The Pride of Africa: Why Now Is The Time to “Come Home” to Kenya

I’ve wanted to visit Kenya my entire life. And yes, there are other nations just as known for their wildlife or their endless plains. Yet, for reasons I can’t quite identify, I knew Kenya was the one place I needed to visit before I died. It was my ultimate bucket list adventure — one I (wrongfully) assumed required a honeymoon to experience. But unlike so many of the things in life that we imbue with hope and expectation — that first kiss, first job, first anything — the reality of my trip to Kenya exceeded my wildest dreams. And I knew it would from the moment I landed in Nairobi and the Deputy President shook my hand. “Welcome home,” he said.

(Maasai Mara)

It was ‪the last Monday of October when I arrived in Kenya, a passenger on the first nonstop flight from New York City. The cabin erupted in applause when the Kenya Airways aircraft touched down in Nairobi. It was a historic moment, especially fitting from an airline known as “The Pride of Africa.”

There had been a celebration at the departures gate at JFK, with balloons, streamers, and an air of eager anticipation swirling around the Kenyan and American passengers. I boarded the aircraft behind an intimidating crowd of journalists and reporters, chief executives, and “influencers,”

Onboard, I’d been too excited to sleep. I spent the majority of the maiden voyage drinking Baileys, an activity which culminated in midnight Swahili lessons from the patient, amused airline staff. (Thank you, Peggy, or should I say: Asante).

(Inaugural Flight Kenya Airways)

My sleep-deprived (and semi-intoxicated) condition rendered the sight of the drummers and dancers greeting us on the tarmac at Jomo Kenyatta International Airport 15 hours later even more surreal. Kenyan politicians welcomed us with speeches commemorating the inaugural flight’s significance, not just for trade and tourism between Kenya and the US, but as a symbol of connectivity between Africa and the rest of the world.

Deputy President William Ruto spoke of Elizabeth II becoming Queen while in Kenya (as fans of The Crown well know) and of Barack Obama being the son of a Kenyan man, before concluding: “It doesn’t matter where you come from.”

“Whether you come from Asia, whether you come from Europe, whether you come from Australia, whether you come from wherever: Kenya is the capital of mankind. This is the place where humanity began. When you come to Kenya, you are coming home.”

(Fairmont the Norfolk)

Nairobi

I planned on spending a few days in the Kenyan capital before venturing northwest to Nanyuki, in the foothills of Mount Kenya. Then I would finish my trip by heading southeast to the tented luxury of the Maasai Mara, a game reserve in the Great Rift Valley so emblematic of Kenyan history and culture that its name was painted upon the Boeing 787-8 Dreamliner I flew in on.

My well-planned itinerary was quickly thwarted, however, when the drive from the airport took longer than expected — hours longer. But “precise,” I quickly learned, was beside the point in Kenya, a land where mornings become afternoons and afternoons stretch into evenings without much restriction or fanfare.

I was introduced to the concept of “Kenyan time” that first day when I watched my taxi driver turn off the engine at a red light. Punctuality was not only unexpected but discouraged. Three hours late to the party? Come as you are, when you feel like it. Now, this was a wavelength I could get in on. Finally, I thought, a place where I felt fully understood.

(Ol Pejeta Conservancy)

When we arrived at our destination, the iconic Fairmont The Norfolk hotel, it did not disappoint. The hotel’s pastel architecture and tropical gardens resemble a glamorous, turn-of-the-century fever dream — and it is. An urban oasis in the heart of Nairobi, the private courtyard has long provided a lush hideaway for infamous lushes (one of the hotel’s famed regulars was none other than Ernest Hemingway), the staff serving Sundowner cocktails each evening until far past sunrise.

Another manicured destination for literary lovers is found only 20 miles from downtown Nairobi at the formal gardens and restaurant of the Karen Blixen Coffee Garden, where the Out of Africa author’s original farmhouse once stood. (The Karen Blixen Museum is half a mile down the road).

I made the journey to utter the iconic opening words of Blixen’s memoir, in the spot where she once stood: “I had a farm in Africa, at the foot of the Ngong Hills.”

You also don’t need to leave Nairobi to see (and help protect) Kenyan wildlife. I saw my first glimpse of the country’s passionate conservation efforts when I visited the Giraffe Centre and The David Sheldrick Wildlife Trust, where I adopted an elephant named Kaisa.

