Author Chana Ginelle Ewing On How Identity + Intersectionality Can Unlock Human Potential

Author Chana Ginelle Ewing On How Identity + Intersectionality Can Unlock Human Potential

It's been a necessary and heavy few weeks. As a culture, we all have so much to learn and unlearn, and I've found myself feeling uncomfortable, hopeful and optimistic all at the same time. Pretty sure those three feelings usually lead to real, true change. And it's thanks to creative humans and entrepreneurs like Chana Ginelle Ewing, the brilliant woman I have the privilege of interviewing in this week's edition of Creative Crushin'.

Anjelika Temple here, Co-founder and Chief Creative Officer of Brit + Co. I recently came across Chana Ginelle Ewing's book An ABC of Equality and was struck by her ability to take huge, grown-up concepts and distill them into a meaningful, historic and action-oriented alphabet for little ones. Read on to learn all about Chana's journey, mission and the brand new project she's working on.

Anjelika Temple: First off, your foundations. Tell us a little bit about your background, where you're from, where you live now, what you studied in school, family life, etc.

Channa Ginelle Ewing: I currently reside in Brooklyn, NY, but I'm originally from Boston where I lived into graduating high school (Boston Latin). I then headed south to the University of Virginia where I received a B.A. in African American/Black Studies.

I spent about a year and half immediately in Boston substitute teaching and eventually event planning before finally moving to Brooklyn. I had a few corporate gigs for my first few years here (UBS Investment Bank and McKinsey & Company) but I KNEW that I wanted to be a creative, full-time. So after a layoff during the recession of 2009, I used my severance to make the leap into entrepreneurship - and haven't looked back since.

AT: What would you say is your north star? What is your mission?

CGE: I have always been passionate about how intersectionality and identity influence our culture. And I truly believe that identity is a lever to pull to unlock human potential. And entrepreneurship is an opportunity to make dents that move culture forward. By bridging these two ideas, I believe I can actively help create a world that mirrors the values I cherish most: owning and standing in your individuality and personal power, creating space and being in community with others, and building the world that you want to see - starting in the mirror.

AT: Tell us a bit more about your career path and journey.

CGE: My journey as an entrepreneur has been marked with some amazing highlights that leverage all my past experiences. I have marketed Oscar-nominated and Emmy award-winning multicultural films with my digital marketing firm littlebigGirl+Co, self-funded a subscription box company centering Black women, and most recently wrote a children's book! It's been an adventure but not without serious capital challenges. I'm excited to move into the next leg of this journey with GEENIE.

AT: I'm personally a huge fan of your book An ABC of Equality and in just the couple weeks we've had it, it's become a favorite of my daughters. What inspired you to write this book?

CGE: Engaging children in topics such as identity is so important so that they can understand their world and how to navigate through it. And it's not something that's always taught in school.

So I wanted to create a tool for parents that could help ignite these conversations in a productive and accessible way. It is meant to be a conversation starter for ALL ages. It's my hope that folx will use it as one of many tools in their toolbox for diving into discomfort.

AT: What other books that introduce identity and social justice concepts to little ones should be on our bookshelves at the moment?

CGE: I can't wait to get my hands on Ibram X. Kendi'sAntiRacist Baby; I love all of three of the books in the Jamia Wilson-Andrea Pippins powerhouse team (Young Gifted and Black, Step Into Your Power, and Big Ideas for Young Thinkers); and Alok Vaid-Menon's, Beyond the Gender Binary, is REQUIRED reading.

AT: You recently launched GEENIE. Tell us more about this and what drove you to create this platform.

CGE: GEENIE is reinventing e-commerce to create change. We're building a curated beauty marketplace that mirrors your beliefs.

But more than the marketplace, a shopping community that pairs independent beauty brands with consumers looking to buy based on their values.

By curating a selection of value-driven brands, from BIPOC-founded to sustainably sourced and inclusively-designed lines, GEENIE enables consumers to put their money where their mouth is (OKKK!) and build a world that matches their beliefs.

