
As much as we love the rustic wedding trend, it’s about time it gets replaced. And in its crowning position of Top Wedding Trend of the Moment comes a stark contrast — the watercolor-themed wedding. It’s soft. It’s feminine. It’s pretty. And we’ve got tons of eye candy and ideas on what would make yours better than the rest. Just peep below and get ready for every blog in the universe to pick up on your grand nuptials.
1. Invitations: First things first, you’re going to need invites. There are tons of beautiful creations out there, but we love these. Since watercolors tend to go the way of pinks and purples and reds, this is a welcome departure from, what you’ll shortly see, is the norm. (via Inspired by This)
2. Rose Colored Invites: Sorry, we couldn’t resist one pink option. They’re so beautiful, you guys. (via Julep)
3. Bridesmaid Dresses ($75): It’s watercolor. It’s tie-dye. It’s under $100. Basically, your bridesmaids are going to deem you the best bride ever.
4. Watercolor Inspired Chuppah: We’d happily say, “I do” under this dreamy chuppah. If you don’t want to get messy with paints, you can achieve a watercolor effect with the right color combination of strips of fabric placed side by side. (via Once Wed)
5. DIY Crayon Garland: It’s hardly a wedding without at least one garland somewhere in sight. And in case you haven’t heard, glassine-bag hacks are a thing now. (via Hello Bee)
6. Potomak Ceramics: If you really want to go big with your theme, you’re going to need these porcelain plates from Italian design studio, Potomak. (via The Bell Jar)
7. Birthday Bunting: Alright, so this party was set up for one lucky little five-year-old, but that bunting refuses to be ignored by brides-to-be. We know you have imagination. Use it to envision this applied to your wedding. (via The Handmade Home)
8. Table Setting Favor: Color us officially obsessed. There is no more fitting or fun wedding favor than giving your guests a set of paints and a brush tied together with colorful ribbon. (via Wedding Chicks)
9. Ruffle Garland: As if the cake didn’t demand enough attention already, then, someone went and hacked the most romantic and beautiful garland on the planet to surround it. (via Icing Designs)
10. Ombre Feather Backdrop: A note to our personal friends: Please throw this exact bridal shower for us. Ombre gives a nice watercolor effect. And this feather backdrop is making our hearts flutter. (via Style Me Pretty)
11. Bubble Tea Drinks: Same event, different inspiration. These pearl drinks are getting the watercolor job done nicely. (via Style Me Pretty)
12. Hand Painted Backdrop: If you have the most beautiful photo booth backdrop in the world does that mean your guests will be on their best behavior in front of the camera? Let’s hope not. (via Southern Weddings)
13. Emerald Guest Book ($15): Not only is this guest book a steal, but it’s more attractive than 96.4 percent of the guest books out there. (Yes, that number is accurate.)
14. Jewel Tone Ceremony Backdrop: We aren’t quite sure what’s going on with the inclusion of those little animal cutouts, but we’re into it. (via Love + Lavender)
15. Bridesmaids Bouquets: Here at Brit + Co., we’re big fans of bridesmaids wearing different dresses that tie in together. And with this theme, you should be too. There are just so many fun and stunning dresses out there. Have lots of willing guests? Have them get in on the theme as well. (via Green Wedding Shoes)
16. Charla Printed Strapless Maxi ($180): If your best gals must be in floor-length gowns, we’ve got them covered… literally.
17. Bridal Bouquet: Okay, enough about the bridesmaids. Let’s get back to you. This bouquet is a visual watercolor wonderland of sweet peas, orchids and dusty miller and was designed by Nancy Liu Chin of San Francisco. (via Brides)
18. Two Tier Blue: If you’ve had all the pretty-in-pink you can handle, here’s a nice calming change of pace inspired by the ocean. (via Brides)
19. Floral Hem Dresses by Mango ($135): In case Vera Wang didn’t prove it with her line of black wedding dresses, the days of brides being regulated to all white are long gone. Also… how incredible would it be if you actually spent less than $200 (or less than $1,000 for that matter) on your wedding dress… and you could actually wear it again?! How do you say match made in heaven?