(Giraffe Centre)

At the Giraffe Centre, I purchased a child’s drawing of two birds. The sale of each drawing provides a bus ticket for one underprivileged child from Nairobi to visit the center to see a giraffe for the first time. I felt immense satisfaction knowing my tourist dollars supported wildlife preservation and helped to provide the funds for these efforts to continue.

The problem is never with the wildlife, it’s the human beings that make this challenge,” Stanley Kosgey of the Giraffe Centre shared with me. Nevertheless, he remained hopeful: “If you want to make a better tomorrow, it’s about changing the mindset of the next generation. Suggestions from little kids are always brilliant; it shows they want to save the world.”

(Maasai Mara)

Many travelers skip Nairobi in favor of seeing more big animals. But there’s more to Kenya than just game drives. To catch a connecting flight immediately upon landing in the Kenyan airport is to miss the other exchanges that occur while traveling, person to person, not person to elephant.

The second night, I attended an event at the Kenyan International Convention Centre and spent the evening watching the sunset with an events department intern, John Mutai, who was roughly my age. He, too, loved to write. He read his articles to me and I gave feedback, while he critiqued my Swahili. Obviously, we took a selfie. When I checked my phone later that night, I saw he’d shared our photo it to Instagram.

“Born in different cultures but united by the same passion,” he wrote.

(Ol Pejeta Conservancy, Photo via Kate McCulley)

Mount Kenya

I was staying at the Mount Kenya Safari Club, a luxurious resort originally founded as a hunting club by A-List Hollywood glitterati in the 1960s and frequented by the likes of (who else?) Hemingway. The hallowed walls are adorned with taxidermy, representing an extravagant fantasy of Hemingway’s big game memoir, Green Hills of Africa.

Today, the club exists as a conservancy — and it is a remarkable one at that, despite its misleading interiors. The Mount Kenya Wildlife Conservancy is working to save the Mountain Bongo from extinction under the watchful eye of Donald Bunge, a man who managed to turn one chicken at age eight into a herd of sheep by age 10, and a dozen cows by high school.

As if that weren’t a strong enough omen on its own, there’s no more auspicious a place to begin such a resurrection than beneath the shadows of Mount Kenya, where the nearby Ol Pejeta Conservancy is literally overflowing with animals.

(Mount Kenya Safari Club)

The second-highest peak in Africa after Mount Kilimanjaro, Mount Kenya was considered to be a holy place by the area’s indigenous tribes. Kenya means “God’s resting place” in the three native languages spoken in the area, and is believed to be the source of the country’s name. The Gikuyu and Embu believed God lived in the mountain, while the Masai believed it was the home of their ancestors. The doors in the village were built to face the mountain.

Mount Kenya is now a World Heritage Site, and the ancient volcano last erupted millions of years ago, but its power is felt to this day. When I visited Nanyuki I couldn’t argue with their logic — there was something spiritual about the place, something otherworldly.

(Bush breakfast at the Mount Kenya Safari Club)

A group of elephants, aptly, is called a memory. And one particular memory I’ll never forget was while I was horseback riding to breakfast one morning. (Another heavenly element of safari life? The bush breakfasts and Sundowners.) Mount Kenya was barely visible in the misty morning fog.

When I heard a low roar from the rainforest ahead, I looked up to see bushes shaking with the grunts and trumpets of a large animal, hidden behind the trees. When a pair of elephants emerged from between the brush, I was so in awe, it literally took my breath away. (Not to mention my iPhone — which says something, considering the triple-digit likes safari Instagrams garner.)

I was transfixed in place. Though the elephants were so close to me, I felt calm and still. Not panicked, but transported, the Talking Heads lyrics come to life: Feet on the ground, head in the sky. It’s okay, I know nothing’s wrong. Hakuna Matata.

It made sense to me that God would want to vacation here, that he would leave heaven for this place instead.

(Members of the Maasai Tribe)

Maasai Mara

The Maasai Mara is magic. You feel it the moment you step onto the plains. There’s something about the air, and even the sky. Flying aboard the Safarilink prop plane to the Maasai Mara, we passed through towering clouds floating like sandcastles above the African bush. The sun streaming through these clouds casts beams of light across the plains. Green and lush in the summertime, the Mara turns a burnt gold in the fall.

When I visited in October, it looked like heaven brought down to earth. Similar to the eternal turquoise of the Caribbean Sea in stormy weather, the savannah retains its golden luster even if the sky is gray. I suppose I always assumed it would be the safari that spoke to me the most, and its charms cannot be overstated.