AT: I know that conversations around identity and intersectionality are key to what drives you. Tell us more about why it's important to dialog about these topics on a regular basis, not just when the news/social media tells us to.

CGE: The challenges being faced by Black folx won't disappear when the news coverage stops. And neither will our commitment to living our full, healthy, safe and joyful lives.

Intersectionality speaks to the unique challenges that one faces living in multiple identities - my experience as a Black, queer, raised working class woman for instance informs how the world engages me and also how I engage the world. The intersections of oppression that happen at these identities.

I also like looking at the intersections of power at these points. How I GET to see myself, my people(s) - our brilliance, resourcefulness and creativity. Intersectionality is a useful lens for understanding the world around us.

A fast news cycle, a social media moment, will not interrupt the momentum that we're all feeling. This society is moving forward, and it's best that folx jump in and decide to be apart of the shifts.

AT: What are some of your favorite indie beauty brands our readers should know about?

CGE: A few that I loved that we sold in GeenieBox: Cocolene; Danessa Myricks Beauty; LipBar.

AT: What advice can you offer Black women entrepreneurs who are thinking about going off on their own?

CGE: Black women are some of the most ambitious in the world, but are highly under-resourced and under-estimated.

We are passionate and driven, despite challenges.

My one prevailing piece of advice is to continuously cultivate your inner wisdom.

Go into entrepreneurship with an open mind but always, always listen to your inner guide.

And at the same time, know you can't do it alone. You will reach a point where you will need help to move your business forward. Reach out to people in your network, cold call, pitch ideas and ask for help because you need to take chances. If you don't open yourself up to rejection, you could close yourself off to success too.

AT: Tips to share with our readers who are delving headfirst into learning how to be better allies?

CGE: Decide to be uncomfortable.

Decide that you will get it wrong, that you don't know all the answers, and that you will continue to show up anyway.

Allyship is not a destination. It is ongoing, and you get to do this work for yourself (growing in one's humanity is always a good idea) as much as for anyone else. Excited for you to do the work.

Follow Chana Ginelle Ewing on Instagram @chanaewing, and be sure to follow @geenieworld -- the new GEENIE marketplace launches July 15th. Join the mailing list at Geenie World to stay up to date.

Hollywood has an inclusivity problem. The entertainment industry has spent decades using Black women as character development tools for white leads, resigning them to side characters that woefully lack the dimensionality they deserve. And in the all-too-rare instances when Black women are cast in starring roles, there's an enormous emotional burden placed on the actors who must find ways to humanize Black female characters that are flattened by stereotypes born out of predominantly white writers rooms.

Furthermore, being messy, flawed, and complicated is the norm among privileged white fictional characters like Serena van der Woodsen on Gossip Girland Brooke Davis on One Tree Hill. They can be wild and crazy for the sake of character development without the fear that they're perpetuating myths about white women off screen. It's about time that Black female characters (and the actors who play them) have the same leeway and breadth of traits to break free from these tired double standards.

The good news? According to USA Today, lead acting rolls played by People of Color on broadcast television grew from 5.1 percent to 24 percent from the 2011-2012 to 2018-2019 television seasons respectively. But even if Black girls on TV are finally showing up as fully developed, complicated charactersinthe way that white girls have always been allowed to be, there is still a long way to go.

Frankly, I'm tired of not seeing my friends' real life stories — their beauty, their romance, and their humor — represented onscreen. That's why it's so exciting when a Black actress gets cast in a role that has been historically white (from Meg in A Wrinkle in Timeto MJ in Spiderman: Homecoming to Ariel in The Little Mermaid).

After so many stories where slavery or violence is the basis for a Black character (like how the first Black American Girl suffers violence as a slave while the other girls' troubles are much less grave), the time for Black girls to see themselves having fun onscreen, falling in love, and, well, making bad decisions for the sake of character development, is long overdue.

