Reading Emily Henry? There's A Taylor Swift Album For Every Book.

Funny Story — Taylor Swift

Let's start with the newest title: Funny Story! I have to be honest and say the fact that this story starts out with Miles and Daphne planning to get revenge on their exes (who immediately get engaged to each other after dumping them) definitely reminds me of the sass in "Picture To Burn," which is one of my favorite Taylor Swift songs of all time.

But even without the revenge plot there's so much about Funny Story that feels youthful and full of life. Taylor Swift's first album might be all about high school heartbreak and teenage angst, but she writes in a way that feels relatable, no matter how old you are. Daphne and Miles mourning their relationship at the beginning of the book feels like "Teardrops on My Guitar," while goofing off in the car is totally giving "Our Song" and Daphne's struggle to fit in and find community is inseparable from "A Place in this World" in my mind.

Even in the face of major heartbreak and betrayal (the kind that is anything but juvenile), Daphne and Miles find comfort in one another, and they really bring out each other's best personality traits. In my opinion, the best kind of relationships are the ones that make us feel safe enough to act like kids, and that make us want to get as much out of life as possible.

Happy Place — Midnights

Henry herself assigned "Maroon" to her 2023 release, and that's exactly why I'm linking it to Taylor Swift's 10th album. Both Midnights and Happy Place are layered, intricate, and vulnerable looks at both love and loss.

The news of Taylor Swift's recent breakup left fans guessing whether Midnights is actually a breakup album, making it even better for this pairing. Considering Happy Place's Harriet and Wyn are trying to play it cool when it comes to their own past relationship, there is a lot of reminiscing between both artists.

Midnights and Happy Place are complicated and emotionally-charged, and they bring feelings together that almost seem contradictory. But that's what I love about both Emily Henry and Taylor Swift — they show that our experience as women is multi-faceted, as both titles magnificently marry happiness, longing, sass, and melancholy.

Book Lovers — Reputation

At first, I thought Book Lovers should be 1989. After all, leading lady Nora is a business woman at the top of her game in Manhattan. (I know the book mainly takes place in North Carolina, but I stand by the sentiment). I realized, however, that just like Nora herself, Reputation is often misunderstood. The shock we all felt as a fandom when Swift announced the controversial era — partnered with all the drama surrounding the album — kind of overshadowed its actual themes and message. As much as Reputation is sharp, cunning, and shady...the lyrics are a vulnerable look into Taylor's mind, while the upbeat production makes it feel like she's hiding.

Just like Reputation seems prickly and unfriendly (when it's really complex and emotional and loving), Nora craves love but is afraid of it at the same time. Throughout the album, Taylor talks about her anxiety that the world wants to keep her apart from her lover, and that she's afraid she'll scare him away. If you ask me, Nora would have "Delicate" and "Dress" on repeat.

People We Meet On Vacation — Speak Now

Thanks to the album insert, we all know that Taylor's intention with Speak Now is to encourage listeners to say what they need to say, and go after the things they really want. And that's exactly what Poppy and Alex need to do in People We Meet On Vacation. Plus, both the book and the album explore different kinds of emotions, between Poppy and Alex's friendships, fall-outs, and romances, and Taylor's "Sparks Fly," "Long Live," and "Never Grow Up."

Instead of nuanced, soulful romantic musings, both Speak Now and People We Meet On Vacation feel more physical, which isn't to say they're any less complex. Both titles are about learning to be honest with yourself and with the people around you, and to take risks — especially when they're scary.

Beach Read — folklore

Beach Read is my favorite of Henry's novels so far, and I think the escapist mentality of both main characters is the perfect fit for Taylor Swift's 2020 surprise album folklore. January's romanticism and Gus' realism are the exact themes woven throughout folklore. Even when both the album and the book deal with betrayal, they're done in an intentional and careful way. Not to mention the fact that (spoiler alert) Gus' difficult romantic history sounds a lot like the Betty-Augustine-James love triangle found in folklore.

Once they feel comfortable around each other, Gus and January continually push each other to be their creative bests, and to think outside the box. That perfectly encapsulates the magic of folklore because of how the music is dreamy yet grounded, fictional yet so detailed that it sounds like a diary entry. Plus, both works are just absolutely beautiful.