A Woman's Place: Females in Farming


“A Woman’s Place” is a new series spotlighting the women making bold moves in male-dominated industries.

“‘You don’t look like a farmer,’” Katie Morich recalls being told recently by a 10-year-old girl who she met while on vacation. When Morich asked the girl what she thought farmers look like, she replied: “‘A boy.’”

Morich is a 5’ 2”, 25-year-old woman. Showing us around Bowery Farming, the indoor farm in New Jersey where she works, she tells us, “She doesn't see me as a farmer. But it felt really powerful for me to be like, ‘Hey, I do this. You could do it too.’’’

Morich and her 27-year-old colleague Tara O’Heir are two of 35 full-time employees at Bowery Farming (14 of whom are women), a tech-savvy operation that uses a heavily-controlled environment to produce fresh greens all year-round. Tucked away inside a nondescript industrial park, the space doesn’t look like your average farm, but then again O’Heir and Morich aren’t your average farmers. They aren’t spending their days under the blazing sun, dressed in overalls and operating tractors. Instead, you’ll find them wearing sterilized uniforms, using electronic tablets under LEDs.

O’Heir, an agricultural scientist, is focused on boosting production and maintaining crop quality, while Morich, a modern farmer, is responsible for day-to-day farm operations.

Neither of the women grew up with dreams of becoming a farmer. Morich went to school for psychology. After graduation, she was on the hunt for a job she was passionate about and “fell in love in love with the bigger picture of how [farmers] can help change the world and how [they] can change the food issues that we’ve been having.”

O’Heir has a similar story. She was studying to become a doctor until she stumbled upon a hydroponic greenhouse course in college and “completely fell in love.”

Even though they both strayed from their original paths, neither seems to have any regrets about diving into a notoriously difficult industry.
















“I really do love being a woman farmer. I think it’s super cool and that’s why I got into agriculture,” Morich says proudly. “I think we’ve just been told for so long that we couldn’t do it that it’s ingrained in our heads. We think, ‘I can’t do this job because it’s labor-intensive,’ but that’s not the case.”

O’Heir and Morich make a point to say how empowered and constantly encouraged they are by their all-male bosses to experiment with new farming practices, but their situation isn’t exactly reflective of the state of the agriculture industry overall.

OLD MACDONALD'S INDUSTRY


For decades, American farmers have had the reputation of being old white dudes – and in this instance, the “Old MacDonald” stereotype actually isn’t far off from the reality.


According to the 2012 Census of Agriculture (the USDA’s most recent report on the industry), more than 92 percent of the country’s 2.1 million farm owners are non-Hispanic whites with an average age of 58 years old.


Women own a dismal 13 percent of the farms that make up the agriculture industry, though the exact number of women working within those farms is unknown. What we do know is that the few women-owned farms tend to be close to 50 percent smaller than male-run operations. And with lower acreage comes a smaller profit. Only five percent of farms run by women break $100,000 in sales. In fact, 91 percent of their farms make less than $50,000 in annually


Most of the women we spoke to for this story weren’t even aware of the notable size difference between male and female-run farms. Some figured that gender-biased financial restrictions like who does and doesn’t get approved for loans play a role in the disparity, while others suspect it may point to a fundamental difference in the way women prefer to farm.

DOING THINGS DIFFERENTLY

Is there a difference in the way men and women farm? Documentarian Audra Mulkern thinks so.

For the past five years, Mulkern has been traveling around the country, interviewing and photographing female farmers as part of her Female Farmer Project. Through her work, the Washingtonian has become a narrative proxy for women in agriculture, pushing for more representation in the industry and collecting an oral history along the way.

Mulkern describes women farmers she’s met as “incredible problem solvers” who “tend to cooperate with nature as opposed to figuring out how to grow something where it isn’t meant to be growing.” She recalls one woman farmer from her home state of Washington who purchased farmland with the intention of raising sheep for wool and meat. But as she started up her operation, she went through hell trying to maintain the meadow-like environment sheep need in a place that’s naturally more of a forest.

Mulkern says, “She realized at some point that she was fighting nature to have sheep where they don’t belong.” Rather than attempting to beat Mother Nature into submission, the farmer decided to shift her initial plan to accommodate what would work best with the land in question. She sold the sheep and instead invested in pigs, which thrive in the forest.

“It’s an interesting relationship that women have with nature,” Mulkern tells us, which she says informs women’s approach to agriculture.