The beautiful thing about roles like Meg, MJ, and Ariel is that they give Black girls the chance to get lost in a story that celebrates trauma-free Blackness — they can embrace magic, make mistakes, and explore the ins and outs of regular life. Here are 12 complicated, multi-faceted Black leading ladies who have already made a lasting impact in their boundary-breaking roles.

Our Favorite Black Leading Ladies

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Scandal Official Account on Instagram: "Long live Queen Liv! 👑🍷 #TheFinalScandal #Scandal"

Kerry Washington in Scandal

Washington’s Olivia Pope is a D.C. fixer who keeps scandals under wraps for a variety of clients, including the President of the United States. Pope is beloved for many reasons, including the fact that she's an anti-hero instead of a purely good or purely evil character.

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Zuri Reed in National Treasure

Reed's Tasha is incredibly complex in every aspect. She has great humor and takes charge in the group's adventures whenever she needs to. She can also hack her way into just about any system, and does it while wearing immaculate eyeliner and amazing clothes.

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Black Panther on Instagram: "Wakanda awaits. Watch hours of bonus footage and more from Marvel Studios’ #BlackPanther on Digital, @Movies.Anywhere, Blu-ray, and 4K UHD today: [link in bio]"

Lupita Nyong'o, Danai Gurira, Letitia Wright, and Angela Bassett in Black Panther and Black Panther: Wakanda Forever

The women in Black Panther have redefined what it means to be a superhero. They're powerful, romantic, and incredibly intelligent, proving that you don't have to live your life embracing just one thing.

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Issa Rae in Insecure

Insecure follows two best friends: Issa, who works at a non-profit and struggles with the lack of passion in her longterm relationship, and Molly, a corporate attorney who is successful in every area except dating. We love that this comedy is relatable and that it leans into the flaws and humanity of each character.

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Raven's Home on Instagram: "When you hear that every episode of #ThatsSoRaven is now on the @DisneyChannel app..."

Raven-Symoné in That's So Raven

There are quite a few roles from Raven that we could include (The Cheetah Girls is still one of our favorite early '00s movies), but That's So Raven is the perfect pick. Not only was it funny and self-aware, but it also tackled issues like racism and body image in ways that its young audience didn't see much of at the time.

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Janelle Monáe in Glass Onion

SPOILER ALERT: Monáe flips between two characters in this film (which you don't find out until half way through), and her complexity, persistence, and heartbreak is both amazing and satisfying to watch. Not to mention the fact that her character destroys the Mona Lisa, framing the man responsible for her sister's death. Iconic.

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black-ish on Instagram: "Happy Thanksgiving from our #blackish family to yours!"

Tracee Ellis Ross, Yara Shahidi, and Marsai Martin in Black-ish

We love how this series shows an authentic Black family on primetime TV, as well as the fact that Ross' Rainbow (who's an anesthesiologist), Shahidi's Zoey (who is popular, feminine, and smart), and Martin's Diane (who's smart and witty) turn a lot of expectations about Black women on their heads.

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Madison Bailey in Outer Banks

Because of her grief following John B.'s supposed death in the season 1 finale, Bailey's Kiara makes some questionable decisions in season two. But even when the decisions aren't the right ones, they're a realistic look into pain and processing grief. Kiara is unashamedly herself and isn't afraid of following through on what she believes in.

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Hidden Figures on Instagram: "The hero behind one of @NASA’s greatest missions. #HiddenFigures🚀"

Taraji P. Henson in Hidden Figures

Not only is Henson's Katherine a mathematician and aerospace technologist (ie: a literal rocket scientist), but she isn't afraid to show real emotion — a scene from the film went viral on TikTok because of its portrayal of female rage.

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Quinta Brunson in Abbott Elementary

This hilarious and heartfelt sitcom is like honey for the soul — it just feels good to watch. We love the way that it shows every aspect of the characters' personalities, from Janine's (Brunson) spunky attitude to Gregory's (Tyler James Williams) type-A nature. We dare you to watch this show without cracking a smile.

