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Is Emily Henry making a Funny Story TV show?

If you're already daydreaming about seeing Funny Story onscreen, you're not the only one — even Emily Henry herself is thinking about whether the book will turn into a TV show. She tells Variety she hopes to have details "really soon" about onscreen adaptations for her newest novel, as well as last year's Happy Place.

What is Funny Story about?

In Funny Story, Daphne and her fiancé Peter are madly in love. They've moved back to his childhood hometown, where Peter constantly tells the story of how they met. All is well...until Peter realizes he's actually in love with his childhood best friend Petra. Now Daphne is stranded in Waning Bay, Michigan, and even though she has no friends or family, she does have her dream job as a children’s librarian, so at least that's one point in her favor.

Now, with barely any money, there's only one potential roommate who could possibly understand what she's going through: Petra’s ex, Miles. Despite the fact that Miles happens to be Daphne's polar opposite. After they form a friendship (which may or may not involve posting misleading images of their summer together), Daphne realizes that she might have done the craziest thing of all: fallen for her ex-fiancé’s new fiancée’s ex. No biggie.

Will Funny Story connect to the other Emily Henry books?

Based on her other stories, we're not expecting Funny Story to directly tie into Happy Place, Book Lovers, People We Meet On Vacation, or Beach Read. However, she does often reference the characters from her other stories once. So don't be surprised if Daphne bumps into Nora in the grocery store or finds one of Gus' books incorrectly shelved in the library.

When is the Funny Story release date?

Funny Story will be released on April 23, 2024, almost a year after Happy Place was released!

What does the cover look like?

The covers are always one of my favorite parts of any Emily Henry book. They're always vibrant, bold, and always show just enough of the characters to both catch your eye and keep you intrigued. In the past, they've been blue, pink, orange, and yellow, with bits of other colors interspersed in the details.

After hoping for a green, deep red-orange, or lilac color (and after Emily Henry's official Instagram announcementmade me think we'd get purple), the author showed off the brand new cover for Funny Story! The vibrant deep mix between purple and blue is the perfect color against Daphne, Miles, and all of their accessories.

We already have a feel for the characters, too! Daphne's sassy head tilt, the "we're in this together" energy, the fact that Miles is wearing crocs.

Where can I preorder Funny Story?

There are a number of you can preorder Funny Story! Here are a few:

• Barnes & Noble
• Books A Million
• Target
• Amazon US
• Amazon Canada

Kelly's grace and optimism allows her to find the silver linings of her childhood — even though it was difficult, she also describes it as colorful and chaotic, noting that it made her adaptable. Acting became a place where Kelly could channel all of the emotion she didn't know how to process otherwise. After a few guest roles, she landed popular girl Lyla Garrity on the family sports drama Friday Night Lights in 2006.

"I found acting before therapy, so it was my first sort of place where I got to learn who I was. And that's a big part of acting is knowing what you have to offer," she says.

She credits her first acting teacher Janet Alhanti with helping her grow and develop as a woman: "No one had ever seen me the way she did or called me on all the bullshit that I was offering, and that felt really good for someone to be a little hard on me."

Kelly and her mother eventually reached a point in their relationship when they were no longer speaking, and it wasn't until her mother began to get sick that they began to mend their relationship.

"I spent a lot of my youth wishing my mom was something she wasn't," Kelly continues in the interview. "I only was able to really appreciate how special she was when I got much older. In fact, when it was maybe a little too late."

Kelly's mother passed away from cancer in 2008. However, she knows that, even though it's tempting to focus on the past, there is still so much of her story to tell: "I'm a work in progress I think like a lot of women out there."

As a Power of Women honoree, Mariska was recognized in regards to her work as an advocate for sexual assault survivors. She took the stage and used her platform to discuss rape and assault conviction reversals, shining a light on the recent overturned ruling in Harvey Weinstein's landmark NYC case. Here's what she said:

Today I want to talk about reversing convictions, and more specifically I want to talk to you about how impossible it is to reverse mine. It’s impossible to reverse my conviction that survivors matter. It is impossible to reverse my conviction that what happens to us matters, and that our society must respond to survivors with a more a compassionate, holistically, deeper, and more nuanced understanding of what healing means.

