The Department of Homeland Security Wants to Start Tracking Journalists and Media Influencers

The Department of Homeland Security wants to monitor journalists, bloggers and other media influencers from around the world, according to Bloomberg Law.

According to a request for proposals, the department is looking for a contractor who will monitor traditional news sources as well as social media and identify “any and all” coverage related to the agency or events that might fall under the department’s watchful eye.

“Services shall provide media comparison tools, design and rebranding tools, communication tools, and the ability to identify top media influencers,” the request says. Department agencies have “a critical need to incorporate these functions into their programs in order to better reach federal, state, local, tribal, and private partners.”

Essentially, the department would like a repository of information on every major reporter, blogger, influencer that includes monitoring individuals public activity. The tracking would apply to digital, print, broadcast, cable, and radio sources, and any journalist, editor, blogger, or correspondent the department believes is a “media influencer” could be included.

The department also wants to monitor the social media activity of these “influencers” and hopes to be able to translate coverage in over 290,000 global news sources from over 100 languages to English to add to the database.

This isn’t the first time in recent memory that a government agency has been taken to task for monitoring specific groups of people. Last year, the Congressional Black Caucus publicly called out the FBI for its monitoring of select Black activists — which an FBI intelligence report had labeled “Black identity extremists” — whom the FBI had controversially included on a list of domestic terrorists.

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If Emma Watson's book clubwere still active, she'd definitely have one of Amanda Montell's books on her list. After all, she penned Wordslut and Cultish— two compelling titles about reclaiming the English language from a feminist's POV and understanding why TF cults exist. She's not afraid to be curious about human nature and even helps readers understand things in a way that's a far cry from mansplaining. Simply put: Amanda Montell is as relatable as she is clever.

Did we mention she's also got a natural sense of humor? It's like she knows how to engage with people without changing who she is and what she believes in — two very rare things in the age of social media. Had we known any better, we would've included her on our list of inspirational women to pay attention to last year. But, there's no time like the present to honor her brilliance and celebrate the debut of her third novel The Age of Magical Overthinking.

The title alone drew us in and made us want to get to the bottom of our own battle with overthinking. It's partially why Amanda Montell wrote about it. Her other reason? Well, she's got a close relationship with overanalyzing things too. What better way to understand your own habit than to write about it and share your findings with the public?

Just think of her as your new bestie who's just as happy to talk about summer bucket lists as she is to break down things like cognitive bias or the halo effect 😉.

B+C: Why do you think so many of us are overthinking things, especially in the age of modern social media?

Amanda Montell: I decided to title the book The Age of Magical Overthinking because I couldn't help but notice that there just seems to be an inexplicable, excessive [amount of] delulu in the culture despite the fact we're living in the so-called information age. Everything from people with Master's degrees basing their genuine decisions on astrology to, you know, my neighbors opting not to get the Covid vaccine because a TikToker — a like, white girlie with a Bindi — told them it would downgrade their DNA.

Stuff like that didn't seem to check out for me, especially since we're ostensibly living in a time when you can fact check anything with the click of a button. I was like, 'What is going on here,' and as it turns out, what is going on is this innate clash between our innate decision-making shortcuts — the processes by which we always jump to conclusions in order to make quick decisions to make sense of the world enough to survive it. There's a clash between those age old decision-making methods called cognitive biases and the information age in a way that is ending up pretty explosive for society at large...and is causing us a great deal of existential pain.

So, magical thinking — or the idea that our internal thoughts can affect external events — is a human quirk that has been around since the dawn of our species. But I think overthinking is really a product of the modern age or result of this capitalistic pressure to be right about everything under the sun...

B+C: How do you think this is impacting the way we interact with each other?

Amanda Montell: There's a lot going on. We need to interact in person in order to have empathy...to establish the social glue that keeps us from getting into extremely fraud and sometimes violent ideological conflict. I think there's the idea that the internet is causing ideological rifts to widen and I think in a way that's true, but what's more problematic is the fact we are engaging in social discourse in a medium that prevents that empathy from holding us together.

I think almost everyone can relate to the experience of receiving a curt email from a boss or receiving a salty Instagram comment that sends us into fight or flight. We're responding to non-threats — these sort of abstract disagreements or fake problems — that we're projecting panic onto.

B+C: Can you break down the halo effect for our readers?