(Fairmont Mara Safari Club)

In the words of Out of Africa: “There is something about safari life that makes you forget all your sorrows and feel as if you had drunk half a bottle of champagne — bubbling over with heartfelt gratitude for being alive.”

For me, this manifested in tears of joy, particularly when I spotted “the common zebra,” in the words of the witty (and wise) Kepha Ongere, my guide at Fairmont Mara Safari Club. Yet I maintain there is no sight more moving in all the savannahs of Kenya (or grasslands of East Africa, for that matter) than a dazzle of zebra running across the golden plains. Yes, a group of zebra are known as a dazzle, and dazzle they do when flash across the yellow grass of the Masai Mara in early November.

Home is where I want to be, but I guess I’m already there.

(The author with Kepha Ongere)

Though Kenya is legendary for its natural beauty, I found I was most moved by the nation’s rich culture and the people I encountered on my journey. I was overwhelmed by the kindness and hospitality I received throughout my stay, and I was delighted to discover that the place I’d longed to visit was eager to receive me as well.

It was then that I realized all you have to do to make friends is to be three things: curious, kind, and vulnerable. It seems so easy, but for so many people, it’s too difficult. Radical sincerity. Radical self-deprecation.

Safari means “journey” in Swahili, and my travels throughout Kenya felt like a retracing of my own long-forgotten steps, each moment a revelation. By fulfilling my greatest dreams of escape, I was on a homecoming back to myself.

(Maasai Mara)

When I later marveled to my cousin Jason McLachlan, about the weather in Kenya — never too hot, never too cold, almost like heaven — he said, of course, it was perfect.

But the need to protect those spaces is real. The East African grasslands socialized us, forcing us to work together and coexist (like the warthog and the zebra I spotted napping beneath an acacia tree), resulting, quite literally, in growing our brains, expanding our ego, our intellect: The very things that make us human.

Kenya is where we first became human. Maybe it’s where we need to return to feel human again.

Have you been to Kenya? Tag us in your vacation destinations on Instagram.

(Photos via @katherineparkermagyar)

I'll admit out of the many teen dramas I've consumed, Outer Banks is one of the most ridiculous. But the insanity surrounding the plot is half the reason it's enjoyable! John B. wrestling an alligator with his bare hands? Kiara getting kidnapped then making a daring escape in her PJ's? John B. and Sarah getting married (kind of) by the power of "the sky, the stars, and the sea" after escaping the SBI?

Considering my favorite fan theory for the future is that Madelyn Cline's Sarah and Rudy Pankow's JJ learn they're secret siblings, I know the crazy train isn't slowing down anytime soon. I took to Reddit to find the wildest Outer Bankshot takes and I was not disappointed. Keep reading to see if you agree with any!

JJ and Kiara Never Should Have Happened

Image via Netflix

While JJ and Kiara is one of the most popular ships on the show, a lot of Outer Banks fans think the "no Pogue-on-Pogue macking" rule from the pilot should have stayed in effect. The individual romances between Kiara and JJ, John B., and Pope make the story really messy, and the fact the show writes Kiara to be with all three of them in the span of three years gives a lot of viewers the ick.

I'll be team #Jiara forever (and literally screamed when The Backseat Lovers' "Kilby Girl" started playing during the motorcycle ride in season 3), but I'll say it would incredibly compelling to see a friend group take care of each other as much as the Pogues do without ever crossing over into romantic territory. That's found family, after all!

Pope Should Have Ditched The Treasure Hunt

Image via Netflix

One Reddit user is convinced that "Pope should’ve focused on his future in school instead of giving everything up to search for treasure." And TBH, I totally agree.

In season 1, Pope has a breakthrough about the hidden treasure in the middle of his scholarship interview. He ditches the scholarship committee to tell the rest of the Pogues, throwing away a crazy educational opportunity. Pope beats himself up for it, and his parents definitely aren't pleased, but at least it meant he got to stay in the show instead of leaving for college, which leads me to...

Outer Banks Should Have Started With The Pogues In Their 20s

Image via Netflix

As one of the only people alive who loves the post-time jump One Tree Hill, I would have loved to see OBX start off with the characters in their 20s (although it looks like that's where Outer Banks season 4 will pick up!). This would eliminate SO MANY problems from the jump because the Pogues wouldn't have to worry about missing school, they'd be more self-sufficient, and instead of being the same old high school drama, it could have provided a commentary on figuring out life in your 20s the same way Friends did.