Despite women’s intuitive relationship with nature, Mulkern believes there are a handful of reasons why women remain underrepresented in farming. Echoing Katie Morich’s interaction with the 10-year-old, Mulkern says, “When there are no pictures or stories of women who have done [farming], you don’t know that you can. I really felt that if I could flood Google Images with photos of female farmers, then women would believe that they could farm.”

Mulkern started The Female Farmer Project after a trip to the farmers' market, where she noticed there was a woman behind almost every stall. “‘Why did I have a preconceived idea that men are farmers?’” she remembers asking herself. After that, she left her job in tech, had a friend teach her how to use a camera, and got to work.

As the project evolved, her mission grew beyond just establishing visibility. “[Now] the whole goal is to get stakeholders and people in policy to pay attention and see what was going on, because for the most part, women have been left out of consideration when policy is written.”

“When there are no pictures or stories of women who have done [farming], you don’t know that you can."

Interestingly, for a lot of the women she meets, farming is an encore career. “These are often highly educated professional women who are now farming because they have a desire to feed their community,” she explains — a trajectory that almost exactly describes the journeys of Bowery’s Morich and O’Heir.

“These are first-generation farmers. They’re not inheriting these huge pieces of land and farm operations,” she adds. “They’re starting from scratch.” And so – perhaps for financial reasons – they typically tend to lease land as opposed to buying it outright.

“For a long time there were no loans available for that kind of [first-generation] farming,” Mulkern says.“They’re leasing the land and they need a loan to get processing facilities or an affordable refrigerator – something they can take if they end a lease and move to a new piece of land.”

Slowly but surely, Mulkern is noticing incremental, progressive shifts in the industry. Loan policies are beginning to reflect this kind of practice. She also notes that the upcoming 2017 USDA Census of Agriculture (not yet published) even changed some of the language to be more inclusive toward the ways women are farming.

Previous censuses only recorded a farm’s primary operator, which was (and is) typically a man. This time around, the questionnaires have opened up to include as many as six different primary operators. “That’s how women are farming today. They’re creating partnerships,” Mulkern says.

A SEAT AT THE (COMMUNAL) TABLE

Whether because of systemic setbacks or fundamental differences, the smaller size of female-owned farms often results in a close connection between farmers and their local communities, since most end up interacting directly with their clients. Their produce is likely to be found in the neighborhood co-op, in nearby restaurants, or at the local farmers' market.

That’s exactly where you’ll find Jenny Hauf on weekends. The eastern Massachusetts-based farmer runs Muddy River Herbals, a one-acre patch of land where botanicals are transformed into tinctures, oils, and dried blends.

For Hauf, building community and a connection to her land are both vital to the way she farms and a leading reason why she got into farming in the first place.

“I strongly believe that a large part of the reason women make such great farmers is because we tend to be such good nurturers,” she says. “I prefer [to farm small] because of how deeply intimate it is. It is so fulfilling to know individual plants and to get my hands deep in soil on a daily basis.”

Hauf’s business partner is also her life partner, so her farming community is quite literally her family. But even the workers she’s not married to are considered more than colleagues.

“On our farm, it really does feel like a little bit of a family,” she says. “I really craved having relationships with people that loved our herbs. I wanted them to be a part of it in a really natural way.”

At Bowery’s farm, when we ask Tara O'Heir what she values most about the profession, she echoed a similar sentiment. “I like thinking about how [our greens] are going to end up on someone’s table and how someone’s going to love it. We’re touching the community. We’re bettering someone or a family’s life. I find that really powerful.”

THE FUTURE OF FARMING

Two hundred miles from Hauf’s slice of botanical paradise, Liz Dowd tends to crops at Brooklyn Grange Farm on the roof of an office building in New York’s Long Island City. With her 10-month-old, Jude, strapped to her chest, Dowd gives us a tour of a balmy greenhouse where most of the farm’s plants are enjoying a cushy start to life.

In a few weeks, all that’s in here will be planted outdoors. It’s her favorite and most challenging time of year. “Tomatoes are the divas,” she says with a smile. Then she points to the budding tray of greens and tells me those are the most likely to thrive when they’re moved into an open-air environment.

Dowd is the farm manager at Brooklyn Grange Farm, New York City’s largest, soil-based rooftop farm. From the moment we meet, it’s clear that Dowd is at home on this one-acre oasis above Long Island City. But as comfortable as she is farming in part of the country’s largest city, her occupation is still a bit of a foreign concept to the rest of New York.