Amanda Montell: It was so much fun to explore this particular cognitive bias early in the book because I felt like it really would set up the whole thesis of it quite well. Basically the halo effect is this penchant admire one quality in a person — their fashion sense, their intelligence, the way they blend an oat milk latte — and then assume they must be perfect overall. This halo effect connects to the ways ancient humans used to find role models for survival purposes in our communities.

Ages ago, you used to clock someone in your small village with big muscles...and figure, 'Oh they must be a skilled hunter or they've avoided disfigurement from battle. I would love to align myself with this person for survival,' even though you're jumping to conclusions about them. Their big muscles might not necessarily indicate that they're skilled in battle or they're a good hunter, but it's an efficient enough decision to make.

We're not mapping that conclusion jumping onto modern parasocial relationships. We see a pop star whose music we really connect to and assume they must be educated, worldly, nurturing, they're political beliefs align with ours in this particular time when we're losing so much trust in the government...Basically since the Regan era — our first celebrity President — celebrities have really started swerving into other aspects of life (spiritual, political, etc.,)...

Rapid Fire Q&A

B+C: What are some some of the things you're currently obsessing over?

Amanda Montell: That's so funny you asked that because on this new podcast — The Magical Overthinkers — I also am opening every episode by asking 'What's an irrational thought spiral that's living rent-free in your head?'

I am totally overthinking my book tour outfits right now. Speaking of consumerism as like a distracting or numbing exercise, launching a book is very stressful and the one thing that made me feel some sense of relief is just shopping for cute outfits. I've been buying a lot of plaid skirt suits. The vibe is definitely 90s nostalgic, a little dark academia meets cochette.

B+C: If you were to give yourself five days to unplug from social media, how would you spend your time?

Amanda Montell: Great question. You know what? I'm setting up a week like this for myself in May after the book tour stuff dies down. After my last book Cultish came out, I was unwell in the mind. I felt so exposed and so fragile. I was like, 'I need to send myself on some kind of retreat,' so I sent myself on this little solo excursion to the Blue Ridge Mountains of Western North Carolina and it was so healing...I went and lived in an Airstream for a couple of days. I was doing nature walks and lying in a hammock journaling...

Watch the Full Interview with Amanda Montell:

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Dive Deep into The Age of Magical Overthinking with Amanda Montell

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This interview has been condensed for clarity.

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Did you really grow up in the 90s and 00s if you didn't binge watch all of Dakota Fanning's movies? After a childhood in the spotlight, Dakota moved from Uptown Girls and Reese Witherspoon's Sweet Home Alabama to projects like Once Upon a Time in Hollywood and Ripley. And her newest summer movieThe Watchers is one of the wildest yet. The new trailer dropped April 22, and I love the immediate emphasis on eyes (and the idea of watching someone, naturally), and I can already tell Dakota's Mina will be a rebellious heroine I can't wait to watch. Here's everything you need to know about the new movie!

Where can I watch The Watchers?

Image via Warner Bros. Entertainment

The Watchers hits theaters June 14, 2024. Even though the story takes place in chilly Ireland (and the costumes feature a lot of chunky knits), the lighting and color palette still feel summery. Plus there's something about the edge of horror movies that feels just right for summer.

Who's in The Watchers cast?

Image via Warner Bros. Entertainment

Dakota Fanning stars in The Watchers as Mina alongside Georgina Campbell, Oliver Finnegan, and Olwen Fouere. Throughout the trailer, we can hear the titular Watchers (especially when they applaud Mina's arrival. Creepy!!) but we don't know who will be playing them — or if they're even human.

Is The Watchers a horror movie?

Image via Warner Bros. Entertainment

Yes, The Watchers is definitely a horror movie! It's officially described as a supernatural horror movie, and it looks like it'll be a blend of the contemporary horror we know and love, with additional fantasy elements. I would love if the Watchers end up being part of Irish lore or mythology.

What is the Watchers 2024 movie about?

Image via Warner Bros. Entertainment

The Watchers follows Mina (Dakota Fanning), an artist who gets stranded with her pet bird in a large Irish forest. Thankfully it doesn't take long for Mina to find shelter with three strangers, but her relief turns to fear when she learns they're being watched and stalked by unseen creatures every night.

The fact Mina and her new companions can hear the Watchers but can never see them feels like a contrast to John Krasinski's A Quiet Place, especially since the Death Angels and Watchers sound very similar to me. I love how A Quiet Place emphasizes family and connection in the face of horror and I hope we see the same in The Watchers!

