passing of the Bridgerton dad, Eloise comes from an incredibly sheltered, privileged, happy, nourishing environment where they can all be themselves," Claudia says. "So I think it is really important to see just how different it is [from the Cowper household], cause it also informs us a bit more about how difficult the situation is for Cressida and why she might be colder or a bit closed off."

"[She's] very lonely as well," Jessica adds. "She's got nobody. Not her mum, and definitely not her dad. It's opposite ends of the spectrum."

Image via Netflix

And while season 3 of Bridgerton is just about to debut, Jessica Madsen, Hannah Dodd, and Claudia Jessie already have dreams for Bridgerton season 4.

"I'd love for Eloise to get political, do you know what I mean?" Claudia says. "I'd love that because there's so much room for Eloise to go there."

"She could be the first Prime Minister!" Jessica chimes in.

"I don't know for Francesca," Hannah says. "I'm so excited to see what the writers come up with. I just hope she steps into herself a little bit more and kind of goes after things that make her happy, and knows that she's deserving of that. But I'm new here. So, like anything they give me, I'm gonna be happy with."

Brit + Co Rapid Fire With The Bridgerton Cast

Image via Netflix

Brit + Co: We've talked so much about books, what are you all reading?

Claudia Jessie: I just finished a book called Legends & Lattes by Travis Baldree. And it literally says on the cover "Low stakes, high cozy vibes"...It was beautiful. Really comforting. It was like a big hug.

Hannah Dodd: I'm reading Yellowface at the moment, and I just finished Lessons in Chemistry. The Seven Husbands of Evelyn Hugo [was] good. And that really took me a while to find another book that filled that hole.

Jessica Madsen: I have Dopamine Nation...I love audio books. So I actually have Viola Davis reading to me every night her autobiography, which is amazing.

B+C: What music is on repeat for you at the moment?

CJ: I'm listening to a band called Say She She. They're like three sexy, beautiful girls doing like funk, disco pop. Beautiful, cool stuff. And they're really, really cool.

HD: I'm less cool and very generic. Beyonce's new album and Ariana Grande's new album, and I'm obsessed with Noah Kahan at the moment as well.

JM: I'm a mixed bag. I've got a lot of different stuff that I love. Yeah, I've, I've been listening to a lot of Fat Freddy's Drop cause they've got a great summer vibe. Two Feet I really enjoy...I like jazz. Disco.

Image via Netflix

B+C: Bridgerton is our next watch, what's the last thing you binge watched?

CJ:Barry, which I think is the best comedy that's ever been written, ever. I know I'm gonna re-watch it as well cause it's just unbelievable. The amount of respect they show that comedy is so beautiful.

HD: I haven't binged anything in a while, but I'm really excited to watch Ripley. And I think the last thing I binged was One Day as well, which left me heartbroken.

JM: I just binge watched — I say binge gently — Yellowstone, so I want to be a cowgirl now, really badly. I want to live in denim for the rest of my life, in cowboy boots, badly. And then I just I always put Schitt's Creek on. I've watched it 10 times now, which is embarrassing. I love it. We need laughter. We need fun.

B+C: What's on your summer 2024 bucket list?

JM: I would love to get on a beach. I wanna be on a beach for a bit and just feel the sand and the sea.

HD: I'd just like to get through this part of my life, which is quite exciting and new for me and I don't know. I wouldn't say no to a beach either.

CJ: Just a load of iced coffees. That's great when that season comes around, you can have iced coffee. That's like my favorite cause I kid myself into thinking it's not the same amount of caffeine as a hot coffee, so I'm like 'I can have three!' and then I'm rattling.

What are you most excited to see in Bridgerton season 3? Check out Bridgerton’s Nicola Coughlan & Luke Newton Got The Best Advice From Their Co-Stars for more!

Lead image via Netflix

Calling all BookTok, bookstagrammers, and leisurely readers: the Amazon Book Sale has landed! I can barely contain myself because there’s so many great titles — including more than a few picks from Reese Witherspoon’s book club — that Amazon is discounting for it’s special reading crowd.