“[People’s] initial reaction is that [they’re] confused [by my job]. People are perplexed about what it means. They think I work in a community garden or plant flowers. And then I think it’s a lot of excitement. People have a lot of questions and want to see pictures and their minds are a little blown that we’re up on a roof.”

Maybe they’re confused, but surely in a progressive city like New York they’re supportive of her profession, right? “You’d think that,” she says. “I’m always surprised at how that’s not the case. There are a lot of preconceptions and microaggressions.”

She explains that before she began managing the farm, a man held her position. Dowd says that nowadays, she’ll walk through the office building of which the farm sits atop, and some of the neighbors will stop to tell her that – while she’s doing a great job – her predecessor cultivated more produce.

“They’re not quite realizing what they’re saying,” Dowd says. “But the undertone is ‘You’re doing a great job, but that guy, he was growing tons more.’ When, statistically, the yields of this farm have increased over 25 percent [since he left].”

The general public may still be slow on the draw, but Dowd only sings praises about her colleagues at the farm. “I have not forgotten that it’s a very unique experience to be working with another male who will give me the power drill and asks me to do the carpentry job or load the heavier things. We as women are really treated as equals here.”

Sitting with Dowd in her rustic, wooden office (okay, it’s really more of a shack with wifi), looking out over the Manhattan skyline, it feels like we’re witnessing the future of farming. Dowd’s baby is nestled in her arms, sipping on a bottle, while we talk about how to get more women involved in the industry.

Close the wage gap. Adapt old policies to modern practices. Eliminate tired gender stigmas. But then Dowd looks down at her son and offers up the purest suggestion there is: “Really, we just need to raise feminist men.”

Written by: Cortney Clift

Sexis often considered taboo...even though it's a natural human need and desire. But — thanks in part to the entertainment industry — it's slowly becoming normalized in the many different shapes and sizes it comes. From quickies in random places to passionate lovemaking, the actors in shows like Bridgerton and Sex and the City show us the sides of sex we're remiss to talk about. And while Phoebe Dynevor is no stranger to a sex scene (literally HOW did she get through filming with Regé Jean?!), she took this "taboo" subject matter to another level in the opening scenes for her new movie Fair Play.

Image via Sergej Radovic / Courtesy of Netflix

Emily (Phoebe Dynevor) is seen getting busy with her fiancé Luke (Alden Ehrenreich) at a wedding. While that's not necessarily gag-worthy, there's one determining factor that could be — she's on her period. Not only that, but there's oral sex involved that Luke happily engages in. It's a highly erotic and graphic scene that has the potential to leave viewers reeling, but Emily and Luke aren't grossed out by what they're doing. They're too caught up in bliss to think there's something wrong about being pleasured during one's period.

I'll be honest — younger me would have immediately ran for the heels at this description because...ew. I'm not personally comfortable with the oral aspect of the scene, but I'm familiar with putting down a towel during period sex. It's all about preference, and no matter where you stand on the period sex issue, it's nice to have a partner that doesn't treat you like a walking science experiment during your period.

What did Phoebe Dynevor say about filming the sex scene in "Fair Play"?

She's actually happy the scene was filmed, and thinks director Chloe Domont did an excellent job showing that sex doesn't have to be skipped the week of someone's period. She told Ellethat male directors would've questioned the necessity of it. "We as women know these things happen all the time, but why are we not seeing it on our screens," she asked.

When does the period sex scene appear in "Fair Play"?

Image via Sergej Radovic / Courtesy of Netflix

Trigger warning — this sex scene appears at the very beginning of Fair Play. Talk about starting off with a bang!

What is the plot of "Fair Play?"

Fair Play centers around the work culture of a hedge fund company that begins to take a toll on a couple. In a deeper plot analysis, Ellereports that Dynevor's character Emily has a secret engagement to her coworker, but "she gets a surprise promotion, which causes issues in their relationship outside of work." It takes a deep dive into the gender norms that can begin to stifle a relationship if both people have different views of how things are supposed to fall in place in and outside of the home.

What else has Dynevor said about "Fair Play"?

Image via Sergej Radovic / Courtesy of Netflix

She pointed out that it's an excellent marker for how far society has to go in terms of respecting women. She also told Elle, "We have this idea that world is so progressive...but there's still so much progress to be made and so many things that haven't been done or still taboo." To drive this point further home, Dynevor said, "The thing that was really interesting to me is how modern feminism is clashing with traditional masculinity...Emily is really trying to make herself small to make him [Luke] feel masculine."