What book is the movie The Watchers based on?

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The Watchers is based on the novel by A.M. Shine. If you're into horror books, add these 20 Spine-Tingling Horror Books and The 17 Best Mystery And Thriller Books to your summer reading list!

What horror tropes do you hope to see in Dakota Fanning's The Watchers? Or what do you hope not to see? Read up on the other 33 Most-Anticipated 2024 Movies coming soon!

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Last week, I arrived at a third date with a handsome and eligible bachelor. Before I’d even had the chance to set my purse down, my phone began pinging incessantly. I apologized, sheepishly, silencing my device and explaining to him that it’s simply my group text from work. Our Love Is Blind thread, specifically, I clarified. I began to explain—surely gratuitously—that Season 6 had just ended, and the night prior the salacious Reunion had aired so the group was debriefing. It’s all likely nonsense—but he stopped me mid-spiel, emphatically asserting, “Oh, I know. I love that show.”

By the time I’d left his house some time later, the screen of my iPhone flashed news of texts from now three separate threads—disparate friend groups—each digital discourse eager to unpack all that had transpired during last week's follow up from the messy Season 6 finale the week prior.

Courtesy of Netflix

Since its debut on February 14, Love Is Blind Season 6 has taken viewers across the globe (yes, the globe—my London-based sister is a devoted watchee) on a journey. We’ve gathered for the proposals, the dismissals, the guffaws, and the cringes alike, collectively sitting on the edge of ours eats wondering: will they or won’t they? And, while there are indeed a myriad of hot takes to unpack from the final three episodes of Season 6, I’ve found my brain clouded by another query: why is Love Is Blind is so damn watchable in the first place?

Courtesy of Netflix

Reality TV is often dismissed by the masses as a collective evil. A vapid, low-brow, mindless behemoth of capitalistic exploitation with little to offer in the way of social and cultural enrichment. A waste of time; a media outlet designed only for the lowest common denominator of viewership. In fact, reality TV opponents are so vocal that naysayers have even lobbied against the industry as a whole, claiming the long term effects of watching this form of unscripted entertainment are very real and, more importantly, very detrimental.

According to a 2023 Rolling Stones article, “Not only have studies proven [reality TV] affects our mental health, research has also shown a correlation between watching certain programs and an increase in aggression, manipulation, and narcissism in viewers.” Yikes.

Admittedly, it was not long ago that I, too, was in the camp of people who steadfastly maintained a pretentious judgment for all things reality. I just appreciate shows with a bit more... substance, I’d pompously assert at dinner parties to anyone trying to convince me otherwise.

Courtesy of Netflix

When my dad suffered a life-altering stroke in 2018, however, somehow this catastrophic personal event coincided perfectly with the airing of Arie Luyendyk’s season of The Bachelor. Try as I might to look elsewhere, allowing the darkness of my personal life to slip away during these weekly two-hour reality show ventures was the perfectly mindless antidote to all of the stress I was experiencing in my waking hours.

Similarly, that same year, when my husband’s mother was diagnosed with Cancer, my sister-in-law and I began ceremoniously ending each night of caregiving by sitting on the couch with Ramona, LuAnn, Sonja, Dorinda, and Bethenny, soothing ourselves to sleep with the dulcet sounds of The Real Housewives of New York arguing over bottle number eight of Veuve whilst on girls’ weekend in the“Bezerkshires.”

I can say with confidence: I truly do not think I would have made it through my personal year of hell without the vacuous outlet provided to me by all things reality TV. Since then, I’ve been hooked. After all, nothing like the zeal of a convert.

In 2022, BBC Radio 4 released the podcast Unreal: A Critical History of Reality TV. Now, for anyone living under a rock, it’s pertinent to note that the BBC is a British media conglomerate that is generally considered to be highly reputable. Thus, their content is, of course, consistently credible. Throughout Unreal, a 10-part investigative radio series, the BBC critically examines the irreplaceable role reality TV plays in defining, mirroring, and preserving the social and cultural zeitgeist of a given era. The program presents reality television history chronologically, episodically unpacking the most highly-watched reality TV shows across the last, now, fifty-some years, beginning with 1973’s An American Family—the prolific reality vanguard, widely considered to be the bellwether for this era of media consumption.