Rafe Shouldn't Have Any Kind Of Redemption Arc In Outer Banks Season 4

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Drew Starkey the man that you are. According to one Reddit user, "Rafe should not have a love interest or a redemption arc" like we see in season 3. We spent all of season 1 and season 2 establishing that Rafe (played by Drew) would do anything it took to get what he wanted (including one successful murder and two other attempts?!). He shows next to no remorse for his actions, and exploring his literal psychopathic tendencies would take the show to a whole new level.

Big John Should Never Have Returned

Image via Netflix

John B.'s dad's disappearance is the catalyst for the Pogues' journey at the beginning of Outer Banks, and Big John's return means the story feels somewhat repetitive in the third season, and it undoes a lot of the growth we've seen from John B. Plus, Big John is just SO chaotic, selfish, and dramatic. If he had truly died in season 1, we could have seen John B. wrestle with that finality, and how to cope with loss in the face of finding the treasure and falling in love with Sarah.

And Finally, Outer Banks Should Have Ended After Season 1

Image via Netflix

Outer Banks season 1 was exactly what we needed at the height of the pandemic. It was escapist — both in terms of the beach vacation vibes, but also because the '00s aesthetic took us right back to simpler times — and it had such a wonderfully resolved finale that some fans think nothing has matched it.

Do you agree with any of these Outer Banks opinions? I'm such a romance fan, I don't know what I'd do if the show didn't have JJ and Kiara get together! Check out all the best New TV Shows coming this year for more.

Lead image via Netflix

Mariska Hargitay is the woman of the hour anywhere she goes, with her iconic Law & Order: SVUrole as Olivia Benson under her belt for the last 25 years. The character is an absolute advocate to women — and assault victims of any gender — through her words, actions, and powerful convictions of each perpetrator on the show. She takes great care with her victims and pursues perpetrators with fervor, and slowly as you watch the show..the line blurs between Olivia and Mariska.

This isn't anything new — just recently Mariska literally stopped production on the show to help a child (who mistook her for an actual police officer) find her mom. It's just who Mariska is. She walks the walk and talks the talk — including during her speech at Variety's Power of Women's Power of Women event.

Image via NBC Universal

As a Power of Women honoree, Mariska was recognized in regards to her work as an advocate for sexual assault survivors. She took the stage and used her platform to discuss rape and assault conviction reversals, shining a light on the recent overturned ruling in Harvey Weinstein's landmark NYC case. Here's what she said:

Today I want to talk about reversing convictions, and more specifically I want to talk to you about how impossible it is to reverse mine. It’s impossible to reverse my conviction that survivors matter. It is impossible to reverse my conviction that what happens to us matters, and that our society must respond to survivors with a more a compassionate, holistically, deeper, and more nuanced understanding of what healing means.

It is impossible to reverse my conviction that after a trauma, survivors can reclaim lives of hope, of possibility, of audacious risk, beautiful intimacy, and glorious, glorious abundant joy. And I stand before you as evidence of that statement.

It is impossible to reverse my conviction that we must listen to survivors as experts on what justice means. It is extraordinary how little their voices are consulted, let alone incorporated, in the process of deciding how to repair harm. Justice is not a one-size-fits-all journey.

It is impossible to reverse my conviction that patriarchal impunity has to end. Patriarchal impunity is when a male-dominated system exempts perpetrators from punishment. Studies show that only 20% of all rape cases in the U.S. are reported to the police, and that between 5 and 0% of all rapes result in a guilty plea or a conviction. So why do 80% of victims not report? Because they're met with a system that grants impunity to perpetrators; a system that blames victims; a system that accepts only those victims who are experienced as "real" rape; a system that completely misunderstands the neurobiology of trauma, which causes behavior in women that doesn't fit the picture of how a "real victim" would act.

Is that change needed that victims should just pull themselves together? Just buck up and report anyway? No. No, it's the system that receives them that needs to change

It is impossible to reverse my conviction — and the conviction of my extraordinary team, The Joyful Heart — that the backlog of untested rape kits can be brought to zero; that the testing of all new kits must be mandated; that we need a statewide kit tracking system; and that survivors have the right to access the status of their kits.