This is true because we're seeing the effects of attacks on reproductive and maternal health. Not only that, but there's still an expectation for how women are supposed to carry themselves whether they're mothers or not. As far as we've come, the work to fully recognize that women aren't monolithic and deserve to have our voices, time, and efforts respected is ongoing. That we shouldn't have to shrink so that men don't feel threatened or emasculated. That us asking to be appreciated and respected has nothing to do with attacking men's self esteem.

Until we get to that point, films like Fair Play will continue to exist to push the conversation forward.

When can you watch "Fair Play"?

Fair Play will premiere in theaters September 29, 2023 and will be available to stream on Netflix beginning October 13, 2023.

Watch The Trailer For "Fair Play"

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FAIR PLAY | Official Trailer | Netflix

What do you think about Phoebe Dynevor's "taboo" sex scene in Fair Play?Let us know in the comments and follow the conversation on Facebook!

Lead image via Kate Green/Getty Images.

I'll admit out of the many teen dramas I've consumed, Outer Banks is one of the most ridiculous. But the insanity surrounding the plot is half the reason it's enjoyable! John B. wrestling an alligator with his bare hands? Kiara getting kidnapped then making a daring escape in her PJ's? John B. and Sarah getting married (kind of) by the power of "the sky, the stars, and the sea" after escaping the SBI?

Considering my favorite fan theory for the future is that Madelyn Cline's Sarah and Rudy Pankow's JJ learn they're secret siblings, I know the crazy train isn't slowing down anytime soon. I took to Reddit to find the wildest Outer Bankshot takes and I was not disappointed. Keep reading to see if you agree with any!

JJ and Kiara Never Should Have Happened

Image via Netflix

While JJ and Kiara is one of the most popular ships on the show, a lot of Outer Banks fans think the "no Pogue-on-Pogue macking" rule from the pilot should have stayed in effect. The individual romances between Kiara and JJ, John B., and Pope make the story really messy, and the fact the show writes Kiara to be with all three of them in the span of three years gives a lot of viewers the ick.

I'll be team #Jiara forever (and literally screamed when The Backseat Lovers' "Kilby Girl" started playing during the motorcycle ride in season 3), but I'll say it would incredibly compelling to see a friend group take care of each other as much as the Pogues do without ever crossing over into romantic territory. That's found family, after all!

Pope Should Have Ditched The Treasure Hunt

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One Reddit user is convinced that "Pope should’ve focused on his future in school instead of giving everything up to search for treasure." And TBH, I totally agree.

In season 1, Pope has a breakthrough about the hidden treasure in the middle of his scholarship interview. He ditches the scholarship committee to tell the rest of the Pogues, throwing away a crazy educational opportunity. Pope beats himself up for it, and his parents definitely aren't pleased, but at least it meant he got to stay in the show instead of leaving for college, which leads me to...

Outer Banks Should Have Started With The Pogues In Their 20s

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As one of the only people alive who loves the post-time jump One Tree Hill, I would have loved to see OBX start off with the characters in their 20s (although it looks like that's where Outer Banks season 4 will pick up!). This would eliminate SO MANY problems from the jump because the Pogues wouldn't have to worry about missing school, they'd be more self-sufficient, and instead of being the same old high school drama, it could have provided a commentary on figuring out life in your 20s the same way Friends did.

Rafe Shouldn't Have Any Kind Of Redemption Arc In Outer Banks Season 4

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Drew Starkey the man that you are. According to one Reddit user, "Rafe should not have a love interest or a redemption arc" like we see in season 3. We spent all of season 1 and season 2 establishing that Rafe (played by Drew) would do anything it took to get what he wanted (including one successful murder and two other attempts?!). He shows next to no remorse for his actions, and exploring his literal psychopathic tendencies would take the show to a whole new level.

Big John Should Never Have Returned

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John B.'s dad's disappearance is the catalyst for the Pogues' journey at the beginning of Outer Banks, and Big John's return means the story feels somewhat repetitive in the third season, and it undoes a lot of the growth we've seen from John B. Plus, Big John is just SO chaotic, selfish, and dramatic. If he had truly died in season 1, we could have seen John B. wrestle with that finality, and how to cope with loss in the face of finding the treasure and falling in love with Sarah.