Besides being a must-listen, Unreal makes the case that reality television should not be written off simply as fluff. On the contrary, journalists (and hosts) Pandora Sykes and Sirin Kales suggest that reality TV provides, arguably, one of the most astute reflections of a society at a given time. I don’t necessarily disagree. Which brings me back to Love Is Blind—and, more acutely, the fact that almost every single person I know (collectively spanning a myriad of genders, sexualities, races, and ages) has dutifully tuned in to each and every episode of Season 6. Surely there is something more prescient to be gleaned from a show with this much cross-cultural buy-in. A show whose viewership spans, quite literally, all identities.

Courtesy of Netflix

What is it about LIB that has us all hooked? Yes, there are the scandals (Trevor was in love with someone else! JerAmey was engaged! Kwame and Chelsea are... still together?). Or maybe it’s the backdoor legal cover-ups (according to one knowledgeable TikTok user: the vetting process is nonsense, producers are suing contestants for breaching NDAs, and any engaged participant who fails to make it to the altar has to pay the studio an alleged $50K). Or, further still, perhaps it’s simply the fact that, due to social media, we can all now follow the contestants in real time, peering voyeuristically into their lives as they unabashedly, and simultaneously, air their dirty laundry on national television. The only thing I think we can all agree is not the culprit for committed viewership is Nick and Vanessa Lachey’s gormless double act.

Courtesy of Netflix

Alternative theories aside, perhaps the real reasoning behind our collective addiction is far more simple. The Occam's razor of it all, if you will. Perhaps we are all hooked simply because we are sitting here, in partial disbelief, wondering: what the heck is love anyway? Are these people—or any people, for that matter—actually able to “fall in love” without knowing what someone looks like? Is it genuinely possible to commit to a lifelong partnership after a mere 38 days of knowing someone? And, if we are indeed to allow ourselves, as viewers, to believe in this process (or, more shrewdly, allow ourselves to suspend our disbelief), how does this potential “reality” inform our own view of love? After watching this season—and, with it, exploring these theories on my own—I venture to argue the show itself could be retitled: Love Is...?

Courtesy of Netflix

It doesn’t help that Americans are facing an unprecedented era of isolation and solitude. Commonly referred to as the Loneliness Epidemic, studies over the last two years have shown that Americans—of all ages, races, genders, sexualities, and so on—are far more likely to experience feelings of solitude than ever before. Bearing this disturbing reality in mind, it’s hard to look at a show like Love Is Blind without a more critical eye attuned to unearthing what itch this program is scratching for so many viewers in search of love themselves. Is meeting someone blind the answer to our collective cries of loneliness? Hard to say, yes—but, also foolish to disregard completely at this point.

I do not know exactly why we all keep watching LIB, season in and season out. But, if Unreal’s assertion is to be believed, then one must accept that something about this show is indeed capturing the current cultural milieu. Maybe we all are, in fact, watching in search of a mindless outlet to serve as the salve for adulthood’s ever-increasing stressors. Or perhaps we keep tuning in to further inform our own subjective views of love, partnership, and marriage. Whatever the case, the [not so] cult following is real and, I would go so far as to say, deserved.

Lawsuits, scandals, and in-joke Tweets notwithstanding, you bet we will all be tuning for Season 7 when the time comes. But, in the meantime, onto Love Is Blind Sweden. Though the subtitles are a bit of a beast at first, once you get past that minor literary challenge, you’ll be hooked in no time.

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Outer Banks fans got a treat during 2023's Poguelandia event (which took place on February 18 in Huntington Beach, California). While celebrating the release of Outer Banks season 3, the cast took to the stage to announce that we were also getting Outer Banks season 4! As a native Outer Banks-er myself, this is one teen drama I will never be able to get enough of — so keep the seasons coming Netflix!

I'm already dreaming about my annual beach vacation, so naturally, I'm thinking about what hijinks the Pogues will get up to in Outer Banks season 4. Here's everything we know about the new TV show, including the cast, the plot, and the Outer Banks season 4 release date!

When is Outer Banks season 4 coming out?

Image via Jackson Lee Davis/Netflix

We don't have an official Outer Banks season 4 release date yet, but the cast has been filming since 2023. And Netflix's co-CEO recently revealed (via The Hollywood Reporter) that, in addition to the new seasons of Squid Game and Emily in Paris, we'll see Outer Banks season 4 during the second half of the year. That means we could see our favorite Pogues this July or August! This is the perfect release window because summer is all about beachy vibes and summer adventure — just like OBX.