I know I’ve been stuck on romantasy books for a while (sorry, not sorry!), but there’s so many other great picks you’ll be able to snag on sale. And if you’re a Kindle type of woman, you’re not being left out.

Amazon isn’t leaving any stone unturned with this sale so let’s jump right into what to expect and which books are on sale right now!

When is the Amazon Book Sale?

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The Amazon Book Sale runs from today until May 20, so you’ll have six full days to plan your (very discounted) TBR list.

What should I expect from the Amazon Book Sale?

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The Amazon Book Sale will feature titles from different genres that you can save up to 50% on. Not only that, but Kindle users can save up to 80% on books! In case you’re wondering, you're not dreaming — this is really, really good.

The best news about the sale is that you can start shopping deals NOW. So, what are you waiting for! Take a peek at our picks!

Are Kindle books included in the Amazon Book Sale?

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Yes! You'll be able to find a plethora of discounted kindle books during the Amazon Book Sale. The best news is that you can access three months of Kindle Unlimitedfor $0!

Shop Book Editors' Picks During the Amazon Sale

None of This Is True by Lisa Jewell

Alix Summer and Josie Fair quickly become friends after a chance meeting on their birthdays. They seem to have things in common which leads Alix to feature Josie on her podcast. But the closer they get, the more Alix feels conflicted about her new friend.

Before she can piece together her concerns, Josie has found her way into every part of Alix's life and it's only after she disappears that Alix realizes how much danger she's in.

Bad Summer People by Emma Rosenblum

Jen Weinstein and her friend Lauren Parker are ever popular in Salcombe, Fire Island during the summer season. They seem to have a hold on anyone that comes in contact with them, including their husbands. However, there's no denying that grudges have been steadily building over the years due to things unspoken. And Rachel Woolf? Well, she's just there to have a great time even if it's at someone else's expense.

However, who knows more than they're willing to share and who would be so angry that they'd commit a murder?

Weyward by Emilia Hart

Weyward is a moving novel that alternates between various timelines and involves a family's mystical powers.

In the present time of 2019, Kate takes refuge at her great-aunt's cottage that's worlds away from the person she's afraid of. She's not entirely sure, but she can't shake the feeling that there was more to her great-aunt than was outwardly presented.

The timeline of 1619 is then introduced and readers get to know Altha, a woman who's accused of having something to do with a farmer's death. The thing is Altha truly does know magic associated with the world around her, but people are on edge and will do anything to have a witch trial.

Then in 1942, we meet young Violet who feels trapped in more ways than one. She wants nothing more than to live a life that's not confined by hiding behind society's expectations of women. Her only connection to her mother and her past is finding the word 'weyward' in her bedroom, thus setting off a chain of events that lead back to 2019.

Stock Up On #BookTok Favorites

It Ends With Us & It Starts With Us Box Set by Colleen Hoover

For the first time ever, get your hands on the limited edition box set of Colleen Hoover's finest, It Ends With Us and It Starts With Us!

It Ends With Us begins with Lily believing that Ryle couldn't be more perfect for her despite his tendency to be rough around the edges. There's also the fact that he's not 100% open to dating. But, they somehow form a sort of love dance that becomes a romantic relationship. However, this is challenged when her first love Atlas comes back into her life.

It Starts With Us finds Lily and Ryle divorced, but they still communicate on friendly terms. But when Atlas comes into the picture again, Lily doesn't hesitate to let him into her world. It shouldn't feel complicated, but she knows that Atlas is the last man Ryle wants around. The ending is just as shocking, poignant, and beautiful as It Ends With Us.

Red, White & Royal Blue by Casey McQuiston

Still excited that the movie adaptation of Red, White & Royal Blue is getting a sequel that'll premiere on Amazon Prime? Me too, but we'll have to wait for more news to drop about it! Until then, we can revisit our favorite couple by Casey McQuiston's book that's on sale for $15!