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badgalriri on Instagram: "@oceans8movie is in theaters next Friday! I’m watching for the first time in #NY! hashtag and rep your city below"

Rihanna in Ocean's 8

Rihanna's Nine Ball is many things: she's a hacker, she's a big sister, and she also looks amazing in red. Eight Ball is smart and scrappy, and knows exactly what she wants. In this case, that includes hacking into the Met Gala and pulling off a $150 million heist.

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Halle Bailey in The Little Mermaid

We're super excited to see Bailey as Ariel this year. This is one princess that isn't afraid to tell the world what she wants, and we know that seeing the romance and music that we know so well at the forefront of this story is going to be a truly magical thing.

Let us know your favorite Black female characters on Twitter and check out our Entertainment page for the latest pop culture news.

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I'll admit out of the many teen dramas I've consumed, Outer Banks is one of the most ridiculous. But the insanity surrounding the plot is half the reason it's enjoyable! John B. wrestling an alligator with his bare hands? Kiara getting kidnapped then making a daring escape in her PJ's? John B. and Sarah getting married (kind of) by the power of "the sky, the stars, and the sea" after escaping the SBI?

Considering my favorite fan theory for the future is that Madelyn Cline's Sarah and Rudy Pankow's JJ learn they're secret siblings, I know the crazy train isn't slowing down anytime soon. I took to Reddit to find the wildest Outer Bankshot takes and I was not disappointed. Keep reading to see if you agree with any!

JJ and Kiara Never Should Have Happened

Image via Netflix

While JJ and Kiara is one of the most popular ships on the show, a lot of Outer Banks fans think the "no Pogue-on-Pogue macking" rule from the pilot should have stayed in effect. The individual romances between Kiara and JJ, John B., and Pope make the story really messy, and the fact the show writes Kiara to be with all three of them in the span of three years gives a lot of viewers the ick.

I'll be team #Jiara forever (and literally screamed when The Backseat Lovers' "Kilby Girl" started playing during the motorcycle ride in season 3), but I'll say it would incredibly compelling to see a friend group take care of each other as much as the Pogues do without ever crossing over into romantic territory. That's found family, after all!

Pope Should Have Ditched The Treasure Hunt

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One Reddit user is convinced that "Pope should’ve focused on his future in school instead of giving everything up to search for treasure." And TBH, I totally agree.

In season 1, Pope has a breakthrough about the hidden treasure in the middle of his scholarship interview. He ditches the scholarship committee to tell the rest of the Pogues, throwing away a crazy educational opportunity. Pope beats himself up for it, and his parents definitely aren't pleased, but at least it meant he got to stay in the show instead of leaving for college, which leads me to...

Outer Banks Should Have Started With The Pogues In Their 20s

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As one of the only people alive who loves the post-time jump One Tree Hill, I would have loved to see OBX start off with the characters in their 20s (although it looks like that's where Outer Banks season 4 will pick up!). This would eliminate SO MANY problems from the jump because the Pogues wouldn't have to worry about missing school, they'd be more self-sufficient, and instead of being the same old high school drama, it could have provided a commentary on figuring out life in your 20s the same way Friends did.

Rafe Shouldn't Have Any Kind Of Redemption Arc In Outer Banks Season 4

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Drew Starkey the man that you are. According to one Reddit user, "Rafe should not have a love interest or a redemption arc" like we see in season 3. We spent all of season 1 and season 2 establishing that Rafe (played by Drew) would do anything it took to get what he wanted (including one successful murder and two other attempts?!). He shows next to no remorse for his actions, and exploring his literal psychopathic tendencies would take the show to a whole new level.

Big John Should Never Have Returned

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John B.'s dad's disappearance is the catalyst for the Pogues' journey at the beginning of Outer Banks, and Big John's return means the story feels somewhat repetitive in the third season, and it undoes a lot of the growth we've seen from John B. Plus, Big John is just SO chaotic, selfish, and dramatic. If he had truly died in season 1, we could have seen John B. wrestle with that finality, and how to cope with loss in the face of finding the treasure and falling in love with Sarah.