Who's in the Outer Banks season 4 cast?

Image via Netflix

We're expecting the main cast to return for Outer Banks season 4, including Chase Stokes as John B., Madelyn Cline as Sarah, Madison Bailey as Kiara, Jonathan Daviss as Pope, Rudy Pankow as JJ, Carlacia Grant as Cleo, Drew Starkey as Rafe, and Austin North as Topper.

Since Charles Esten's Ward ends up (spoiler!) dying at the end of season 3, he probably won't make a return — unless the show ventures into ghost territory. Honestly, I wouldn't even be surprised. But even if he's not on set, he recently reunited with Madelyn Cline and Drew Starkey!

"That thing where you’re playing your 4th Annual WARDJAMMER...and your amazing friends who also happen to be your @obx son and daughter surprise you by showing up and hanging out all night and even coming on stage to sing 'Left Hand Free,'" Charles writes on Instagram. "What an absolute joy to wrap my arms around these two! The bond is real and my heart is grateful."

The First Look At Outer Banks Season 4

Image via Netflix/YouTube

After Netflix's Tudum event showed off the Pogues' new style (and confirmed that all of them will be returning, thank goodness), we got a brand new look at some Outer Banks season 4 scenes thanks to Netflix's 2024 preview. It's a brief clip, but we hear just how excited the Pogues are to go after a treasure they've "spent [their] whole lives hearing about] (same, TBH) — and get to see them lounging around on a day off. Treasure hunting is hard work, after all!

This first look gives us an idea of what we can expect from this upcoming installment because while season 1 had the golden overtone of our favorite 2000s dramas, season 2 featured warmer orange tones, and season 3 featured a little bit less saturation, it looks like Outer Banks season 4 is youthful, bright, and colorful. And thanks to this clip, we also know for a fact we'll see Madison Bailey, Rudy Pankow, Jonathan Daviss, Madelyn Cline, Chase Stokes, and Carlacia Grant come back to their iconic roles.

What is season 4 of Outer Banks about?

Image via Getty Images for Netflix

Outer Banks season 3 ended with an 18-month time jump — meaning the characters will be a year and a half older in Outer Banks season 4 than in previous installments of the show, which works in the series' favor because the characters will be closer to the cast's ages. Plus, being post-grad gives them more flexibility to go treasure hunting without the repercussions of skipping school...like they did the entirety of season 2.

Thanks to some important details at the end of the season finale, we know Kie is working with turtles, JJ bought a charter boat, Pope is going to college, and John B. and Sarah are running a surf shop. But things take a turn for the adventurous when the Pogues are given a new quest to hunt for Blackbeard's treasure. The real Blackbeard loved hiding his treasure on places like Ocracoke Island, which is on the real OBX. I'm super excited for this plotline because it means we'll be back on the Outer Banks for (hopefully) the whole season!

"It’s not going to be the usual Blackbeard story," according to co-creator Josh Pate, and (spoiler!!) we actually have our first plot details. According to Wrightsville Beach recreation program supervisor Katie Ryan (via Wilmington StarNews) and the shows filming permits, we know that one scene will involve "two people jumping from the pier," while a second "involves individuals finding a body on the beach."

While Outer Banks season 4 promises to be as adventurous as ever, Chase Stokes promises People the show will also go back to its roots. “The writers talked about how there was a real want for a lot of the authenticity and the characters in season 1. So I will say that they do a good job this season of that,” he says.

After the death of Sarah and John B.'s fathers, the show's golden couple will have to figure out what their future looks like. “It really will force them to evaluate everything," he says. "Where they are, what their purpose is, what their intentions are, and what was the actual value of it? Was it worth it, in hindsight? If they could go back and change things, would they?"

"[The Pogues have had] a huge, huge shift in lifestyle in a very, very short period of time," Chase continues. “And I think when you go through that level of trauma, for sure, it'll make you start asking those deeper questions.”

Where is Outer Banks season 4 filming?

Image via Netflix

Outer Banks season 4 has been seen filming around Charleston, South Carolina and Wilmington, North Carolina, which is where other titles like Dawson's Creek,The Summer I Turned Pretty, andOne Tree Hill have all filmed! Because OBX has never filming in Wilmington before, it makes me think the Pogues will truly go on an adventure we've never seen.