And Finally, Outer Banks Should Have Ended After Season 1

Image via Netflix

Outer Banks season 1 was exactly what we needed at the height of the pandemic. It was escapist — both in terms of the beach vacation vibes, but also because the '00s aesthetic took us right back to simpler times — and it had such a wonderfully resolved finale that some fans think nothing has matched it.

Do you agree with any of these Outer Banks opinions? I'm such a romance fan, I don't know what I'd do if the show didn't have JJ and Kiara get together! Check out all the best New TV Shows coming this year for more.

Lead image via Netflix

I think we can all agree that the Netflix sensation To All The Boys I’ve Loved Before has firmly cemented itself as a classic teen movie (and one of the best rom-coms) that will continue to get better the more we watch it. Needless to say, Peter Kavinsky (Noah Centineo) captured our hearts with his swagger, his symphony of “whoa”s, and that back pocket spin. But truth be told, 16-year-old Lara Jean (Lana Condor) and the Covey sisters became our #WCWs with their solidarity, healthy family dynamic, and emphases on self-love and self-confidence. That goes hand-in-hand with how proud they are about their Korean heritage and how it’s become such an integral part of their identities. That sense of confidence and deep pride emanates from their characters throughout the film and is manifested in everything they do.

Despite their high school and middle school settings and accompanying cliques, rumors, and Instagram posts, the Covey sisters are lacking in teenage angst or sisterly rivalry, quite comfortable in driving each other to school and spending the night watching reruns of The Golden Girls without lamenting about their — er, Lara Jean’s — lack of a social life.



Image via Netflix

(L-R) Janel Parrish as Margot and Anna Cathcart as Kitty in To All The Boys I've Loved Before.

“I love The Golden Girls and I love hanging out with you,” Lara Jean tells 11-year-old Kitty, who canceled her own plans so her sister wouldn’t be alone. But boyfriend or not, these sisters put themselves and each other first. They are more content with loving each other and themselves than finding love — or at least needing it for validation.

Before oldest sister Margot leaves for college in Scotland, she [SPOILER ALERT!] breaks up with her longtime boyfriend Josh. She doesn't want to be tied down to a relationship and she's unwavering in her decision. This decision goes some way in dismantling the pattern that we’ve seen so many times in pop culture where the girl often gets left in the dust for greener pastures. Don’t get me wrong: Every time I watch To All The Boys I've Loved Before, my heart still hurts for Josh and I want the boy next door to have his own happy ending. But Margot’s decision to be selfish about her college experience is not cold or harsh; it’s a power move, and that’s not necessarily a bad thing.

And while Margot jets off for a new adventure, Kitty deliberately sends out the love letters Lara Jean wrote to all her former crushes, including Josh. She gives Lara Jean the push she needs to get out of her shell and act on her feelings, thereby jumpstarting the premise of the movie. Not only does Lara Jean start a fake relationship with Peter to throw off Josh so Margot doesn’t get upset, but she unequivocally shuts down all conversations with him. She refuses to give even the tiniest thought to any lingering feelings she may have. It’s less of an adherence to an arbitrary girl code and more of a natural decision that her love for Margot trumps any adolescent feelings she’s had for Josh.

Image via Netflix

(L-R) Anna Cathcart as Kitty, Janel Parrish as Margot, and Lana Condor as Lara Jean in To All The Boys I've Loved Before.

What the movie so powerfully captures here is Covey girls’ sense of camaraderie — the proverbial “sisters before misters”— that invites viewers to understand that this story, at its core, is a celebration of sisterhood. It’s a rom-com of sisterly love (and the extents the Coveys will go for one another) more than it is of romantic love with cute teen boys.

To All The Boys I've Loved Before doesn’t use gimmicky storylines of sibling rivalry or slut-shaming (Peter is quick to shut that down) to turn this into a caricature version of high school, nor does it perpetuate Lara Jean’s seemingly invisible persona to maintain the shy vs. popular girl dichotomy. In fact, she’s stronger and bolder than Genevieve and Peter — two of the most popular people in school — combined. Lara Jean might not be very experienced, but from the beginning, she’s sure of herself, comfortable in her own skin, and does not ever feel the need to conform to a high school status quo to make a place for herself. When Genevieve makes a snarky remark about her platform boots, Lara Jean is quick to remind her they're vintage. As Peter says, she doesn’t let Gen steamroll over her.