And Finally, Outer Banks Should Have Ended After Season 1

Image via Netflix

Outer Banks season 1 was exactly what we needed at the height of the pandemic. It was escapist — both in terms of the beach vacation vibes, but also because the '00s aesthetic took us right back to simpler times — and it had such a wonderfully resolved finale that some fans think nothing has matched it.

Do you agree with any of these Outer Banks opinions? I'm such a romance fan, I don't know what I'd do if the show didn't have JJ and Kiara get together! Check out all the best New TV Shows coming this year for more.

Lead image via Netflix

While we always strive to notice and look for the good around us, things get a little hazy when we start to expect rather than hope that good things are coming our way. A new lifestyle trend that's taken over TikTok is called Lucky Girl Syndrome. The term, which was popularized by Laura Galebe, believes that if you say good things are coming your way, then they are.

The idea of visualizing your reality and working toward it is a complicated topic, which is why we tapped Dr. Whitney Goodman, LMFT, psychiatrist, and author of Toxic Positivity, to talk about all things lucky. Keep reading to form your own opinion about this new trend.

What Is Lucky Girl Syndrome?

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Lucky Girl Syndrome revolves around the idea that the positive things you say out loud will become your reality. However, even though this newest form of manifestation is becoming widely accepted, there isn't actually a scientific basis for it.

"There isn’t evidence that we can speak things into existence," Goodman says. "This ideology has withstood the test of time and continues to morph into different forms of positive thinking." While our thoughts can emphasize our behaviors, a positive result doesn't necessarily come out of thin air. "It’s not as simple as thought equals something happening."

While traditional manifestation does involve the idea of good things coming to you, many of its forms still require agency on your part. However the "syndrome" of Lucky Girl Syndrome creates the idea that it's something you're chosen for, or that it's something out of your control.

It can be tempting to put 100% of your effort into positive thinking, but just like the old saying goes, nothing worth having comes easy. Our dreams take work!

"I have seen many clients attempt to use manifestation or wishing as a way to achieve something," Goodman says. "There has been a longstanding belief that if you simply believe it, it will come true. Unfortunately, this is way more complicated and work will almost always be required."

Turning your dreams into a reality often involves late nights and early mornings, but it's also vital to point out that the process looks different for everyone. "We can’t talk about manifestation without talking about privilege," Goodman says. "Popular manifestation texts propose that if you are positive and visualize what you want, it will come to you. This is interesting because it seems only certain people are getting what they want."

"There's no planning for obstacles that may occur, no assessment of individual abilities, and no action plan," Goodman continues. It's important to strike a balance between realism and idealism, and the truth is that there are so many factors out of our control that can derail our plans.

It's important not to set yourself up for shameful feelings when that derailing inevitably occurs. "When we don't consider our own limitations, systemic influences, challenges that may arise, or privilege, it's very easy to blame the individual if they can't make [their dream] happen," Goodman says.

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Individualism plays such a large role in Lucky Girl Syndrome that it's easy to get into the habit of making everything about ourselves and focus all of our time and energy towards our own lives. "It can definitely become a stepping stone towards toxic positivity when we assume that everyone can achieve something simply by thinking about it," Goodman says. "This type of thinking can become extremely harmful for people with chronic illness, disabilities, or other struggles."

We're not empathizing with the people around us when we forget that they have different lives and different capabilities than we do, or when we put the same expectations on them that we put on ourselves. It's vital that we find a balance between those two things, and that we hold reality in one hand while still leaving the other hand open for opportunity.

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"In order to get what we want, we have to know what that thing is and visualize it," Goodman says. "We have to believe that achieving it is possible. We can integrate external factors that may impede certain goals while also encouraging and inspiring people to take the reins and make their life exactly what they want."

Whether it's making a vision board or journaling, half the fun is in the dreaming. A study from Dr. Gail Matthews shows that people who write down their goals are 42% more likely to achieve them. Plus, when you write down your craziest dream and break it down into actionable steps, it becomes more manageable.