It is impossible to reverse my conviction that after a trauma, survivors can reclaim lives of hope, of possibility, of audacious risk, beautiful intimacy, and glorious, glorious abundant joy. And I stand before you as evidence of that statement.

It is impossible to reverse my conviction that we must listen to survivors as experts on what justice means. It is extraordinary how little their voices are consulted, let alone incorporated, in the process of deciding how to repair harm. Justice is not a one-size-fits-all journey.

It is impossible to reverse my conviction that patriarchal impunity has to end. Patriarchal impunity is when a male-dominated system exempts perpetrators from punishment. Studies show that only 20% of all rape cases in the U.S. are reported to the police, and that between 5 and 0% of all rapes result in a guilty plea or a conviction. So why do 80% of victims not report? Because they're met with a system that grants impunity to perpetrators; a system that blames victims; a system that accepts only those victims who are experienced as "real" rape; a system that completely misunderstands the neurobiology of trauma, which causes behavior in women that doesn't fit the picture of how a "real victim" would act.

Is that change needed that victims should just pull themselves together? Just buck up and report anyway? No. No, it's the system that receives them that needs to change

It is impossible to reverse my conviction — and the conviction of my extraordinary team, The Joyful Heart — that the backlog of untested rape kits can be brought to zero; that the testing of all new kits must be mandated; that we need a statewide kit tracking system; and that survivors have the right to access the status of their kits.

It is impossible to reverse my conviction that grammar — yes, grammar — that we use when we speak about rape must change. In the sentence, "A woman is raped," there's a crime and there's a victim, but there's no perpetrator. Where's the perpetrator? Where is he? Statistically, as we know, most likely he's walking free. He's so free that he doesn't even appear in the language about the crime that he committed. Is that not extraordinary? It's extraordinary that in the very grammar, the perpetrator goes free. Reintroducing perpetrators in the language of rape will make some very unwieldy grammar, but that's the nature of change. It's unwieldy, it's messy, it's uncomfortable, but it's necessary.

Hargitay continued on in her prolific speech to describe that rape shouldn't be considered a "crime of passion" because it's "not simply the next step in the trajectory of his passion" when a man takes a consensual hookup too far and assaults a woman against her will. She stated that it's "an exercise of power," doubling down that the language we use is important.

The speech went on to address that rape is both about power and control, as a "construct" that was "built, and assembled, and reinforced over time." She noted that there are people with these positions of power — and she specifically called out those in the entertainment industry — that could make a difference and aligned themselves to victims and survivors.

After this and some other remarks, Hargitay specifically called out the Weinstein conviction reversal. She said:

I do want to say something about the Harvey Weinstein conviction, specifically about the reason that it was overturned: too many women's voices. Too many women's voices were allowed to speak. Hallelujah! Amen! I can't imagine anything more beautiful than that. The Daily podcast episode talked about how it was so risky for the prosecution to have that many women testify. Risky to let women speak? You're damn right it is!

Too many women speaking brings change. Too many women speaking shakes the establishment. Too many women means we get listened to more, and people might actually hear what we have to say. Look what happened when women started saying just two words, right? Me too — just as an example — a tidal wave of change. Me too.

And then of course, there was the response: the Me Too Movement. The backlash. The examination of whether the changes that have come are lasting, or are even positive. Of course there's a backlash! What did they expect? For women to speak repeatedly, loudly, together, with a purpose — for there to be no backlash? The backlash is evidence of how powerful those voices were, how powerful those voices ARE.

Watch Mariska Hargitay's Full Speech Here

Turns out that your TV heroes really can be your IRL heroes after all. Long live Olivia Benson! Long live Mariska Hargitay!