Image via Netflix

(L-R) Lana Condor as Lara Jean, Anna Cathcart as Kitty, and Noah Centineo as Peter in To All The Boys I've Loved Before.

Lara Jean is scared of getting hurt, but she makes Peter work for her trust because she knows her worth. She’s insecure about his feelings for her, but not about whether or not she’s good enough for him. As far as she’s concerned, they’re on equal footing; she makes that quite clear when she suggests that if he’s only dated one girl, he’s not quite the expert he thinks he is. Though the fake romance is his idea, the ball has been in her court since the beginning. She’s delineated her boundaries and decided when to give him a chance and express her true feelings to him. Both scenes of her strutting through the lacrosse field to talk to Peter — when she’s good and ready, mind you, with her back ramrod straight and her head held high — are proof of how self-assured and in control she chooses to be; her popularity or lack thereof has no bearing on that.

Lara Jean’s character may have moments of peak embarrassment in this movie, but she carries herself with confidence and owns her actions, unapologetic about who she is. Much to our chagrin, this movie is fictional, but Lara Jean’s confidence is contagious and all-too-real. While there aren’t enough Peter Kavinskys in the world for all of us, To All The Boys I’ve Loved Before sets a wonderful standard of self-love and confidence that are not bound by social hierarchy. As much as we love falling in love, our love stories start with ourselves.

What's your favorite part of To All The Boys I've Loved Before? Let us know in the comments!

This post has been updated.

Lead image via Netflix

Mariska Hargitay is the woman of the hour anywhere she goes, with her iconic Law & Order: SVUrole as Olivia Benson under her belt for the last 25 years. The character is an absolute advocate to women — and assault victims of any gender — through her words, actions, and powerful convictions of each perpetrator on the show. She takes great care with her victims and pursues perpetrators with fervor, and slowly as you watch the show..the line blurs between Olivia and Mariska.

This isn't anything new — just recently Mariska literally stopped production on the show to help a child (who mistook her for an actual police officer) find her mom. It's just who Mariska is. She walks the walk and talks the talk — including during her speech at Variety's Power of Women's Power of Women event.

Image via NBC Universal

As a Power of Women honoree, Mariska was recognized in regards to her work as an advocate for sexual assault survivors. She took the stage and used her platform to discuss rape and assault conviction reversals, shining a light on the recent overturned ruling in Harvey Weinstein's landmark NYC case. Here's what she said:

Today I want to talk about reversing convictions, and more specifically I want to talk to you about how impossible it is to reverse mine. It’s impossible to reverse my conviction that survivors matter. It is impossible to reverse my conviction that what happens to us matters, and that our society must respond to survivors with a more a compassionate, holistically, deeper, and more nuanced understanding of what healing means.

It is impossible to reverse my conviction that after a trauma, survivors can reclaim lives of hope, of possibility, of audacious risk, beautiful intimacy, and glorious, glorious abundant joy. And I stand before you as evidence of that statement.

It is impossible to reverse my conviction that we must listen to survivors as experts on what justice means. It is extraordinary how little their voices are consulted, let alone incorporated, in the process of deciding how to repair harm. Justice is not a one-size-fits-all journey.

It is impossible to reverse my conviction that patriarchal impunity has to end. Patriarchal impunity is when a male-dominated system exempts perpetrators from punishment. Studies show that only 20% of all rape cases in the U.S. are reported to the police, and that between 5 and 0% of all rapes result in a guilty plea or a conviction. So why do 80% of victims not report? Because they're met with a system that grants impunity to perpetrators; a system that blames victims; a system that accepts only those victims who are experienced as "real" rape; a system that completely misunderstands the neurobiology of trauma, which causes behavior in women that doesn't fit the picture of how a "real victim" would act.

Is that change needed that victims should just pull themselves together? Just buck up and report anyway? No. No, it's the system that receives them that needs to change

It is impossible to reverse my conviction — and the conviction of my extraordinary team, The Joyful Heart — that the backlog of untested rape kits can be brought to zero; that the testing of all new kits must be mandated; that we need a statewide kit tracking system; and that survivors have the right to access the status of their kits.