Not only can dreaming in this way be productive, but Goodman says it also helps you take notice of the good around you. "Believing that good things can happen to you and that you are worthy and deserving of good things can help orient your attention back to the positive in your life." That's a kind of positive thinking we can definitely get on board with.

What are your thoughts on Lucky Girl Syndrome? Let us know in the comments and on Twitter.

Featured image via cottonbro studio/Pexels.

Mariska Hargitay is the woman of the hour anywhere she goes, with her iconic Law & Order: SVUrole as Olivia Benson under her belt for the last 25 years. The character is an absolute advocate to women — and assault victims of any gender — through her words, actions, and powerful convictions of each perpetrator on the show. She takes great care with her victims and pursues perpetrators with fervor, and slowly as you watch the show..the line blurs between Olivia and Mariska.

This isn't anything new — just recently Mariska literally stopped production on the show to help a child (who mistook her for an actual police officer) find her mom. It's just who Mariska is. She walks the walk and talks the talk — including during her speech at Variety's Power of Women's Power of Women event.

Image via NBC Universal

As a Power of Women honoree, Mariska was recognized in regards to her work as an advocate for sexual assault survivors. She took the stage and used her platform to discuss rape and assault conviction reversals, shining a light on the recent overturned ruling in Harvey Weinstein's landmark NYC case. Here's what she said:

Today I want to talk about reversing convictions, and more specifically I want to talk to you about how impossible it is to reverse mine. It’s impossible to reverse my conviction that survivors matter. It is impossible to reverse my conviction that what happens to us matters, and that our society must respond to survivors with a more a compassionate, holistically, deeper, and more nuanced understanding of what healing means.

It is impossible to reverse my conviction that after a trauma, survivors can reclaim lives of hope, of possibility, of audacious risk, beautiful intimacy, and glorious, glorious abundant joy. And I stand before you as evidence of that statement.

It is impossible to reverse my conviction that we must listen to survivors as experts on what justice means. It is extraordinary how little their voices are consulted, let alone incorporated, in the process of deciding how to repair harm. Justice is not a one-size-fits-all journey.

It is impossible to reverse my conviction that patriarchal impunity has to end. Patriarchal impunity is when a male-dominated system exempts perpetrators from punishment. Studies show that only 20% of all rape cases in the U.S. are reported to the police, and that between 5 and 0% of all rapes result in a guilty plea or a conviction. So why do 80% of victims not report? Because they're met with a system that grants impunity to perpetrators; a system that blames victims; a system that accepts only those victims who are experienced as "real" rape; a system that completely misunderstands the neurobiology of trauma, which causes behavior in women that doesn't fit the picture of how a "real victim" would act.

Is that change needed that victims should just pull themselves together? Just buck up and report anyway? No. No, it's the system that receives them that needs to change

It is impossible to reverse my conviction — and the conviction of my extraordinary team, The Joyful Heart — that the backlog of untested rape kits can be brought to zero; that the testing of all new kits must be mandated; that we need a statewide kit tracking system; and that survivors have the right to access the status of their kits.

It is impossible to reverse my conviction that grammar — yes, grammar — that we use when we speak about rape must change. In the sentence, "A woman is raped," there's a crime and there's a victim, but there's no perpetrator. Where's the perpetrator? Where is he? Statistically, as we know, most likely he's walking free. He's so free that he doesn't even appear in the language about the crime that he committed. Is that not extraordinary? It's extraordinary that in the very grammar, the perpetrator goes free. Reintroducing perpetrators in the language of rape will make some very unwieldy grammar, but that's the nature of change. It's unwieldy, it's messy, it's uncomfortable, but it's necessary.

Image via NBC Universal

Hargitay continued on in her prolific speech to describe that rape shouldn't be considered a "crime of passion" because it's "not simply the next step in the trajectory of his passion" when a man takes a consensual hookup too far and assaults a woman against her will. She stated that it's "an exercise of power," doubling down that the language we use is important.

The speech went on to address that rape is both about power and control, as a "construct" that was "built, and assembled, and reinforced over time." She noted that there are people with these positions of power — and she specifically called out those in the entertainment industry — that could make a difference and aligned themselves to victims and survivors.