It is impossible to reverse my conviction that grammar — yes, grammar — that we use when we speak about rape must change. In the sentence, "A woman is raped," there's a crime and there's a victim, but there's no perpetrator. Where's the perpetrator? Where is he? Statistically, as we know, most likely he's walking free. He's so free that he doesn't even appear in the language about the crime that he committed. Is that not extraordinary? It's extraordinary that in the very grammar, the perpetrator goes free. Reintroducing perpetrators in the language of rape will make some very unwieldy grammar, but that's the nature of change. It's unwieldy, it's messy, it's uncomfortable, but it's necessary.

Image via NBC Universal

Hargitay continued on in her prolific speech to describe that rape shouldn't be considered a "crime of passion" because it's "not simply the next step in the trajectory of his passion" when a man takes a consensual hookup too far and assaults a woman against her will. She stated that it's "an exercise of power," doubling down that the language we use is important.

The speech went on to address that rape is both about power and control, as a "construct" that was "built, and assembled, and reinforced over time." She noted that there are people with these positions of power — and she specifically called out those in the entertainment industry — that could make a difference and aligned themselves to victims and survivors.

After this and some other remarks, Hargitay specifically called out the Weinstein conviction reversal. She said:

I do want to say something about the Harvey Weinstein conviction, specifically about the reason that it was overturned: too many women's voices. Too many women's voices were allowed to speak. Hallelujah! Amen! I can't imagine anything more beautiful than that. The Daily podcast episode talked about how it was so risky for the prosecution to have that many women testify. Risky to let women speak? You're damn right it is!

Too many women speaking brings change. Too many women speaking shakes the establishment. Too many women means we get listened to more, and people might actually hear what we have to say. Look what happened when women started saying just two words, right? Me too — just as an example — a tidal wave of change. Me too.

And then of course, there was the response: the Me Too Movement. The backlash. The examination of whether the changes that have come are lasting, or are even positive. Of course there's a backlash! What did they expect? For women to speak repeatedly, loudly, together, with a purpose — for there to be no backlash? The backlash is evidence of how powerful those voices were, how powerful those voices ARE.

Watch Mariska Hargitay's Full Speech Here

www.youtube.com

Mariska Hargitay's Gets Emotional as She Thanks Her Support System and the Women Around Her

Turns out that your TV heroes really can be your IRL heroes after all. Long live Olivia Benson! Long live Mariska Hargitay!

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Header image via NBC Universal

After Emily in Paris season 3 dropped on Netflix in December of 2022, we were hoping to get the fourth installment of the hit show in 2023. But production halted when the WGA writers' strike, then the SAG-AFTRA actors' strike went to affect, and our beloved cast and crew campaigned for better wages and industry protection. But with the end of the writers' strike, and new SAG negotiations, Emily in Paris season 4 finally began production in February 2024 — and I can already tell you there's sure to be plenty of drama and French fashion this time around.

Not only will we see Emily in Paris (see what I did there?!) but she's also pulling an Audrey Hepburn and taking a little Roman Holiday. That's right — our favorite Parisians are heading to Italy! If that doesn't sound like a dreamy comfort show then I don't know what does. Here's everything we know about the upcoming season of your favorite TV brain candy!!

Is Emily in Paris season 4 coming soon?

Image via Lily Collins/Instagram

Via Variety, Emily in Paris season 4 began production in Paris the week of January 15! "Did someone say Saison Quatre?!" Lily Collins says in her Instagram post announcing production. "Finally reunited with my @emilyinparis fam back in Paris and it feels so good. Although, I may need to brush up on my selfie skills for Emily’s sake…"

Now the wait is over! According to the official announcementfor Emily in Paris, we know part one drops on Netflix August 15, followed by part 2 on September 12. I've been impatiently waiting for this considering we didn't know how filming would be impacted by things like the WGA writers strike!

Is Emily in Paris filmed in Paris?

Image via Lily Collins/Instagram

Yes, Emily in Paris is filmed on location in Paris! We got our first look at Emily in Paris season 4 when Lily Collins and Ashley Park were seen filming in the City of Love (via Daily Mail). The costumes for the series are still as bold and bright as ever, with Ashley's Mindy wearing cobalt and metallic boots, and Lily's Emily dressed head-to-toe in lemon yellow. I can't wait to see what these best friends get up to this season! Check out our Paris travel recommendations to live out your own Emily in Paris dreams ;).

On April 27, Lily Collins confirmed Emily in Paris season 4 had wrapped its France shoot and that the cast & crew have swapped the City of Love for the Eternal City! "When you’re the first ones on the dance floor at the Paris wrap party. Next stop: Rome!" she says on Instagram. Late spring is literally the perfect time to film in Italy and I just know this season is going to give me more wanderlust than ever before. I need gelato!