Is Outer Banks season 4 the last season?

Image via Jackson Lee Davis/Netflix

Netflix hasn't officially announced whether we'll be getting an Outer Banks season 5 or 6 yet, but creators Jonas and Josh Pate have enough story for another two seasons. "We’re going to fill in some gaps in the 18 months," Josh tells TUDUM. "We felt like we needed to migrate them out of school. We think about the first three [seasons] as a trilogy and then we’re starting over on [another sort of] trilogy now. We just needed to clear the decks. We’re going to have new villains, a new treasure hunt, a new life situation."

I'm excited to see what kind of roots the characters put down in Outer Banks season 4 — and how they flourish as the story continues!

Are you excited for Outer Banks season 4? Check out our interview with costume designer Emmie Holmes and The 14 Best New TV Shows Coming In 2024 before you rewatch OBX season 3 again ;).

Lead image via Jackson Lee Davis/Netflix

This post has been updated.

Though Elena Ferrante is a pen name, and while the author prides herself on anonymity, her books shouldn't be a mystery to you. The Italian author's beautiful work transcends the need for a face attached, as raw emotions, complex characters, and unforgettable narratives define Ferrante's unique voice. From the intense friendship at the heart of the Neapolitan Novels to the unsettling psychological depths plumbed in The Days of Abandonment, prepare to be surprised, challenged, and utterly engrossed by the brilliance of Elena Ferrante.

Neopolitan Novels

Though Ferrante's entire body of work is worth a read, the first thing that should be on your list is the Neopolitan Novels. This is a four-book series that explores the complex female friendship between Lila and Elena. The two start off as young girls who are being raised in a poor and tough neighborhood of Naples in the aftermath of World War II. The novels chart their complex bond as the two girls grow up, start families, begin careers, and deal with societal pressures and personal struggles.

The Lost Daughter

The Lost Daughter is a brilliant standalone novel of Ferrante's that is centered around a middle-aged woman named Leda. While on a solitary vacation on the coast, Leda observes a young mother named Nina who is struggling with her relationship with her daughter. This awakens memories of Leda's own struggles with motherhood, making for a raw and honest depiction of the complexities of parent-child relationships.

The Days of Abandonment

In The Days of Abandonment, Ferrante delves into the raw emotions of a woman named Olga after her husband abruptly leaves her and their two young children. The story follows Olga's descent into despair and rage as she grapples with his sudden absence and tries to maintain a sense of normalcy for her kids. Faced with a challenge she never expected, Olga goes on a quest to learn about her own identity and find strength within herself.

The Lying Lives of Adults

As the title indicates, this novel deals with the concepts of honesty, disillusionment, and family secrets. It follows the story of a young woman named Giovanna who becomes obsessed with her estranged father after learning a shocking secret about her parents' past. As she continues to delve deeper into their hidden world, she uncovers a web of secrets that shatter her perception of her family and her ideas of adulthood.

Incidental Inventions

Incidental Inventions isn't a novel, but a collection of essays that were originally published in The Guardian. Here, Ferrante offers a glimpse into her thoughts and observations on a variety of topics. Expect insightful and thought-provoking reflections on everyday experiences, personal fears, and the creative process itself!

Troubling Love

Troubling Love centers around Delia, who returns to her childhood home after her mother, Amalia, is found dead under mysterious circumstances. As Delia grapples with grief, she confronts repressed memories of her childhood that were made difficult by her mother's volatile relationships with abusive men. The narrative unfolds as Delia pieces together the events leading up to her mother's death and confronts the lingering effects of her complicated upbringing.

Frantumaglia: A Writer's Journey

"Frantumaglia" is a word borrowed from Ferrante's mother and means "a jumble of fragments". This collection of Ferrante's writings does not feel like a jumble, but rather a rich body of work that provides insight into the challenges and joys of her writing process and the inspirations behind her novels.

In The Margins: On the Pleasures of Reading & Writing

Another collection of essays, In The Margins: On the Pleasures of Reading & Writing is Ferrante's exploration of the joys of being both a writer and a reader. She dives deep into her formative experiences with literature, her masterful approach to writing, and the challenges that can come with crafting meaningful stories.

Looking for more book inspo? Be sure to check out our storefront for more fab reading recs!

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