After this and some other remarks, Hargitay specifically called out the Weinstein conviction reversal. She said:

I do want to say something about the Harvey Weinstein conviction, specifically about the reason that it was overturned: too many women's voices. Too many women's voices were allowed to speak. Hallelujah! Amen! I can't imagine anything more beautiful than that. The Daily podcast episode talked about how it was so risky for the prosecution to have that many women testify. Risky to let women speak? You're damn right it is!

Too many women speaking brings change. Too many women speaking shakes the establishment. Too many women means we get listened to more, and people might actually hear what we have to say. Look what happened when women started saying just two words, right? Me too — just as an example — a tidal wave of change. Me too.

And then of course, there was the response: the Me Too Movement. The backlash. The examination of whether the changes that have come are lasting, or are even positive. Of course there's a backlash! What did they expect? For women to speak repeatedly, loudly, together, with a purpose — for there to be no backlash? The backlash is evidence of how powerful those voices were, how powerful those voices ARE.

Watch Mariska Hargitay's Full Speech Here

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Mariska Hargitay's Gets Emotional as She Thanks Her Support System and the Women Around Her

Turns out that your TV heroes really can be your IRL heroes after all. Long live Olivia Benson! Long live Mariska Hargitay!

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After Emily in Paris season 3 dropped on Netflix in December of 2022, we were hoping to get the fourth installment of the hit show in 2023. But production halted when the WGA writers' strike, then the SAG-AFTRA actors' strike went to affect, and our beloved cast and crew campaigned for better wages and industry protection. But with the end of the writers' strike, and new SAG negotiations, Emily in Paris season 4 finally began production in February 2024 — and I can already tell you there's sure to be plenty of drama and French fashion this time around.

Not only will we see Emily in Paris (see what I did there?!) but she's also pulling an Audrey Hepburn and taking a little Roman Holiday. That's right — our favorite Parisians are heading to Italy! If that doesn't sound like a dreamy comfort show then I don't know what does. Here's everything we know about the upcoming season of your favorite TV brain candy!!

Is Emily in Paris season 4 coming soon?

Image via Lily Collins/Instagram

Via Variety, Emily in Paris season 4 began production in Paris the week of January 15! "Did someone say Saison Quatre?!" Lily Collins says in her Instagram post announcing production. "Finally reunited with my @emilyinparis fam back in Paris and it feels so good. Although, I may need to brush up on my selfie skills for Emily’s sake…"

Now the wait is over! According to the official announcementfor Emily in Paris, we know part one drops on Netflix August 15, followed by part 2 on September 12. I've been impatiently waiting for this considering we didn't know how filming would be impacted by things like the WGA writers strike!

Is Emily in Paris filmed in Paris?

Image via Lily Collins/Instagram

Yes, Emily in Paris is filmed on location in Paris! We got our first look at Emily in Paris season 4 when Lily Collins and Ashley Park were seen filming in the City of Love (via Daily Mail). The costumes for the series are still as bold and bright as ever, with Ashley's Mindy wearing cobalt and metallic boots, and Lily's Emily dressed head-to-toe in lemon yellow. I can't wait to see what these best friends get up to this season! Check out our Paris travel recommendations to live out your own Emily in Paris dreams ;).

On April 27, Lily Collins confirmed Emily in Paris season 4 had wrapped its France shoot and that the cast & crew have swapped the City of Love for the Eternal City! "When you’re the first ones on the dance floor at the Paris wrap party. Next stop: Rome!" she says on Instagram. Late spring is literally the perfect time to film in Italy and I just know this season is going to give me more wanderlust than ever before. I need gelato!

What's Emily In Paris season 4 about?

Image via Netflix

Season 3 left us with a huge cliffhanger: Alfie breaks up with Emily, Camille learns she's pregnant with Gabriel's baby, Benoit's "Mon Soleil" has been chosen for the Eurovision Song Contest, and Emily and Gabriel realize they've been in love with each other the whole time. Whew.