What's Emily In Paris season 4 about?

Image via Netflix

Season 3 left us with a huge cliffhanger: Alfie breaks up with Emily, Camille learns she's pregnant with Gabriel's baby, Benoit's "Mon Soleil" has been chosen for the Eurovision Song Contest, and Emily and Gabriel realize they've been in love with each other the whole time. Whew.

Emily in Paris season 4 will have a ton of cliffhangers to bring full circle, and a bunch of damage that all the characters need to heal. We know from the Netflix TUDUM fan event that we might also see Emily have to deal with an ultimatum head-on, as well as an unexpected twist. Plus, it looks like she's heading on a "Roman holiday," according to lead actress Lily Collins. We'll take any nod to an Audrey Hepburn movie, please and thank you!

Is Alfie coming back in season 4 of Emily in Paris?

Image via Netflix

We don't have OFFICIAL word on whether Alfie (played by Lucien Laviscount) will return for Emily in Paris season 4, but we're hoping for his sake that he gets some closure. Lucien wants to come back as well! "[The dream is] to keep this gravy train going and just to kind of really live in this world a little bit longer," he says in an interview with Elle. " The writers on the show and the creators behind it and everyone that comes into contact with it is so amazing and fantastic. Their minds [have] way, way, way, way surpassed mine. So, yeah. I’ll let them do their thing.”

Who else is in the Emily in Paris season 4 cast?

Image via Netflix

We can expect the rest of the cast — Lily Collins as Emily, Lucas Bravo as Gabriel, Ashley Park as Mindy, Camille Razat as Camille, Philippine Leroy-Beaulieu as Sylvie, Samuel Arnold as Julian, and Bruno Gouery as Luc — to return.

Will there be a season 5 of Emily in Paris?

Image via Marie Etchegoyen/Netflix

It looks like Emily in Paris season 4 will not be the final season, according to creator Darren Star. “There’s a lot more story to tell here and we’re not wrapping things up anytime soon,” Star tells Elle. “And also hopefully season four isn’t the end either. I feel like we’re all creatively feeling like we’re in the middle of something not heading towards the end.”

Darren also told Deadline season 4 is "not necessarily conceived as a final chapter. I think like every other show, it’s a rich ensemble. There’s no end in sight until everybody feels like it’s time to end. And I don’t think this show is limited by a number of seasons, I think it’s limited by everybody’s enthusiasm and excitement about doing it and telling stories about these characters."

We'll take as many seasons of Emily in Paris as they'll give us!!

What has the cast said about Emily in Paris season 4?

Image via Marie Etchegoyen/Netflix

Lucas Bravo told People he's excited for a coming-of-age for Gabriel. "When you start a character, then there's a year where you experience the world and you mature, you become another person and you come back and it's exactly the day you left off," he says. "I'm happy that in season four I'll be able to bring more of what I became and what I've experienced in the past four years."

Even though Lily Collins is now an executive producer, she doesn't want to know TOO much about the future of the show. “Darren and I speak, on occasion, about where he’s thinking of going, but he also doesn’t wanna spoil too much for me because there is a fine line,” she tells Collider. “I don’t wanna know everything because I want to be led with the writing, but I am also curious because, as a producer wanting to celebrate the other characters, I’m very curious to see what their trajectories are."

What happened at the end of Emily in Paris season 3?

Image via Netflix

To be fully prepared for Emily in Paris season 4, it's important to remember just what happened during season 3! The junior season was a bumpy ride for Emily, and it ends with the craziest finale yet. After Camille and Gabriel decide to get married, Camille stops the wedding, saying she knows Gabriel is in love with Emily instead of her. This declaration leads Alfie to break up with our leading lady because he refuses to be her second choice (and honestly, I respect it). That's not the only shocker because Camille also reveals that she's pregnant with Gabriel's child, which comes as a surprise to everyone. Meanwhile, Mindy learns Benoit has submitted a song (specifically "Mon Soleil") to the Eurovision Song Contest and Laurent has his heart set on opening a club in Paris.

Are you excited for Emily in Paris Season 4? Give us your craziest theory in the comments, and check out our Facebook for more pop culture news. Read up on how This Emily In Paris Theory Could Be Why Emily And Gabriel Aren’t Together (Yet).

Lead image via Netflix.

This post has been updated.