It is impossible to reverse my conviction that grammar — yes, grammar — that we use when we speak about rape must change. In the sentence, "A woman is raped," there's a crime and there's a victim, but there's no perpetrator. Where's the perpetrator? Where is he? Statistically, as we know, most likely he's walking free. He's so free that he doesn't even appear in the language about the crime that he committed. Is that not extraordinary? It's extraordinary that in the very grammar, the perpetrator goes free. Reintroducing perpetrators in the language of rape will make some very unwieldy grammar, but that's the nature of change. It's unwieldy, it's messy, it's uncomfortable, but it's necessary.

Image via NBC Universal

Hargitay continued on in her prolific speech to describe that rape shouldn't be considered a "crime of passion" because it's "not simply the next step in the trajectory of his passion" when a man takes a consensual hookup too far and assaults a woman against her will. She stated that it's "an exercise of power," doubling down that the language we use is important.

The speech went on to address that rape is both about power and control, as a "construct" that was "built, and assembled, and reinforced over time." She noted that there are people with these positions of power — and she specifically called out those in the entertainment industry — that could make a difference and aligned themselves to victims and survivors.

After this and some other remarks, Hargitay specifically called out the Weinstein conviction reversal. She said:

I do want to say something about the Harvey Weinstein conviction, specifically about the reason that it was overturned: too many women's voices. Too many women's voices were allowed to speak. Hallelujah! Amen! I can't imagine anything more beautiful than that. The Daily podcast episode talked about how it was so risky for the prosecution to have that many women testify. Risky to let women speak? You're damn right it is!

Too many women speaking brings change. Too many women speaking shakes the establishment. Too many women means we get listened to more, and people might actually hear what we have to say. Look what happened when women started saying just two words, right? Me too — just as an example — a tidal wave of change. Me too.

And then of course, there was the response: the Me Too Movement. The backlash. The examination of whether the changes that have come are lasting, or are even positive. Of course there's a backlash! What did they expect? For women to speak repeatedly, loudly, together, with a purpose — for there to be no backlash? The backlash is evidence of how powerful those voices were, how powerful those voices ARE.

Watch Mariska Hargitay's Full Speech Here

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Mariska Hargitay's Gets Emotional as She Thanks Her Support System and the Women Around Her

Turns out that your TV heroes really can be your IRL heroes after all. Long live Olivia Benson! Long live Mariska Hargitay!

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After Emily in Paris season 3 dropped on Netflix in December of 2022, we were hoping to get the fourth installment of the hit show in 2023. But production halted when the WGA writers' strike, then the SAG-AFTRA actors' strike went to affect, and our beloved cast and crew campaigned for better wages and industry protection. But with the end of the writers' strike, and new SAG negotiations, Emily in Paris season 4 finally began production in February 2024 — and I can already tell you there's sure to be plenty of drama and French fashion this time around.

Not only will we see Emily in Paris (see what I did there?!) but she's also pulling an Audrey Hepburn and taking a little Roman Holiday. That's right — our favorite Parisians are heading to Italy! If that doesn't sound like a dreamy comfort show then I don't know what does. Here's everything we know about the upcoming season of your favorite TV brain candy!!

Is Emily in Paris season 4 coming soon?

Image via Lily Collins/Instagram

Via Variety, Emily in Paris season 4 began production in Paris the week of January 15! "Did someone say Saison Quatre?!" Lily Collins says in her Instagram post announcing production. "Finally reunited with my @emilyinparis fam back in Paris and it feels so good. Although, I may need to brush up on my selfie skills for Emily’s sake…"

Now the wait is over! According to the official announcementfor Emily in Paris, we know part one drops on Netflix August 15, followed by part 2 on September 12. I've been impatiently waiting for this considering we didn't know how filming would be impacted by things like the WGA writers strike!

Is Emily in Paris filmed in Paris?

Image via Lily Collins/Instagram

Yes, Emily in Paris is filmed on location in Paris! We got our first look at Emily in Paris season 4 when Lily Collins and Ashley Park were seen filming in the City of Love (via Daily Mail). The costumes for the series are still as bold and bright as ever, with Ashley's Mindy wearing cobalt and metallic boots, and Lily's Emily dressed head-to-toe in lemon yellow. I can't wait to see what these best friends get up to this season! Check out our Paris travel recommendations to live out your own Emily in Paris dreams ;).

On April 27, Lily Collins confirmed Emily in Paris season 4 had wrapped its France shoot and that the cast & crew have swapped the City of Love for the Eternal City! "When you’re the first ones on the dance floor at the Paris wrap party. Next stop: Rome!" she says on Instagram. Late spring is literally the perfect time to film in Italy and I just know this season is going to give me more wanderlust than ever before. I need gelato!