House of Ash and Shadow by Leia Stone

Fallon Bane spends a great deal of her life being untouched because of a lethal curse she was born with. Despite her acceptance, she still yearns for intimacy. To make matters worse, her father's own health becomes comprised which leads her to seek out help from a healer fae — Ariyon Madden.

He not only begins helping her, but he always touches her in a way she's never experienced before. Fallon is shocked that she's still ver much alive and things finally seem to look bright for her. That is until Ariyon tells other powerful fae about her.

From there, Fallon learns the truth about who her family is and why her curse exists..

A Court of Thorns and Roses by Sarah J. Maas

Young Feyre commits an offense agains the immortal and very powerful fae that sends her to their magical world. Though she's away from a life of poverty and tension, she misses her family.

Still, she resides in the home of the 'beast' who allows her to live in his home — Tamlin. What she quickly realizes is that he's actually one of the powerful faes and that she's not the kind of prisoner she thinks she is. Even more, she begins questioning everything she'd learned about the Fae world because it's not quite like what mortals say it is.

As the hostility between Feyre and Tamlin dies down, an ancient evil continues spreading through his world and it'll be up to Feyre to help stop it.

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The Woman in the Window by A.J. Finn

Anna Fox has agoraphobia so she spends time by herself at home by herself and fills her days with drinking, watching comfort movies, and being a nosy neighbor. That's how she knows a new family — The Russells — have moved across from her.

She continues her usually nosy activities and finds herself witnessing something that seems horribly wrong. As she frantically tries to piece together the mystery of what happened, it becomes clear that the lines of her imagination and reality have become blurred.

Firefly Lane by Kristin Hannah

Kate Mularkey was never the popular girl until she met her best friend Tully. Their lives are polar opposite, but there's no denying how tight their bond is. Over time we learn that Tully has abandonment issues and looks for anyone — especially men — to love her. Her journey takes her to the big apple where she achieves all the glitz and glamour that life has to offer.

Kate goes on to become a wife and mother, two things she believes she wants, but it becomes clear that she's missing something. That something is what begins to burn a hole in her being and the more she watches her best friend Tully live a successful life, the more she wants that for herself too.

Little Fires Everywhere by Celeste Ng

Elena Richardson and Mia Warren go to warn in this moving novel about classism. It dares to ask readers who deserves to be seen as a shining example of a mother as both women eventually face how far they're willing to go to protect those they love.

For Elena, Shaker Heights is all she's ever known. She's married, has four children, and is well-loved in her community. She believes that she's been able to achieve everything she has because she knows how to be the woman who doesn't color outside of the lines.

On the other hand, Mia is an artist who knows all about creating masterpieces with elements that are otherwise seen as messy. She and her daughter Pearl become a little too close to the Richardsons, finding their lives dangerously intertwined with them.

When a custody battle ensues that involves the young daughter of Mia co-worker, she finds herself willing to dismantle the pretty facade of not only Shaker Heights, but Elena as well.

Tiny Beautiful Things by Cheryl Strayed (Only 2 Left in Stock)

Cheryl Strayed has spent over 10 years dishing out advice as 'Dear Sugar' has touched people with her columns, podcast Dear Sugars, and Substack. Deciding to compile all of the best things she's ever told people, Cheryl Strayed pieced together Tiny Beautiful Things so that readers around the world won't have to look far for her empathetic wisdom.

Georgie, All Along by Kate Clayborn

Georgia Mulcahy is the ultimate people-pleaser and her career is the epitome of it. She'd probably always be that way had it not been for a unexpected career change that sends her packing back home. Begrudgingly, she goes and soon discovers a diary where she once wrote down all of her heart's desires.

This inspires her to start checking things off her life's to-do list so that she can really start living. It's just that Levi Fanning is somehow her unexpected roommate while she's at her parents' home and his offer to help her complete her list feels like something she didn't know she'd encounter.