20. Tinted Purple Rosanna Perrone: If you just need to spend the bucks and you want something a little more dramatic, this big ball gown should help you make the entrance you’re looking to make. (via Wedding Inspirasi)
21. Bohemian Beach Pallets: You’re bound to your boho-branded self, we totally understand. Your barefoot beach wedding needs to have tables made of pallets, painted in pretty colors. Got it? Okay, good. (via Green Wedding Shoes)
22. Colored Hair: It takes a certain bride to pull this look off, but if you are that certain bride, please do it. (via Green Wedding Shoes)
23. Watercolor Cake: We don’t even care what it tastes like, and we most certainly aren’t going to destroy it by cutting it. (via AK Cake Design)
24. Drink Tags: We like the idea of these drink tags acting as escort cards, potentially on a pre-bottled cocktail, hmmm? (via A Subtle Revelry)
25. DIY Painted Votives: Table decor? Taken care of. (via Once Wed)
26. Programs and Menus: There are no words. (via Green Wedding Shoes)
27. Tablecloth: We absolutely love this subtle and pretty tablecloth, and it’s totally a project anyone can handle. As long as you have your color palette under control, then there’s absolutely no right or wrong answers. (via Style Unveiled)
28. Complete Table Setting: Your big day needs all of this. The tablecloths, the napkins, the menus, the table numbers and the menus. It’s one-stop wedding shopping here at Brit + Co., folks. (via Wedding Chicks)
29. Lazaro Bridal: And we’ll leave you with one final look — a big beautiful slightly watercolored gown. We die. (via Belle Magazine)
Brushing up on your big bridal day? Paint us a picture in the comments below.
Artist Dev Heyrana On How Bravery, Resilience and Sunshine Influence Her Work
Ever meet someone who you feel immediate kinship with on a deep almost spiritual level? That is legit every person's experience upon meeting Dev Heyrana, the star of this edition of Creative Crushin'. A fine artist, hip hop dance teacher and constant collaborator, Dev's particular brand of creativity is one-of-a-kind. She manages to be warm, welcoming and woke, with a focus on inclusivity, social justice and motherhood that comes through in every piece of art she creates.
Anjelika Temple here, co-founder of Brit + Co and one of many humans who has benefitted from Dev's boundless generosity and kindness. We first connected at a launch event, then I asked her if she and her family would like to model for a B+C shoot (they did!), then months later, I asked the IG universe if anyone would be down to co-parent with me for a day so I could speak at a conference. Dev said yes! And for those that know her, none of these serendipitous moments are surprising.
Now it's time to delve more into Dev's story, her creative inspiration, her thoughtful approach to parenting and what makes her more passionate than ever about bringing her point of view and artistic voice into the universe.
Anjelika Temple: First, foundations. Where did you grow up? What is your heritage? What did you study in school? Where do you live now?
Dev Heyrana: Born in The Philippines and immigrated to the U.S. when I was 9 years old. Me and my family are from the island of Cebu and I'm a proud Cebuana. My childhood in the Philippines felt like freedom. I had my swimsuit in my backpack for whenever we decided to swim and I biked everywhere.
Immigrating here at 9 yrs old was a transition, to say the least. My parents had big dreams but the move was heavy on them. It wasn't easy. I had to grow up fast. I took care of my sisters while my parents worked night shifts. By the age of 12 I would cook dinner and get my sisters ready for bed. Something I didn't realize was that kids my age didn't do those things until I got older. We would play these make-believe games to make, in hindsight, our hard situation brighter.
I think this is really when art played a big role in my life. It was something I could escape in and always felt healing.