Emily in Paris season 4 will have a ton of cliffhangers to bring full circle, and a bunch of damage that all the characters need to heal. We know from the Netflix TUDUM fan event that we might also see Emily have to deal with an ultimatum head-on, as well as an unexpected twist. Plus, it looks like she's heading on a "Roman holiday," according to lead actress Lily Collins. We'll take any nod to an Audrey Hepburn movie, please and thank you!

Is Alfie coming back in season 4 of Emily in Paris?

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We don't have OFFICIAL word on whether Alfie (played by Lucien Laviscount) will return for Emily in Paris season 4, but we're hoping for his sake that he gets some closure. Lucien wants to come back as well! "[The dream is] to keep this gravy train going and just to kind of really live in this world a little bit longer," he says in an interview with Elle. " The writers on the show and the creators behind it and everyone that comes into contact with it is so amazing and fantastic. Their minds [have] way, way, way, way surpassed mine. So, yeah. I’ll let them do their thing.”

Who else is in the Emily in Paris season 4 cast?

Image via Netflix

We can expect the rest of the cast — Lily Collins as Emily, Lucas Bravo as Gabriel, Ashley Park as Mindy, Camille Razat as Camille, Philippine Leroy-Beaulieu as Sylvie, Samuel Arnold as Julian, and Bruno Gouery as Luc — to return.

Will there be a season 5 of Emily in Paris?

Image via Marie Etchegoyen/Netflix

It looks like Emily in Paris season 4 will not be the final season, according to creator Darren Star. “There’s a lot more story to tell here and we’re not wrapping things up anytime soon,” Star tells Elle. “And also hopefully season four isn’t the end either. I feel like we’re all creatively feeling like we’re in the middle of something not heading towards the end.”

Darren also told Deadline season 4 is "not necessarily conceived as a final chapter. I think like every other show, it’s a rich ensemble. There’s no end in sight until everybody feels like it’s time to end. And I don’t think this show is limited by a number of seasons, I think it’s limited by everybody’s enthusiasm and excitement about doing it and telling stories about these characters."

We'll take as many seasons of Emily in Paris as they'll give us!!

What has the cast said about Emily in Paris season 4?

Image via Marie Etchegoyen/Netflix

Lucas Bravo told People he's excited for a coming-of-age for Gabriel. "When you start a character, then there's a year where you experience the world and you mature, you become another person and you come back and it's exactly the day you left off," he says. "I'm happy that in season four I'll be able to bring more of what I became and what I've experienced in the past four years."

Even though Lily Collins is now an executive producer, she doesn't want to know TOO much about the future of the show. “Darren and I speak, on occasion, about where he’s thinking of going, but he also doesn’t wanna spoil too much for me because there is a fine line,” she tells Collider. “I don’t wanna know everything because I want to be led with the writing, but I am also curious because, as a producer wanting to celebrate the other characters, I’m very curious to see what their trajectories are."

What happened at the end of Emily in Paris season 3?

Image via Netflix

To be fully prepared for Emily in Paris season 4, it's important to remember just what happened during season 3! The junior season was a bumpy ride for Emily, and it ends with the craziest finale yet. After Camille and Gabriel decide to get married, Camille stops the wedding, saying she knows Gabriel is in love with Emily instead of her. This declaration leads Alfie to break up with our leading lady because he refuses to be her second choice (and honestly, I respect it). That's not the only shocker because Camille also reveals that she's pregnant with Gabriel's child, which comes as a surprise to everyone. Meanwhile, Mindy learns Benoit has submitted a song (specifically "Mon Soleil") to the Eurovision Song Contest and Laurent has his heart set on opening a club in Paris.

Are you excited for Emily in Paris Season 4? Give us your craziest theory in the comments, and check out our Facebook for more pop culture news. Read up on how This Emily In Paris Theory Could Be Why Emily And Gabriel Aren’t Together (Yet).

Lead image via Netflix.

This post has been updated.