The more they spend time together, the more Georgie feels like there's more to life than checking off things on a list.

The Mitford Affair by Marie Benedict

The Mitford sisters have always been the talk of the town, but nothing is as shocking as when one of the sisters decides she'd rather devote herself to a fascist leader. Another sister decides it's worth following her and this leads people to whisper salacious things about her alleged relationship with Hitler.

As the war between Great Britain and Germany threaten to spill over, their sister Nancy can't help but wonder what her sisters have gotten themselves into. She'll have to decide where her own allegiance lies.

Expiration Dates by Rebecca Serle

Daphne Bell has always known how long she'll be with a man before moving on to the next one. It's not that she's flighty, but more so that the universe literally tells her what to expect. These little nudges have been in her life for over two decades and it's something she's learned to accept.

However, the universe decides to be cryptic by only clueing her in on the name of the next man she'll spend time with. It's odd because if Jake knew the things she did, there's a chance he could walk away from her forever and that's the last thing Daphne wants.

On a Quiet Street by Seraphina Nova Glass

Brighton Hills appears to be a picturesque place to live. It's a community that beautifully blends luxurious living with the gorgeous nature that surrounds it and the neighbors always have their eyes on each other.

However, Cora's desire to find out if her husband is having an affair leads her to form a partnership with Paige. She's the one neighbor that Cora knows keeps a watchful eye on what's going on in Brighton Hills after her son died.

The two women work together to discover what Cora's husband is really up to, but what they may stumble across will send a shockwave through Brighton Hills.

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Throne of the Fallen by Kerri Maniscalo

The Prince of Envy is struggling to save his demon court in Throne of the Fallen, but he's determined to find a way to do so. He's not afraid of the magic and mysterious people that keep crossing his path because nothing can stop his fierce desire to regain the control he once has.

Things are seemingly no different from Miss Camilla Antonius because she's facing blackmail by someone who literally makes her skin crawl. In order to change her fate, she reluctantly joins forces with The Prince of Envy and thus begins their dangerous journey through the Underworld.

It's the one place that may pull them together in more ways than one.

The Undertaking of Hart and Mercy by Megan Bannen

Hart spends most of his time patrolling Tanria, but the loneliness does nothing to keep him company. Things couldn't be any different for Mercy though. She's tasked with making sure things are running properly at Birdsall & Son Undertakers and doesn't have time for anyone's foolery.

Ironically, Hart and Mercy both have taken up writing mysterious letters to strangers who have become their friends. The thing is they're not aware they've been communicating with each other.

It's a classic enemies-to-loves fantasy novel that'll make you smile with glee.

The Mystery Guest by Nita Prose

Molly Gray is the Head Maid at the prestigious Regency Grand Hotel and runs a tight ship that makes sure the hotel maintains a flair that guests have become accustomed to. All is going well until successful author J.D. Grimthorpe suddenly collapses and is pronounced dead.

This lands Detective Stark — someone Molly doesn't exactly get along with — back on the scene as it's realized there's something terribly wrong going on. Anyone could be a suspect, including Molly. It'll be up to her to revisit things she's kept secret — like the trip she took to Grimthorpe's property long ago.

Happy Place by Emily Henry

Emily Henry knows exactly what it takes to write a moving novel that's filled with friendship, laughter, and romance. That's why it's not surprising that Happy Place is well loved by #BookTok and #Bookstagram.

It's all about how a once happy couple — Harriet and Wyn — find themselves embroiled in an interesting ruse so their friends don't suspect something's wrong with them. The fact is that they're no longer together and can barely stand being in the same room anymore.

It would be find if they weren't expected to happily show up to the cottage that's become the yearly hub for them and their friends. Still, they begrudgingly decide to make an appearance.

What's the worst that could happen?

For the first time, you'll be able to read Happy Place on Kindle for $5!

We can't wait to see what you snag during the Amazon Book Sale! Check out our storefront for more reading recs!

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Lead images via Amazon

This post has been updated.