I witnessed racism towards my family and didn't know how to make sense of it. These events left a mark. I was a quiet kid and observed everything and everyone around me. I think about my grandparents, Lolo Jose and Lola Rita, a lot as I walk through life. When I make decisions. As hard as it feels, you have two choices, do you let it take you down or take it one step at a time forward. I kept going and it really shaped me as to why I am the way I am today.
I studied Fine Arts at The Corcoran in DC. I owe that decision to my art teacher, Mr Giles, in High School. He was retiring and wore a Hawaiian shirt every day during my senior year. He was a curmudgeon and I felt incredibly special since out of everyone in the school he really believed in me. As grumpy as he seemed to the class, he would tell me things like "Go into the other studio and break some glass, then put it on a canvas." He's the reason why my abstract pieces have elements like clay and sand in them.
I've had incredible mentors and all were teachers. Mr. Giles in High School and Christine George in College. Christine was the one who told me to go either to New York or San Francisco because "D.C. is no place for an artist like you." She told me to not listen to anyone, how I can still paint, be a graphic designer, and, if I choose to, have a family. I've never had anyone tell me anything like that before.
I took a chance because of her. Moved and went to Design School in 2006 and I've stayed in the Bay Area ever since, raising two girls with the love of my life.
Anj: You are one of those magical human beings that has figured out how to be a full-time artist. What was your career path like before you were able to dive fully into your creative passions?
Dev: The most radical thing I could have done in my family, I did, I went to college for Fine Arts. A mix of being so young and having to do it on my own, I went with the school that gave me more scholarships. Even then I worked three jobs to be able to get through it. Hard work is ingrained in me.
With my sculpture background, I fell in love with Print and Packaging and why I came out here to San Francisco. I appreciated the security of having a career in Graphic Design. I also learned how to work with clients and the business side of things. Even then, I never stopped painting.
A few years ago I went through a pretty hard time with my health. I dealt with six surgeries in one year and I still have to do some follow-up ones. That experience almost broke me and what got me through was my family and painting in bed while I recovered.
When I finally got back on my feet, my heart just wasn't in Graphic Design anymore. So I made a two year plan. With a toddler and a mortgage, I wanted to make sure my steps were thought out. I put myself out there as an Artist while I still worked in Design. After a year I worked part time as a Graphic Designer and stepped down from my Creative Director position. I loved it, to be creative as an Artist and as a Designer. I looked at 2018 as my year to make the jump. If my work as an Artist balances out with my salary then I would quit in the Summer of 2019. And so here we are. I also am sharing a studio with my good friend, Naomi PQ, and I feel like my creative drive is just beginning.
Anj: What do you love about painting? How do you feel when you're in a creative flow state?
Dev: Like every part of me is free. Free to express myself through the stroke of my hand. How all of it leads back to my heart. These elements I use to paint have a mind of their own and how I need to respect the process.
It centers me and reminds me that the process is just like the life we lead. I know I still have so much more to learn but while I'm painting no matter how it's going, I'll embrace this moment.
Anj: You reference your roots quite a bit in your work. Talk to me more about how your roots inspire your work.
Dev: One of my earliest memories is of my Lolo Jose teaching me how to water mango saplings. He converted to Buddhism when my mother was young, so he viewed the world with love and kindness. I didn't realize it then but watering those mango trees were life lessons. We need to take the time to nurture, practice patience, and respect all living things. I still imagine him walking beside me often, carrying his teachings as I find my way in this world.
Nature and the Sun drive my pieces. My abstract works are fragments of moments. Like the sunset I grew up with when I was seven years old in the Philippines, like how I saw the water in Cebu when I dove in as a young adult, and like when I saw the redwoods with my children for the first time.
I see earth in our skin and especially when I paint people. How our mango trees grew and blossomed because the dark earth was rich with nutrients. I imagine the Sun piercing through these women I depict. I paint their love and bravery because their resilience cannot be contained. I want to celebrate all of it.
This is the beauty of Art, I am able to paint exactly how I see it.
Anj: Motherhood and your daughters are also central themes in your work. How has motherhood changed your approach to creating artwork?