What's Emily In Paris season 4 about?

Image via Netflix

Season 3 left us with a huge cliffhanger: Alfie breaks up with Emily, Camille learns she's pregnant with Gabriel's baby, Benoit's "Mon Soleil" has been chosen for the Eurovision Song Contest, and Emily and Gabriel realize they've been in love with each other the whole time. Whew.

Emily in Paris season 4 will have a ton of cliffhangers to bring full circle, and a bunch of damage that all the characters need to heal. We know from the Netflix TUDUM fan event that we might also see Emily have to deal with an ultimatum head-on, as well as an unexpected twist. Plus, it looks like she's heading on a "Roman holiday," according to lead actress Lily Collins. We'll take any nod to an Audrey Hepburn movie, please and thank you!

Is Alfie coming back in season 4 of Emily in Paris?

Image via Netflix

We don't have OFFICIAL word on whether Alfie (played by Lucien Laviscount) will return for Emily in Paris season 4, but we're hoping for his sake that he gets some closure. Lucien wants to come back as well! "[The dream is] to keep this gravy train going and just to kind of really live in this world a little bit longer," he says in an interview with Elle. " The writers on the show and the creators behind it and everyone that comes into contact with it is so amazing and fantastic. Their minds [have] way, way, way, way surpassed mine. So, yeah. I’ll let them do their thing.”

Who else is in the Emily in Paris season 4 cast?

Image via Netflix

We can expect the rest of the cast — Lily Collins as Emily, Lucas Bravo as Gabriel, Ashley Park as Mindy, Camille Razat as Camille, Philippine Leroy-Beaulieu as Sylvie, Samuel Arnold as Julian, and Bruno Gouery as Luc — to return.

Will there be a season 5 of Emily in Paris?

Image via Marie Etchegoyen/Netflix

It looks like Emily in Paris season 4 will not be the final season, according to creator Darren Star. “There’s a lot more story to tell here and we’re not wrapping things up anytime soon,” Star tells Elle. “And also hopefully season four isn’t the end either. I feel like we’re all creatively feeling like we’re in the middle of something not heading towards the end.”

Darren also told Deadline season 4 is "not necessarily conceived as a final chapter. I think like every other show, it’s a rich ensemble. There’s no end in sight until everybody feels like it’s time to end. And I don’t think this show is limited by a number of seasons, I think it’s limited by everybody’s enthusiasm and excitement about doing it and telling stories about these characters."

We'll take as many seasons of Emily in Paris as they'll give us!!

What has the cast said about Emily in Paris season 4?

Image via Marie Etchegoyen/Netflix

Lucas Bravo told People he's excited for a coming-of-age for Gabriel. "When you start a character, then there's a year where you experience the world and you mature, you become another person and you come back and it's exactly the day you left off," he says. "I'm happy that in season four I'll be able to bring more of what I became and what I've experienced in the past four years."

Even though Lily Collins is now an executive producer, she doesn't want to know TOO much about the future of the show. “Darren and I speak, on occasion, about where he’s thinking of going, but he also doesn’t wanna spoil too much for me because there is a fine line,” she tells Collider. “I don’t wanna know everything because I want to be led with the writing, but I am also curious because, as a producer wanting to celebrate the other characters, I’m very curious to see what their trajectories are."

What happened at the end of Emily in Paris season 3?

Image via Netflix

To be fully prepared for Emily in Paris season 4, it's important to remember just what happened during season 3! The junior season was a bumpy ride for Emily, and it ends with the craziest finale yet. After Camille and Gabriel decide to get married, Camille stops the wedding, saying she knows Gabriel is in love with Emily instead of her. This declaration leads Alfie to break up with our leading lady because he refuses to be her second choice (and honestly, I respect it). That's not the only shocker because Camille also reveals that she's pregnant with Gabriel's child, which comes as a surprise to everyone. Meanwhile, Mindy learns Benoit has submitted a song (specifically "Mon Soleil") to the Eurovision Song Contest and Laurent has his heart set on opening a club in Paris.

Are you excited for Emily in Paris Season 4? Give us your craziest theory in the comments, and check out our Facebook for more pop culture news. Read up on how This Emily In Paris Theory Could Be Why Emily And Gabriel Aren’t Together (Yet).

Lead image via Netflix.

This post has been updated.