Dev: Everything. I was still deep in my Design Career and I would paint at home. One day Quinn, who was 3 years old at the time introduced me at the park to a mom. "This is my mom, she's an Artist." It struck me that my toddler knew who I was more than I knew myself. That's really when I really owned it. I am more fearless because of my girls.
I own my body, I thank people when they compliment me, and I am selective but fearless when I use my voice. I am more in tune how I speak about myself because of them. When I paint these women I want to celebrate them. I notice how I embrace myself is translated in my paintings.
Anj: What advice can you give to parents who are trying to tap into their kiddos' innate creativity?
Dev: I don't have a lot of guidelines set up. I'll say "Let's draw the biggest fish we can draw" or "how many silly lines can we make" and I let them lead me. They ask me questions, show me things, and I sit there with my coffee watching their eyes wide with excitement. Watching them in their creative process is pure joy for me. Those silly lines can turn into a dragon or waves and next thing we know, we're drawing a big beach scene. My advice would be that you can suggest something to start it off but be open to how they take it. It is such a beautiful window into their minds.
Anj: Shifting gears to HIP HOP DANCE! Talk to us about his component of your creative expression.
Dev: I loved the Hip Hop scene in DC and discovered how much fun the clubs were in college. My friends told me about this Hip Hop Crew I should try out for, I was so scared because I've never taken a dance class in my life. I got in and it was like having another family. We competed all over the East Coast, it was a blast!
I found hipline when I started my first Design Job and needed an outlet. It was exactly what I needed and one of the owners asked if I was interested to teach. I've been teaching there since 2009 and am still going strong. It's a wonderful community of women. Now we're virtual and reaching clients all over.
Anj: What does a typical [pandemic] day look like for you? How does it differ from your rhythm before COVID?
Dev: I've been practicing being kinder to myself lately. Both me and my husband work full time and so having the girls at home is a challenge. Some days we are amazed by how smooth it went and then there are others where if the girls are clean and bellies are full, it's a total win.
Now that we're on month 8 our rhythm before covid felt more chaotic to be honest. I felt like we were always rushing out the door while carrying so many bags. Now my husband and I try to have coffee together, if he has a break from his meeting, and we sit with Quinn before school to see what she has to do for the day. Rowan's preschool closed down but we were able to find a wonderful speech therapist for her and she has an Adventure Pod we go to two times a week.
The one thing we really try to do is go outside once a day. Have some magic in their childhood no matter how small. It could be just going up for a hike by our home and picking up leaves, riding our bikes, or watching the sunset from our window. Seeing how the girls' react to these adventures we have is pure magic.
Anj: When you get creatively blocked or burnt out, how do you reset? Do you have tips you can share?
Dev: I go outside. I go out for a hike or go to the beach. Even if it's 15 minutes, something about grounding yourself in Nature is really healing. I also do exercise where I doodle for two minutes because it feels doable. Judgment-free doodles, always opens the doorway to more.
Anj: I know firsthand that community-building is huge for you. Tell us more about what your support system and creative community looks like.
Dev: I feel a lot of love and strength when I think of my community. My relationship with my sister led the way what women supporting women looks like. It's listening, asking questions, remembering, cheering for all the wins, being there even if it's hard, and taking time to invest in them. The way me and my sister show up for each other is why I have these amazing women in my life. I can talk to them about my family, motherhood, and we're all trying to balance it all while sharing my most recent project. I feel really blessed especially looking back in my college years where I don't know where Art would take me.
Anj: When you need to give yourself a pep talk, what does it sound like?
Dev: I usually take a deep breath then say or think "One step forward". Most of the time, I'm scared (as shit) but the thought of not trying scares me more. That one step forward can be hard as hell and maybe even heartbreaking, but I have to try.
For more on this brilliant artist, mother and friend, follow Dev @_heyrana on Instagram and check out (and buy!) her artwork here.